By now, most of you have heard of the “Trump Trackdown” video. For those of you who haven’t, a quick recap:
This past week, Snopes.com posted about the video, which was originally posted to YouTube back in November and consists of 4 minutes of various scenes from a 1958 episode Trackdown. In the episode, a con man named Walter Trump arrives in a Texas town and tells everyone that only he can save them from the end of the world, by building a protective wall around their homes (along with selling them parasols to shield them from a meteor shower).
Texas Ranger Hoby Gilman, played by none other than Robert Culp, suspects Trump is a fraud. At one point in the episode, Trump threatens to sue. Hoby doesn’t take any crap and eventually exposes Trump for the fraud that he is.
The Snopes article and video have since gone viral. This pleases me in several ways, not the least of which is the recognition and exposure Trackdown is getting, which currently runs on MeTV Saturday mornings (and also on the network Heroes and Icons) after having been absent from television for many years. The video has been shared and talked about on social media all week, with some 40,000 shares alone on Facebook as of the time of this posting. A lot of folks have never heard of the show. Many seem curious to learn more about it.
With that in mind, I wanted to point out a couple of things that I’ve noticed in comments and blog posts of recent days. First, Trackdown is NOT in the public domain. The show’s copyright and distribution rights are owned by CBS, which is the network it originally aired on from 1957 to 1959.
There is no official DVD release of the show. However, there is a DVD set that’s floating around out there, but the video quality is atrocious (to put it kindly). The source material was literally VHS recordings of the show from local TV stations and TVLand airings dating from the late 1980s. Those of us of a certain age know what VHS quality looked like.
I was thrilled when Trackdown began airing on MeTV back in October of 2016. I’ve tried to watch at least one episode on Saturday mornings on MeTV (two eps run back to back) and the film quality is exceptionally better than the cruddy DVD copy I’ve seen. The show is much more enjoyable to watch.
Which brings me to my ultimate wish (well, one of them anyway!) I’m talking to you CBS. With curiosity and interest in Trackdown increasing the more the video and Snopes article is shared, this would be a wonderful time to look at putting Trackdown out on DVD before the end of 2017.
With the return of Trackdown and The Greatest American Hero to TV screens it seemed appropriate to post an updated listing of where you can view these shows and others.
Trackdown can be seen on MeTV and on Heroes and Icons. Check your local listings for times and availability.
I Spy is currently not running on any television networks (although RetroTV still has a page for it on their website), but can be seen online via Hulu, Yahoo View and on the PROClassicTV streaming service. Yahoo View is free (with occasional commercials during the episode) while Hulu and PRO require subscriptions. However, in the case of PRO, individual episodes can be viewed for .99 a piece.
The Greatest American Hero can be seen on Heroes and Icons and streaming on Hulu with subscription and for free on Yahoo View. Yes, the pilot episode is conspicuously absent from the online streaming services.
You can also find two of Culp’s Celebrity Bowling appearances at the PROClassic site, the first from 1973 and one from 1975.
Along with those shows are several shows that Culp guest starred on, such as Columbo (MeTV, Netflix), The Rifleman (MeTV, PROClassicTV streaming, Hulu and Yahoo View), Everybody Loves Raymond (TV LAND), Murder, She Wrote (COZI, Netflix) and many others. You can always check TV Guide’s online listing for upcoming episodes of shows featuring Culp.
You can also check out JustWatch.com, which currently lists where you can find 17 Culp films and TV series’ that can be viewed online or purchased. I consider it my civic duty to warn you to NOT waste your money on National Lampoon’s Movie Madness. Just don’t. Trust me.
Oh. Yeah, you have heard this before. About a year ago, when Fox gave the green light to Phil Lord and Chris Miller, who wrote and directed THE LEGO MOVIE and also directed a big screen version of Stephen Cannell’s 21 JUMP STREET, to film a pilot for a new take on THE GREATEST AMERICAN HERO. We’ve heard nothing more since then about a script, or actors or anything.
It’s been a year and apparently a change in writers, but a casting director has now been hired to scout out some talent. Nathan Fillion expressed some interest in playing the lead during a Q&A session at Chicago’s Wizard World Comic Con back in August, 2015.
It’s also unclear if the concept has changed. Originally, it sounded like Ralph, Pam and Bill were NOT going to be rebooted, that it would be all new original characters; an inner city teacher named Issac would be the recipient of the suit. Now, based on the recent Deadline Hollywood article, the script written by Rick Famuyiwa (DOPE), “is the story of what happens when great power is not met with great responsibility. An ordinary man, completely content with being average, wakes up with a superpower suit he never asked for and has to deal with the complications it brings his life.”
Given Hollywood’s penchant for lampooning and doing parody’s of original shows, it really doesn’t sound encouraging.
If being featured on a bubblegum trading card is a sign of success, Robert Culp hit pay dirt when Trackdown was included in the 1958 Topps TV Westerns trading card set. The set featured several TV westerns including Gunsmoke, Have Gun Will Travel, Wanted: Dead or Alive, Wagon Train and several others. A total of 71 cards were in the set with most shows having five or six cards a piece (Gunsmoke had a whopping 15!). The set was very popular and the cards continue to circulate among collectors today.
Trackdown had five cards in the set and is the second show featured (after Gunsmoke) in the set.
It’s been talked about for years, as either a feature film or a new TV series, but FOX appears to be the latest player in the attempt to bring back Stephen Cannell’s GREATEST AMERICAN HERO. Phil Lord and Chris Miller, who wrote and directed THE LEGO MOVIE and also directed a big screen version of Cannell’s 21 JUMP STREET, have apparently been given the green light to film a pilot for a new series. Based on the brief description provided by Deadline.com, it sounds like the characters will be all new and will not be reboots of Ralph, Pam and Bill respectively.
Despite the rather dismal track record for TV reboots, Hollywood keeps trying. We’ll reserve judgment on this one until the pilot episode actually sees the light of a TV screen.
Using information mentioned or otherwise inferred in the episodes and from the 1994 I Spy Returns TV movie, Barbara K. Emanuele has compiled comprehensive character bios for Kelly Robinson and Alexander Scott. Given the fact that the show ran for three seasons and accounting for continuity issues and conflicting tidbits, Barbara has managed to pull together information that brings further depth to these characters. TheConsummateCulp.com is pleased to showcase these character bios!
“They were partners in the truest sense of the word. Ideally matched in wit, charm, looks, and strength, at no point was one far superior to the other. Mission after mission, locked room after opened room, they were equals who never let the obvious difference in race be anything more than a physical difference. Their work and their cover allowed them to function above the racial turmoil of the late sixties.”
Oh no, this was no April Fool’s joke. A military plane with a top secret gun sight is stolen in broad day light and the government is scrambling to find it and get it back before it ends up in enemy hands. But FBI Agent Bill Maxwell knows how to find it. All he needs is Ralph and the suit.
Except Ralph isn’t so willing to drop everything to go after some military hardware that, big deal, “can hit a beer can from five miles out.” After all, he’s got other plans. Pam’s parents are coming in for a visit, he’s supposed to meet Pam to pick them up at the airport, they’re going to dinner… We’re on the third episode of the show and this suit is damn inconvenient, Bill…
Convinced of the severity of the situation, Ralph goes with Bill. He calls Pam from Bill’s car phone (which after more than 35 years, it’s interesting that mobile reception hasn’t much improved since then) and then spends a couple of hours bouncing around the dessert looking for the plane. Bill’s hunch is the plane was brought down in the sand, as opposed to being dumped in the ocean. He turns out to be right, he and Ralph find the plane but the gun sight has long since been removed.
What was left behind, however, was the pilot’s helmet. Ralph gets a halograph image from it of the man that stole the plane and gun sight (although he doesn’t know necessarily it’s him) and the “soldiers of fortune” type operation this guy is part of.
Before they leave the dessert, Bill has an idea that Ralph –with the suit- can do telekinesis “moving things around with the old grey cells.” It would be a useful skill if Ralph can harness it and he wants Ralph to try it. Ralph’s a little hesitant. “Every time you have me do something new with the suit, I get into more trouble.”
That hardly phases Bill. He has Ralph try to stop him from physically approaching and push him back. Only Ralph pushes the wrong something and ends up disappearing.
Ralph freaks out, of course, and can’t figure out how to reverse what he’s done. He and Bill head back to town, with Ralph whining the whole way about having to face the rest of his life being invisible. Bill, meanwhile, is trying very hard to find positives in the situation and not let Ralph get too discouraged. Despite his cheer leading efforts, he catches the attention of a motorcycle cop, who thinks the Fed is talking to himself.
Bill saves himself pretty smoothly this time, telling the cop that he has to give a speech a Whitney High for Government Day and that he was practicing.
Bill and Ralph continue on to the private vet’s club where McCready and his soldiers of fortune hang out. Bill’s scenario is simple. Since Ralph is invisible, he can just go in, take a poke around and find out what’s going on and where the gun sight is. Easy! Accept….now Ralph becomes visible again.
It doesn’t last long, however, and Ralph fades back out again. Not knowing how to control the visibility power of the suit, Ralph doesn’t chance going inside the house but manages to get a halograph of what’s going on. Bill fakes tinkering around under the hood of his car while Ralph tunes in on what’s going down. He learns that the gun sight is going to be auctioned off, at the consulate, later that night.
While Bill and Ralph have been investigating all this international intrigue, Pam’s parents are visiting from Minnesota (Deer Lick Falls, Minnesota to be exact where Pam’s father is the mayor but having nothing to do with “The Mayor’s Committee from Deer Lick Falls” which was a Rockford Files episode. Let’s not confuse the issue). Ralph made reservations at a nice restaurant to take Pam and her folks for dinner. Which would be all well and good except he’s still invisible with the suit.
With this pending date, Ralph leaves Bill at the vet’s club and takes off to try to figure out how to get out of his predicament, but promises he’ll meet Bill at the consulate later that night. Ralph doesn’t have any better luck at the restaurant trying to explain things to Pam. He becomes visible again in the suit and, as luck would have it there’s no back door to sneak out of. Ralph has to run the gauntlet through a dining room full of people – including Pam’s parents.
At the very least, they don’t recognize him but poor Pam certainly suffers through enough in this episode.
Back at the consulate, Bill is setting up with his “Willy the Wrench” bit, popping the hood of his car. While tinkering with the radiator cap (which should have been REALLY HOT if the car had been running for anything length of time) Bill talks on his communicator with Ralph to see where he’s at.
And where’s Ralph? He’s on a bus! And at a time when he would love to be invisible, he’s not. The other riders on the bus think he’s a freak and all cower at the front of the bus.
Bill, meantime, gets caught by the bad guys and taken inside.
When Ralph arrives at the consulate, he figures out how to work the invisibility feature of the suit. He finds Bill’s abandoned car and gets a halograph, seeing Bill is being held captive. Remaining invisible, Ralph walks through the front gate of the consulate and heads inside.
He finds Bill, knocks out the man guarding Bill and Bill commandeers the man’s rifle. “Bill, you’re not going to use that gun are you?” Ralph asks. “Of course not,” Bill says, “I’m gonna pick my teeth with it…”
With Ralph invisible and in control of it, Bill figures for him to just go right in where they having the auction and take the gunsight. (I like where Culp looks directly at the camera, where us as the audience are the POV of Ralph for a moment).
Ralph gets the gunsight and, naturally, pandemonium breaks out as all the bidders freak out when the gunsight magically floats through the air and out of the room. Ralph meets back with Bill again – just in time for his invisible cloak to click off. He and Bill make a run for it and Ralph flies himself and Bill out of the consulate, crashing landing on the ground outside the wall. The flight footage of the two is from the pilot, as Bill magically goes from a three piece suit to khaki’s and green aviator jacket then back to suit again upon landing.
When all is said and done, Bill shows up at the school a day or so later to let Ralph know that McCready and all had been caught and to thank him for his help. Ralph, of course, immediately thinks Bill is there for another scenario and carries on about how he’s taking Pam and her parents to lunch and that’s final. Kid, you are wound way too tight.
In fact, I think Ralph was wound so tight he made himself disappear again. And I’m not even sure if he had the suit on…
The fact that The Greatest American Hero lasted three seasons (never mind beyond three episodes) is truly a testament to the show itself. The show had great performers and good writing but had everything else against it. The lawsuit from WB for the supposed Superman similarities notwithstanding, ABC wasn’t exactly any help for a show that they originally asked for. The finest example of knee-jerk reaction from the network is evident in this episode, where Ralph’s last name is changed from Hinkley to…well, to nothing. All mentions of the last name are not so cleverly edited out (ie, Pam’s mom saying “Ralph (insert loud jet engine noise)” when Pam picks up her folks at the airport). Good thing the students referred to him as Mr. H often anyway, which saved at least some work for the sound editor.
Why was Ralph’s name “bleeped” out? Because two days before this episode aired, on March 30, 1981, President Ronald Reagan was nearly assassinated in front of the Hilton Hotel in Washington DC by John W. Hinckley Jr.
Can you imagine if his name had been John W. Maxwell Jr.?
The assassination attempt was upsetting enough, since Reagan had only been in office less than 70 days. When John Hinckley’s motive for shooting the President was revealed (in short, he was a deranged fan of Jody Foster and was trying to get her attention, having been inspired by the movie Taxi Driver) television and film entertainment thought twice about anything they had going on around that time that would be deemed inappropriate in the light of the events. NBC pushed back an episode of Walking Tall called “Hit Man.” Yet, ABC was left shaking simply over a name, that wasn’t even spelled the same way.
Commentator Paul Harvey thought it was absurd, writing in his syndicated column, “Because probably the sick boy accused of trying to kill the president was named John Hinckley Jr., these professional sin, sex and murder merchants self-righteously reverted to the scapegoat concept of blaming, crucifying and burying somebody else.”
Harvey hoped programmers at the network would reconsider. It was largely reported in the press that in the remaining episodes of the Greatest American Hero‘s first season Ralph would have no last name at all, he would just be “Mr. H” and would have a new name the following season. However, by the last episode of season one (“The Best Desk Scenario”) Ralph would be christened “Hanley.”
When season two opened in the fall of 1981 with “Two-Hundred Mile Per Hour Fastball” Ralph would be reborn as Hinkley making the whole name change, really, a moot point.
Noted guest stars included…
Bob Hastings (McHale’s Navy, Green Acres) as Pam’s father and June Lockhart (Lassie, Lost in Space, Petticoat Junction) as Pam’s mom. Hastings would return in future episodes playing a sportscaster both times (“It’s All Downhill from Here,” “The Price is Right.”)
James Whitmore Jr. as the cool and steely McCready. He would return to be the not so cool Biron “the BB” Bigsby, IRS auditor in “There’s Just No Accounting” in season two, and as the nerdy creator of a Dungeons and Dragons knockoff in “Wizards and Warlocks” in season 3.
Red West as one of McCready’s security guards. Besides acting, West also is a songwriter and was part of Elvis Presley’s inner circle known as the “Memphis Mafia” as a body guard for the King. West would also return in two more episodes of TGAH.
Despite the name haggling, The Greatest American Hero was enjoying a pretty strong run at this point, ranking around 13th in the ratings.
The Greatest American Hero – Season One is available at Amazon.com, either as a download or you can purchase the DVD set. You can also download the episode itself through Amazon for about the price of a cup of coffee!
Prior to watching the dreadful National Lampoon’s Movie Madness I had discovered that the TV movie The Blue Lightning from 1986 was given a proper DVD release earlier this year (2013). I had seen a few clips of Culp from this one on YouTube and, of course, loved the aviators, the Irish accent and the riding boots. I hoped to find the movie to see the whole thing some day.
I was very glad to find it on DVD and had watched it just before seeing the National Lampoon movie. To set things right in my world I figured to go back and wipe the memory of National Lampoon from my mind and take a look at The Blue Lightning again.
Besides, I needed to do some screen caps y’know…
The movie opens in Opal Ridge, Australia where Quinton McQueen is tied to a tree and is about to be left for dead by Lester McInally (Culp). (Lester’s last name, to note, is pronounced two different ways in this movie; the Australian pronunciation sounds like “McKinley” while the American way is like it’s spelled, Mac-In-Ally.) Quinton pleads to not be left tied to the tree where the wild dogs would get to him and eat him alive. One of McInally’s thugs, Mr. Words, asks for McInally to show some mercy. After some thought, McInally agrees and as Mr. Words starts for the tree to untie McQueen, McInally pulls his gun and shoots McQueen, killing him. “There,” he says to Words, “we’ve saved him from the dingos…”
(Clip courtesy of FedKidCounselor)
Hell of an intro for Culp’s character! And he’s just as merciless through the rest of the movie.
Back in San Francisco, Harry Wingate (Sam Elliot), an adventurer, sailboat enthusaist umm…private investigator? I’m not sure exactly what Wingate’s profession is but he’s hired by Brutus Cathcart (Max Phipps) to do one of two things; retrieve a priceless opal or get back the $400,000 Brutus paid in attempt to buy the opal from McInally. McInally, a former IRA bomber who has been hiding from the British in Australia, runs a town called Opal Ridge and discovered the Blue Lightning opal himself. He initially put a price tag on it of $250,000 but kept upping the price on Cathcart, who, one might consider foolishly, kept paying.
Harry initially refuses the job unless he gets $100,000 plus expenses or 25% of the true value of the opal, whichever is greater but Cathcart only offers $80,000. Harry leaves Cathcart’s office but they must have worked something out because Wingate heads off to Australia, where he purchases a black market .44 magnum upon arrival and then finds a rattlesnake in his hotel room.
Good thing he got the gun first because he uses it to cut the snake in half. He then dumps it outside his hotel room, just as a bride and groom are going by. (Hopefully that didn’t bode badly for their future together.)
Harry then meets with Kate McQueen (Rebecca Gilling), whose husband Quinton works for Brutus Cathcart and also had McInally as a client (tho’ I’m not sure at this point in the movie what exactly it is that Quinton did). Anyway, Harry talks Kate into going with him to Opal Ridge, more or less as insurance since he doesn’t know her or Quinton and thinks it’s possible she and her husband have the opal for themselves.
On the drive to Kate’s house, they pick up a tail. A couple of McInally’s boys try to run Harry off the road. Harry ends up running them off the road, but later at Kate’s house his car is rigged with a bomb. He discovers it in time before it blows up and he and Kate take off into the brush as the two hired guns come swooping in. Harry and Kate make their escape in a sky tram, exchanging gunfire with the baddies along the way.
On the other side of the valley they make their way to an airport to get a plane. The hired guns catch up and get themselves a plane too – and leave no witnesses.
The guns catch up in the air and manage to shoot a hole in Harry’s plane. Harry manages to get the plane down into some clouds to lose the guns and then down to the ground for a tough landing that busts the landing gear.
The hired guns keep looking to see where the plane went down. Harry and Kate catch their breath near a tree not far from the road they landed on. Unfortunately, a huge truck comes along and smashes their plane to pieces. The driver is horrified thinking he had killed someone. He finds Harry and Kate are fine just as the hired guns show up in their plane. Everybody jumps into the cab of the truck and they take off, with the plane chasing after them and shooting.
The movie is only about 30 minutes old at this point and it’s been all action. There’s little character development or even much background. We still know little to nothing about Harry Wingate and Kate McQueen apparently spent some time with the Los Angeles County Sheriff’s Department, but in what capacity we do not know. This is one of the things about the movie that irritates me.
Also, one can only guess how McInally knew that Wingate was coming and sent his two “best men” after him. Not that it did any good. Harry manages to nail not only the pilot of the plane but the fuselage with his .44 from the speeding truck. Pretty good marksman. The plane goes down in a fireball.
They continue on to Opal Ridge without incident and the truck driver drops them off. He wishes them luck in their going up against McInally, who is hated with a passion apparently all over Australia (and the British government couldn’t find him?). Opal Ridge, one should note, is a town out in the middle of nowhere in the Australian Outback. Think of the old west towns, add a little more color, some cars along with horses and a video arcade. Yer there.
In town, Harry’s plan is simple. He’s just gonna walk right into McInally’s home base of operations and say howdy. (I like how the roof of McInally’s Casino – and that’s exactly what it’s called McInally’s Casino, very original – has a huge FOSTER’S LAGER written across it. Don’t tell me I’m the only one who remembers the Foster’s tv ads back in the 80s… “Fawstahs, Awwstraylian for Beeah!”)
Inside the casino/bar, the bartender, Mr. Words, is throwing somebody out (a fellow hood perhaps? He apparently brought the wrong supplies to the bar. Idiot.). Harry goes up to the bar and orders a beer. Whatever’s on tap. (Ya reckon it’s Fosters? Can’t miss the Fosters signs on the wall. Oh, and CASH ONLY – no credit. You stiffs.)
Mr. Words draws up the beer and then slops it on the bar at Harry. There’s a brief exchange over the price of the beer considering most of it ends up on the bar which leads to a fisticuff.
Down in his underground lair, McInally is watching everything on his close circuit TVs. He applauds as Harry gets the upper hand.
Harry grabs Mr. Words and uses him to go down in the hole. McInally, knowing he has a visitor coming, prepares with a push of a button to summon his boys and have a gun at the ready.
Down in the lair, there’s the exchange of words between Harry and McInally. Listening to Culp do the Irish accent is worth the price of admission here. And it’s not so much the accent. It’s that he’s so damn deadly sounding with it. (“If you’re going to go on, with your rudeness, then I guess I’m going to have to do something about you…”)
Eventually McInally tries to take an upper hand and kill Harry but doesn’t quite succeed (but does plant a bullet in Harry’s lung). Chaos erupts outside the casino where McInally’s boys are waiting as Kate takes their Chevy El Camino-like car and runs them all over. Harry escapes the casino, jumps in the car and they take off. McInally comes out as they disappear in a cloud of dust, giving them a few parting shots as they go. He vows another day and then turns around to his trashed town and starts laughing like a maniac.
(Clip courtesy of FedKidCounselor)
McInally is very disappointed in his boys for letting Wingate get away. One poor sap gets his hand/fingers twisted behind his back. This same sap says something about Mrs. McQueen that gets cut off by McInally and suggests something about the kind of relationship they may have had. I’m not sure. Another piece of the puzzle that’s missing in this thing.
A hundred miles away, Kate drives Harry to a ranch, a mission, that was started by her husband when he was a priest (we find out around this time that he left the priesthood and became a private detective. That’s quite a career change!) At the ranch, Harry is treated by a doctor and spends some time re-cooperating. At the mission he comes to know some of the aboriginal people. Quinton McQueen is revered by the aborigines and Harry asks their help in going after McInally. At this point nobody knows if Quinton is dead or alive and initially, Harry is told no…until the aborigines find Quinton’s body still tied to the tree where McInally left him.
As they prepare for their raid, two of McInally’s men are watching. But they never get to report back to McInally because they end up caught – and killed by Harry and some of the aborigines.
A couple of days later, they launch their attack at dawn. Kate drives the truck she and Harry are in straight through the front window of McInally’s casino. Harry jumps out, Kate backs the truck out and Harry shoots the hell out of the bar. Seriously. The jukebox, the slot machines, the liquor, the pool table, the piano… and a couple of McInally’s men along the way.
The aborigines, meanwhile, smoke out the rest of McInally’s men, who are in various areas of the underground hideout (which is an old mine). Harry starts to make his way to McInally’s “main office.”
Down below, McInally gives an order to a few of his men that they’re going to go out via the back shaft. One man decides he’s just getting the hell out. McInally does not tolerate disobedience or disloyalty and promptly shoots the man in the back as he flees.
McInally grabs his gun, his aviators and his opal and makes his exit.
The climatic cat and mouse shootout between Wingate and McInally is pretty good. The use of the old abandoned mine platform is great, although I hope everyone got their tetanus shots updated considering all the rust they were around. My only disappointment was in McInally’s end. Seriously, for being so merciless and conniving and cold and what not, Culp’s McInally deserved a blaze of glory finish. His dangling of the opal over the catwalk as he died (and grabbed by Wingate) I think could have been better sequenced.
Overall, not a bad film but as I noted earlier it was fairly heavy on action and had little on character background or development. Actually, this could have made an interesting pilot for a series, which would have allowed for more character development but Culp’s McInally would have had to stick around to be the “Wofat” to Sam Elliot’s “Steve McGarrett.” Very good use of locations, of course, Australia is a beautiful place on Earth.
Reviews at the time were about the same, though one reviewer made it clear that they could not stand Sam Elliott. I’ll admit he did little for me in this film but Newsday felt Elliott was “the most boring, unappealing actor since the days of Mr. Ed, the talking horse. He speaks in a low, monotonous growl, always looking immensely pleased with himself. His mustache is thick and scruffy, his manners atrocious. In the final shootout, you may prefer to root for Robert Culp.”
The Chicago-Sun Times couldn’t get enough of poking fun at the fact that Wingate carries this big-ass gun and can’t hit much with it. “…poor Elliott’s aim with a gun is almost comical. No, it is comical. Time after time, he fires countless rounds of bullets from “the most powerful handgun blah, blah, blah . . .” and rarely manages to inflict much damage beyond building up a callus on his trigger finger.” (I think I hear Frank Bogg’s in the background… “What’s the matter, Harry? Need a bigger gun? Can’t hit nothin’?“)
As for Culp, the Sun-Times described his role as “played to the hilt” and that “in a relatively modest role, Culp seems to have the time of his life playing the thug McInally.”
The New York Times also noted Culp’s performance: “…although he appears in only a few scenes, Robert Culp is positively menacing as the clearly psychotic McInally.”
I don’t know if he had “the time of his life” playing the part, but I think he certainly had some fun with it.
One user submitted review on IMDB notes: “Sadly, despite all the heat and dust, Sam Elliott doesn’t get to do a shower scene even though, at about age 42, he’d still look good walking around with just a towel knotted around his waist.”
Big deal. Robert Culp, meanwhile, at about age 55 sports the well-fitted khaki’s very nicely, thank you…
Cast highlights…
Despite being called “the most boring, unappealing actor since the days of Mr. Ed, the talking horse” Sam Elliott has had a long and varied career and has appeared in such films as Road House, Gettysburg, Tombstone and The Big Lebowski. His beefcake status was achieved with the 1976 film Lifeguard.
Jack Davis, the only other American cast member, plays the leader of the aborigines (Jahrgadu) and forges a bond with Wingate. Jack began his acting career as a child, appearing in several of the Our Gang short films in the early 1920s before being sent off to military school by his brother-in-law, Harold Loyd. He would eventually become a well respected physician in the Los Angeles area but still continued to appear in various films and tv shows from the 1940s until his death in 1990.
The cast featured several well known and recognized Australian actors, including…
Rebecca Gilling. In an interview with “TV EYE” from February of 1995 she was asked about the film and although she said she had fun doing it she didn’t consider it a critical highlight of her career. She went on to say, “It was the first time I had been offered a role sight unseen or without interview. Lee Philips, the director, had been an actor in Hollywood in the fifties and sixties, and knew exactly how to communicate with the cast. The conditions were challenging as we were mostly in Broken Hill in the middle of summer. Sam Elliot was a very nice man but very serious as an actor. Robert Culp seemed to be extremely bland and disconnected from everything. He could never remember my name and I became ‘the girl’. I think he thought he was only doing this movie as a diversion, a visit to the antipodes. The only unusual episode during filming was a dispute between Sam and Robert over whose character should have the biggest gun in the shoot-out!”
John Meilon is the doctor that patches up Harry at the ranch. The same year as this movie, Meilon would be seen as Crocodile Dundee’s friend and mentor in the original Crocodile Dundee.
McInally’s “best men” were played by Michael Carmen (blonde) and Ray Meagher. Both Carmen and Meagher are veteran Australian actors who have appeared in many films and tv shows in Australia.
Although he only had one scene, Max Phipps’s Brutus Cathcart was memorable enough. Phipps career spanned theatre, film and television in Australia. He played Dr. Frank-n-Furter in the Australian production of The Rocky Horror Picture Show and played “The Toadie” in the second Mad Max film (The Road Warrior) where he loses a few digits trying to catch a particularly sharp boomerang.
The abandoned mine where the final shootout takes place is known as “Browne’s Shaft,” part of Junction Mine, located just outside of the city of Broken Hill in Australia. The buildings still stand today, including the shaft building and storage tanks that are seen in the film. The area is now a historic site and is open to visitors, however, I suspect one can not go into the mine shaft building anymore. The mine did not produce opals, however, but instead produced silver and other such metals.
It’s one thing when Mad Magazine spoofs the movie or TV show you’re a star of. Obviously, you’re going to be spoofed too. But it’s a whole other honor to be included in the spoof of a show that you were a guest star on!
In its 60 year history, Mad Magazine has spared no television series, movie or pop culture du jour from its lampooning antics (not to mention politicians and any other public figures). Back in 1973, the popular series Columbo wasn’t spared either, getting the royal Mad treatment in “Clodumbo.”
The story line ran similar to an episode of the show, with a Mad Magazine twist of course. The story opens with Clodumbo annoying the hell out of the Police Commissioner and the rest of the department wishing for a homicide so Clodumbo can go and annoy somebody else. Lo and behold, they get a report of a homicide, which has taken place at the house of Dr. Robert Culpable.
If the name wasn’t blatantly obvious, the excellent art work by Angelo Torres is. Robert Culp, who had appeared on two Columbo episodes by the time this issue of Mad hit newsstands in January of 1973, was given the dubious honor of being portrayed as Clodumbo’s prime suspect. (And honestly, who could’ve resisted using the name “Culpable” anyway?). Dr. Culpable is drawn much like how Culp appeared as Detective Brimmer in 1971’s “Death Lends a Hand” with the striped shirt and square glasses. As another nod to that episode, Clodumbo goes to leave and walks into a closet by mistake, just as Columbo did.
And like Columbo on the series, Clodumbo aggravates Dr. Culpable to the Nth degree. Only unlike Robert Culp, who played the guilty party with aplomb, Dr. Culpable was innocent and ended up confessing to a crime he didn’t commit, just to get the pestering Lieutenant to leave him alone!
Take a look for yourself! You can click the thumbnails to view larger images.
On September 7, 2008, Stephen J. Cannell, the writer-creator of The Greatest American Hero, openly announced that a movie based on the hit TV series was “in the works.” The announcement came at the Screen Actor’s Guild 25th Anniversary Reunion in Hollywood, CA.
If Cannell had any doubts about the movie project going through, it wasn’t evident at this time. He went so far as to promise “actingjobs, not just cameos” for original TGAH cast members Connie Sellecca, William Katt and Robert Culp. Sellecca and Katt were both in attendance at the time of Cannell’s announcement.
Cannell was not one to make empty promises. According to Cannell’s comments, which were reported by SciFiWire on Sept 9, 2008 and re-published by ComicBookMovie.com, the movie roles for the Sellecca, Katt and Culp were “absolutely guaranteed.” You can read the whole thing here.
What Caused the Greatest American Hero Movie Project to Stall?
Fast-forward to April 16, 2009. Despite having a completed script, a director, and a lead actor cast for the role of Ralph Hinkely, the big-screen version of The Greatest American Hero was over before it began. The reason? A lack of financial backing. Reportedly, Cannell’s vision of the movie was high-tech, with special effects and stunts that were a far cry from the cheesy, low-budget sequences in the TV series.
Eric Christian Olsen, who had a contract in hand for the red-suited role of Ralph Hinkley, reportedly explained, “They didn’t have financing in place. But yeah, I booked it – but because the budget was so huge they couldn’t get the money.” Olsen’s disappointment was shared by longtime Greatest American Hero fans who found him to be a good choice for the role.
Director Stephen Herek was already on deck for the project, bringing his action-adventure direction experience from “Bill & Ted’s Excellent Adventure” and “The Mighty Ducks.” But in Hollywood, projects come and go in the blink of an eye.
What the Greatest American Hero Movie Could Have Been
According to Eric Christian Olsen, the script was “really funny” and contained “a lot of cool stunts.” He told MovieHole that the script was built around an ordinary guy who got in over his head; a premise that is true to the original TV program.
According to a fan who claims to have seen parts of the script, the movie’s ending had a heartwarming, optimistic note. At the climax of the story, Ralph Hinkley is outmatched by a powerful enemy, facing certain doom. Suddenly he’s rescued by the combined forces of the Greatest Russian Hero, the Greatest Chinese Hero and a few other nations with their own red-suited champions. Apparently, the alien “green guys” empowered a human in each nation with a super-powered suit in an effort to preserve the Earth.
If only the movie project itself had such a happy ending.
The Greatest American Hero Movie Facts According to William Katt
During a podcast interview on March 21, 2011, Katt explained that some ten years ago, he and original series co-stars Robert Culp and Connie Sellecca, were interested in a TV reunion and reboot of the show. Together they created a pilot for the concept. When bouncing the idea off of Stephen Cannell, Katt learned of Cannell’s big-screen movie project.
According to Katt, Cannell pitched the idea to Sony, and then later to Disney. Despite an “excellent” script by Paul Hernandez, an agreement couldn’t be reached for the project. Cannell took ownership of the project back, and reportedly it was last in the hands of 20th-Century Fox, where it has apparently stalled.
Did The Greatest American Hero Movie Die with Robert Culp and Stephen Cannell?
Actor Robert Culp, who played the role Federal Agent Bill Maxwell, passed away on March 24, 2010 at the age of 79.
Culp’s brilliant interpretation of Agent Maxwell added to both the action and comedic elements of the show. In The Greatest American Hero, Maxwell was an unusual superhero’s sidekick – a hard-bitten, old-school Fed who saw himself as the brains of the outfit. Ralph may have had the power suit, but the scenarios were usually Maxwell’s. He collected the credit – and sometimes the blame – for the exploits accomplished with Ralph and the red super-suit.
Culp would have welcomed the opportunity to reprise his role as Agent Maxell, even in a passing-of-the-torch role in the big-screen movie. Had the film project proceeded as scheduled, he could have had the chance.
As a highly-acclaimed writer and producer, it’s likely that Stephen J. Cannell would have eventually found the support he wanted for the movie. His website speaks of the movie project in present tense, describing it as “in development.” The date of this comment, while unspecific, appears to have been posted between 2009 and 2010.
Whether the “in development” status was posted before, or after, the project halt in April 2009 is unknown. There have been no further updates to the site.
Meanwhile, the distribution rights to The Greatest American Hero, along with several other Cannell productions, were sold to Mill Creek Entertainment in 2009. The announcement was made by Mill Creek Entertainment on October 14, 2009, several months after the reported stall of The Greatest American Hero movie.
Stephen J. Cannell died on September 30, 2010, at the age of 69, of complications from melanoma. His death came just a few months after the passing of Robert Culp.
Other works of Cannell did see big-screen adaptations; the A-Team in June of 2010, and 21 Jump Street in March of 2012.
The Greatest American Hero: the Fans and the Future
Despite the discouragement, fans of The Greatest American Hero have not given up hope that the big-screen movie will someday see theaters. Superheroes are an American cinema staple, and The Greatest American Hero is a unique concept that could be highly marketable for the movies. The idea of an everyday person who becomes endowed with tremendous power and responsibility – and bungles his way through it all – remains a fresh take on the genre.
William Katt remains popular with fans today and enjoys a strong Facebook following. He briefly worked on a comic book version of The Greatest American Hero, but lost the licensing to a business partner. Rather than pursue the exhaustive comic book project with little hope of return, with no business control to speak of, Katt let the comic book go and turned his focus elsewhere. Copies of the brief comic book series are sometimes found on ebay.
Katt still makes appearances at fan conventions and Comic-con. He also remains active in film, and played the villain in the recently-released thriller Sparks.
Will The Greatest American Hero movie ever fly? It could, but it will require a leap of faith by 20th-Century Fox.
For the longest time, the photo above haunted me. Not in a bad way, but it is such a damn freakin’ awesome serious Don’t-Screw-With-Me look with the gun and the target pattern. And I had no idea for the life of me what film or tv show it was from! The image was even available on t-shirts and mugs and such through Cafepress on Culp’s official website but there was nothing noting what it was from.
Then in searching around the vast portals of the internet I came across the photo in an archive for either Getty images or something similar. The photo was tagged as being from something called “Shaft: The Enforcers.”
Shaft? I thought. As in John “bad moutha shut yer mouth” Shaft? But there were only three Shaft movies, the original Shaft, Shaft’s Big Score and Shaft in Africa. What’s this “The Enforcers?”
At some point after that, I found this photo…
Well, dang! I had no idea there had been tv movies with the Shaft character. I certainly knew of the original film, which is one of my favorites. But damn, I thought, Culp in a Shaft-esque tv movie? I gotta see this!
Alas, that was easier said than done. Until the nice folks at the Warner Archive put the 7 Shaft tv films out on a DVD set. The episode, actually known as “The Executioners” was the first of the series.
Robert Culp plays Marshall Cunningham, a well-heeled attorney in New York City. His wife was sexually assaulted and as a result has been confined to a hospital. The man who assaulted her was found not guilty but was eventually killed.
Meantime, the city has seen a series of unusual deaths over the past several months. Our story begins when defense attorney Charles Dawson (Noah Keen) and his client (Rafael Campos), who was just acquitted, are abducted while leaving the courthouse. They’re held for at least 8 hours and are then brought before a group of men in a finely decorated office, neither of them having any idea why.
Turns out Mr. Cunningham has put together a modern day posse, a vigilante task force if you will, comprised of several upstart citizens, including a former judge, a police officer and other distinguished members of the community. Their “court” charges, tries, convicts and sentences criminals who have otherwise evaded the justice system or had the good fortune to fall through its cracks. Justice delivered by Mr. Cunningham’s procedural is swift and final. There is no appeal, no parole and no jail time. The sentence is always death.
Killing a defense attorney, however, was a first and would be a costly mistake. The death of Attorney Dawson draws the attention of private investigator John Shaft, an old friend. Dawson had helped get Shaft started in the business.
Meantime, we see a little more of the life Marshall Cunningham, who lives in a stately New York high rise with his 11 year old daughter, Cathy (Melissa Sue Anderson). He drives his daughter to school because the streets are not safe (certainly, after what happened to his wife he is very protective of his daughter). Most of Cathy’s friends walk to school and she wants to as well, but father says no. As they wait on the sidewalk for his car to be brought around, she hands him an envelope with a note for her mother to take with him when he goes to see her.
After dropping his daughter off at school, Marshall goes to see his wife. Jane Cunningham (Barbara Babcock) is very disturbed after what happened to her and reacts extremely even to the sound of a man’s voice (even own her husband’s). She cowers in the corner and he makes no sudden moves and speaks softly to her, leaving the envelope from Cathy on the bed. The whole scene is tragic and Culp’s facial reactions as Cunningham show that the sight of his wife in a such a state, although he’s seen it probably day in and day out since the incident happened, kills him every time. He leaves quietly, giving a glance skyward as he goes out the door, hopeless that she’ll ever improve.
With Shaft working on investigating who killed Dawson, Cunningham has instructed police officer Lou Turner (Richard Jaeckel) to make sure Shaft doesn’t get far in his investigation. Specifically, Cunningham told Turner that if Shaft gets too close “to see that he has a short life.”
At the next meeting of Cunningham’s tribunal, they discuss new business. Dr. Walter Anderson (Maurice Hill) shows a recent feature from the newspaper about a man who boasts of controlling a large percentage of the city’s prostitution and yet has not been convicted or arrested for it. The tribunal agrees, unanimously, that the pimp should not be allowed to continue. Cunningham asks Anderson to do some homework on the pimp, determine his patterns and routines and with that information, Cunningham would do the pickup.
Shaft has been doing some homework himself, researching the backgrounds of the murder victims (all of whom were criminals of various degrees) and digging deeper by looking into the families of the people who had been victimized by the murdered individuals. Among those on his list: Marshall Cunningham.
Shaft finds out that the man accused of attacking Mrs. Cunningham, although found not guilty, was found dead two days after his acquittal. Cunningham acts surprised to learn of this and says he’s sorry to hear of it. He explains to Shaft that he feels that criminals are people who are sick and need help, not punishment. Shaft finds this just a bit hard to believe coming from a man whose wife was sexually assaulted. Cunningham has an answer for this too, explaining that Jane has had problems since the birth of their daughter. Cunningham is cordial to Shaft and all but it’s clear after Shaft leaves that the detective is starting to get too close.
After meeting with Cunningham, Shaft goes to the hospital where Mrs. Cunningham is confined. He asks to speak to the doctor in charge. Turner’s guy that’s tailing Shaft phones Turner to tell him. Turner tells him to dump him.
Shaft can’t get any information from the head nurse, but he gets the name of Cunningham’s doctor. He phones the doctor claiming to be a new attendant and says that Mrs. Cunningham was having problems. Shaft learns of what specifically happened to her and also learns that Mr. Cunningham is “on the edge of serious illness himself.”
As Shaft leaves the hospital, he’s shot down by Turner’s tail. The man is identified by a witness but is conveniently shot and killed by Sgt Turner who was sent to pick him up.
After two weeks recovering from the gunshot wound, Shaft is back on the case. He finds out more about Cunningham, who not only is a senior partner in a law firm, but also serves on several boards for various corporations, chairman of a bunch of charities, honest, trustworthy and reverent. The original Mr. Clean. Shaft also learns that Cunningham served in the military, obtaining the rank of Colonel and serving in the Judge Advocate’s branch.
Shaft stakes out Cunningham’s residence and tails him when he’s picked up by someone (looks like Bill Hickman). Cunningham is dropped off somewhere in midtown and he sneaks into the backseat of the pimp’s Rolls Royce, waiting for him and then pulling a gun and telling him to drive.
Shaft follows them to the athletic club where the pimp, Mr. Fell (Kaz Garas) is taken inside. Shaft sneaks into the building.
Mr. Fell, meanwhile, is placed on trial by Cunningham’s task force. Shaft hears the voices and follows through the club to find where the men are meeting. He finds the room and listens, hearing the names of the impaneled jury.
Cunningham presents his case and sounds very convincing. He asks the jury to return a sentence of death and he gives Mr. Fell a look that, well, if looks could kill…
We never hear what the defense argument is as it’s presumed to take place when Shaft leaves his listening point to find a phone and call Lt. Rossi at home.
Back at the trial, Mr. Fell is pleading for his life and looking to cut a deal. He says he’ll cut the girls loose, he’ll get out of town. His groveling gets no reaction or comment from the men in the room. When he’s reduced to sobbing for his life, we see reaction from Cunningham (Culp’s expression speaks for itself)…
Shaft makes a second phone call in the meantime to Sgt. Turner, telling him he’s busted the Dawson case wide open and to get down to the athletic club with some back up.
When Shaft goes back to the room where the trial was being held, he finds it empty. The task force is escorting Mr. Fell to his execution. When they bring him into the firing range, he screams.
Shaft hears the screams and runs through the building trying to locate them. Fell is tied up and gagged and placed at the far end of the firing range, by the targets. The Executioners ready their weapons…
The pimp is shot before Shaft can get to them but he busts in anyway. Shaft’s upper hand is short lived however when Turner shows up.
Certainly not wanting Shaft to expose what they’ve been up to, they put him on trial. His charge? Murder. Since the “court” previously held that Attorney Dawson carried the blood of his client’s victims on his hands by working to free his clients from conviction, Shaft, therefore, became an accessory having used his investigative skills to assist Dawson.
I gotta admit, although the whole concept of this tribunal borders on the absurd, Culp is totally convincing here as the prosecuting attorney. Shaft speaks in his own defense and calls the tribunal for what it really is, nothing more than a bunch of a vigilantes. He can understand why Cunningham is part of it all, but he doesn’t figure every man there to have a wife who was attacked and in a hospital.
Nonetheless, he’s found guilty. He slugs the nearest guy to him though before they can lead him out of the room and he tells Turner that he had phoned Rossi. Turner doesn’t believe him and even if Rossi was on the way, Turner figures Rossi won’t have much of a case without Shaft’s testimony.
Before he can be lead out of the room again, Shaft pushes one of the henchmen (Bill Hickman) and dives through a window that overlooks the athletic club’s indoor swimming pool. Cunningham is the first one to the window – with a gun. He fires a few shots at Shaft as the detective is getting out of the pool but misses.
Shaft tries to escape from the club but gets caught by both Turner and Cunningham in the basement. Shaft almost makes it outside but is caught by Cunningham. Shaft retreats back to the basement and locks the door only to be caught by Turner inside. Cunningham shoots the lock on the door and goes in. (Watch the gun Culp uses closely, it nearly blows up in his face.)
Not so minor continuity error here: After escaping the court by diving into the pool, Shaft must’ve been running pretty fast because his clothes are bone dry.
Cunningham shows Shaft the “garbage disposal” as they dump the pimps body into the opening in the floor. Eighteen blocks away it empties into the river. Turner tries to push Shaft into the opening but Shaft grabs Turner and throws him in instead.
And at this point ladies and gentlemen is where Marshal Cunningham finally cracks. He pulls his gun, completely crazed and is stopped only by Judge McCormack from shooting Shaft.
One of the henchmen picks up a shovel and readies a swing at Shaft when Cunningham says “No!…let me do it…” He’s nuts by this point. Crazed. He picks up the hook used to open the floor gate, clanging it on the open door and slowly coming around after Shaft. He even gives Bill Hickman a gentle push to the side.
He takes a few swings at Shaft and misses and Shaft manages to grab hold of the hook and turn it on Cunningham, practically wrapping it around his neck. The judge hollers for the henchmen to help Cunningham but before they can move, Lt. Rossi finally makes it on the scene.
Overall, this wasn’t a bad show, but if you’re expecting anything like the movies, especially the original Shaft (even with cleaned up language), forget it. This was clearly sanitized for television and has none of the New York City grit as the film does. The theme music is pretty well preserved but the opening of the episode looks like the opening for “The People’s Court,” and everything’s all pretty in the city. I’d even bet that, with the exception of some exterior shots, the episode wasn’t necessarily filmed in NYC. Shaft doesn’t even sport his classic leather duster here. Bummer.
Also, with the exception of Shaft and one minor character, there are no other black actors in this. Honestly, if this hadn’t been Shaft with Richard Roundtree, it could have just been another white guy playing a PI on television.
Additionally, I wasn’t impressed with some of the acting in this one. Richard Jaeckel as Sgt. Turner is a little too stiff, Eddie Barth is okay as Lt. Rossi but I would have liked to have seen Charles Cioffi who played Lt. Androzzi in the original Shaft film here. (Cioffi, for those of you playing Six Degrees of Separation Culp Style, was in the tv movie “See the Man Run” with Culp in 1971). Also the back and forth looks between Noah Keen and Rafael Campos after their abduction and when the committee finally arrives to see them, seems forced and excessive.
Culp alone is worth watching in this one. Those familiar with his Columbo appearances will recognize the similar modus operandi here. Character carries extreme anger and rage but is cool and calm by all outward appearances – until something causes him to completely crack up. None of Culp’s guilty murderers on Columbo ever really snapped once they were nailed by the famed Lieutenant, but when Shaft dumps Sgt. Turner down the “garbage disposal” Culp is no longer the refined, cool, calm attorney. He becomes a wild eyed, snarling, basket case.
Which is an excellent touch….to an otherwise disappointing scene. Culp’s Cunningham is wild in expression and looks capable of doing some real serious damage to Shaft, but instead we see a few feeble swings with the hook at Shaft who manages to grab it and wrap it around Cunningham’s neck. Then Lt. Rossi comes in to save the day.
Critics were lukewarm to the series, essentially lamenting it for being not much like the movies. One critic for The Milwaukee Journal went so far as to comment that “Red Skelton could have played Shaft and gotten away with it, given the same script, cast and production values.”
The St. Petersburg (Florida) Independent was just plain blunt. “It’s more than terrible, it’s a waste of time. There are lots more fun things to do with the 90 minutes – watch the grass grow, count dog hairs in the carpet, read a good comic book….” (It must have been depressing to live in Florida in the 70’s based on the entertainment reviews I’ve come across on other Culp shows/films). The bright spot of the Independent’s review is they ran a photo and a CBS affiliate ad on the same page. The quality isnt’t great here, but there’s no mistaking what Culp photo was used.
The best gem I found in my newspaper search?
Just a tiny piece, buried underneath a weather map, a story about President Nixon not releasing his tax returns and a story about some young folks involved in a car accident. Man, I miss the old days of newspapers…
Shaft “The Executioners” had several noted guest stars which included…
Dean Jagger (Judge McCormick) – Academy Award winning actor who first started in films in 1929. Played Brigham Young in the 1940 biopic “Brigham Young” (with Tyrone Power and Vincent Price), appeared in films such as “Twelve O’Clock High” (supporting actor Oscar win) 1949, “White Christmas” 1954, “Bad Day at Black Rock” 1955, “Cash McCall” (with James Garner) 1960, and “First to Fight” 1967 . Was nominated twice for an Emmy for his role as Principle Albert Vance on the 60s tv series “Mr. Novak” (1963-1965)
Bill Hickman (one of Cunningham’s heavies, uncredited) – Actor/stunt driver best known for being the wheelman that drives the black Dodge Charger in Steve McQueen’s “Bullitt.” Hickman also played the wheelman, Monte, in Culp’s “Hickey & Boggs.”
Melissa Sue Anderson (Cathy Cunningham, uncredited) – At the time of her appearance in this tv film, Melissa was only about a year away from becoming Mary Ingalls in “Little House on the Prairie.”
Barbara Babcock (Jane Cunningham) – Prolific actress with numerous television credits including recurring roles on shows such as “Dallas,” “Hill Street Blues” and “The Law and Harry McGraw.” Probably best known for her role as Dorothy Jennings in “Dr. Quinn, Medicine Woman.”
Richard Jaeckel (Sgt. Turner) – was Charlie Prince in the original 3:10 to Yuma in 1957, appeared in an episode of Trackdown with Culp (“The Protector”) in 1959 and played Lt. Martin Quirk for two seasons on “Spenser for Hire” and had a recurring role on “Baywatch.”
Noah Keen (Charles Dawson) – Veteran character actor who often played doctors, lawyers and police officers. Guested on many television shows from the 60s through the 80s.
Rafael Campos (Juan Otero, seen above with Attorney Dawson) – IMDB lists his first film credit with “Blackboard Jungle” in 1955, had a recurring role on “Rhoda,” guest spots on many tv series in the 70s and 80s including “All in the Family,” “Ironside” “The Streets of San Francisco” “St. Elsewhere” and “Airwolf.”
Ed Barth (Lt. Al Rossi) – has the interesting distinction of having been in the original Shaft movie as Tony, one of the mafia hoods guarding the kidnapped daughter of Bumpy Jonas. He also had a recurring role on Simon and Simon as Myron Fowler and appeared in films “The Amityville Horror” and “Fame.” If his voice sounds familiar then you recall the Miller Lite commercials from the 80s.
Kaz Garas (Gerald Fell) – If he looks familiar, and he should, the Lithuanian born Garas guest starred on numerous television series’ back in the ’70s and ’80s, including “Cannon,” “The Streets of San Francisco,” “Hawaii Five-O” and “The Dukes of Hazzard.”
And finally, Shaft was never seen driving a car in the original movie (he walked everywhere and I’ve always heard that a lot of New Yorkers walk to where they gotta go). Here, Shaft gets a set of wheels, a grey nondescript 1973 Dodge Charger.
“The Executioners” is available on the Shaft TV Movies complete DVD set, available from Amazon.com.
September 1972
Panelists: Soupy Sales, Melba Tolliver, Jim Backus, Arlene Francis
Host: Larry Blyden
“What’s My Line?” was a long running game show on CBS, airing from 1950 to 1967 before going into syndication in 1968 (lasting until 1975). Typically, contestants with unusual occupations were put before a celebrity panel of four who had to guess the person’s occupation based on questions where only yes or no answers were allowed. The contestant won money for every “no” answer they got (at least, in the original version). There was also a “mystery guest,” usually someone famous, that the panel, now blindfolded, had to guess using the same yes or no question format. The mystery guest usually disguised their voice, making it more challenging for the panel to figure out.
Robert Culp was the mystery guest on this September 1972 broadcast of “What’s My Line?” When he emerges from the side of the stage to write his name on the board for the television viewers and studio audience to see, he gets a resounding ovation. The applause prompts one of the panelists, actor Jim Backus, to say, “Judging from that reception you are in the entertainment business.”
Indeed he is, and in the two minutes the panel has to ask questions to try to guess who he is, they’re effectively stumped. Culp disguises his voice, sounding like an old timer and given his varied career up to that point, (he had been on Broadway, television and motion pictures) he couldn’t always give a really straight yes or no answer. There was no way they could’ve ever pinned down who he was (at least, not in two minutes!)
Shoot, I hardly recognized him with the moustache! This clip was posted to YouTube just shortly after Culp’s passing in 2010 and was the first I had seen him with a moustache ( a real one mind you!). And regular readers know I was just as surprised to see Culp still sporting the ‘stache in the Columbo episode “The Most Crucial Game” which aired November 5 1972.
Jim Backus mentions having appeared with Culp on an I Spy episode (“Happy Birthday, Everybody”). He was also in the 1963 Warner Brother’s movie Sunday in New York with Culp, although they had no scenes together. Backus is most recognized as the voice of Mr. Magoo and as Thurston Howell III on Giligan’s Island.
Comedian Soupy Sales compliments Culp on a tv movie that he had seen a rebroadcast of (See the Man Run, first broadcast in December of ’71) and Culp speaks about the upcoming release of Hickey & Boggs. As such, where he talks of it being released within the next month I pegged this game show appearance to have taken place sometime in September of ’72. (Hickey & Boggs was released in October of ’72).
Melba Tolliver is an accomplished journalist who was a reporter and occasional news anchor for WABC-TV in New York City at the time. Culp has an interesting non-verbal reaction after one of Melba’s turns with a question, but I have no idea what prompted it. He answered yes to a question about whether or not he was in a motion picture that was currently playing. Melba followed up asking if it was a drama as opposed to a comedy. Culp answers “neither….or both as the case may be.” I assume he’s referring to Hannie Caulder which was released in July of ’72 and was panned by some critics who couldn’t discern if it was a drama or a comedy.
Arlene Francis was a panelist on the original “What’s My Line?” from 1950-1967 and returned for the syndicated version in 1968. Her comment of “poor fellow” after they determine that Culp was not currently in a Broadway production and was not rehearsing for one is a hoot.
My caps come from the YouTube video, which isn’t always easy to cap (thus, there are so few here). However, you can still watch the video and see Culp stump the panel.
Essentially The Dukes of Hazzard for the drag racing set, this made for tv movie originally was broadcast on May 25, 1979. Culp is TL Munn, root beer king and corrupt town boss, who’s looking to get in big with drag racing by sponsoring a major nationals event. Not only does he hope to cash in, he intends for his son to win the race, if not for this out of town kid who comes in (Gregg Henry).
This movie features some great hot rods and (now) classic cars, great drag racing, 50’s rock and roll music and Culp sporting some very wide shirt collars.
At least he only wears one gold chain and not ten of them.
Since I’m partial to Bill Maxwell and his grey suit, I actually dig Mr. Munn’s grey suit here…only because I think it’s the same grey suit!
Culp himself does not hot rod in this movie, but does drive a horrifically painted Caddy. Nonetheless, I enjoy this movie and have watched it several times (I’m a car nut anyway).
In this first clip, TL is trying to film a commercial for the Munn’s Root Beer Nationals but gets interrupted by the shenanigans of the hot rodders and rock n’ rollers.
Companion clip to the one above, out of towner Brian Addison (Greg Henry) does his part to stir up a little trouble and the rock n’ rollers are still doing their thing. Fed up, Munn tells the disc jockey to get lost.
Later in the film, when all of Munn’s attempts at harassment don’t keep Brian from running in the races, TL basically tries to buy him off. That doesn’t work either.
After watching So Long Patrick Henry and A Cup of Kindness on YouTube, I purchased all three seasons of I Spy off the bat. Indeed, the season DVD sets were released just weeks after I “discovered” Robert Culp and I Spy. Previous DVD sets were “theme” sets based on location or whathaveyou. My timing couldn’t have been better.
So, once I got the sets I began to watch from the beginning, meaning I watched “Patrick Henry” and “Kindness” again, since the episodes were kinda chopped on YouTube. From there I carried on with “Carry Me Back to Tsing-Tao.”
The episode opens with Kelly charming a lovely lady at a Hong Kong bar until he’s rudely interrupted by a drunken sailor. The interruption turns into an offense and the two men have to take their differences to the back alley to be settled. Turns out, the sailor is a spy like Kelly and he has information for an assignment for him.
It seems Charlie Huan aka “Papa Charlie” (Philip Ahn) wants to meet with Kelly and Scotty the following day (which is gonna put a crimp on Kelly’s plans with the lovely lady he’s been trying to woo for about a week). Kelly’s familiar with the name, as Mr. Huan ran a lot of not-necessarily-legal stuff on the West Coast of the US. Mr. Huan also knows that Kelly and Scotty are undercover agents.
After getting the information, and being told that the sailor can’t do the meeting because he’s not “one of you cute, glamour boys” the two men realize that one of them has to come out of the alley looking like a loser.
It’s not the glamour boy. Heh…
The next day, Kelly and Scott go to see Papa Charlie, who’s in the middle of his birthday celebration with his daughters and sons-in-law. The sons-in-law, Turkey (David Sheiner), Harold (Bernard Fox) and Morton (Michael Conrad) express an abundance of love and appreciation for Papa Charlie and it’s only for one reason; Papa Charlie is very rich and the three men want his money.
Papa Charlie excuses himself from the festivities to see to Kelly and Scotty (and let me say that Culp looks very dapper in the wine colored jacket and ascot tie). He takes them out of the big house to his quarters, a smaller more modest building on the grounds. Just before getting there he asks for them to follow him single file through the grass and to be careful of “poison ivy.”
In his quarters, he tells them his situation. He wishes to return to his native village in Formosa (AKA Taiwan) to live out the last few years of his life. However, he owes quite a bit in back taxes to the US government and as such, Formosa, by request of the US, will not grant Charlie a visa. He has discussed the issue with the US government and has agreed to pay $1 million to settle his debt. Once paid, he will be granted his visa.
Before Charlie can give them the money, Kelly and Scotty tell him they need to check with the government first and get instructions. Charlie tells them to do it quickly and warns them about his three sons-in-law how they’re after his money and if they found out what he was up to, they would be very dangerous.
Kelly and Scotty receive a cable back from the US government indicating the offer is acceptable and warns that the three men in question have criminal records. They should use “extreme caution.” Scotty’s not so bothered by extreme caution. He’s wondering where Charlie has all that money hidden!
When Kelly and Scott get back to their hotel room they’re jumped by Turkey, Harold and Mort. (I still can’t get over the fact that one of these guys is named Turkey!). The boys are roughed up a bit and when Kelly wakes up he’s staring straight into the barrel of Harold’s gun. The three men want to know why the two went to see Papa Charlie.
They don’t like Kelly’s first answer about a shark fin and a recipe for soup. Turkey slaps Kelly for that. Scotty tells them he only came along to listen to some old Fats Waller records. He gets a punch from Turkey for that.
Finally they come out and say they were talking a deal for something and were “dickering over a price.” Kelly tosses the explanation to Scotty who, not missing a beat, starts in about that they were con men and had found a piece of land to use in a deal and had asked Charlie if he would finance it for them. (I love the change in Culp’s expression as Scotty’s spinning his yarn. Heh!) Scotty and Kelly also say that Charlie agreed and that they saw his bank book.
Harold tells them that Charlie doesn’t have a bank account in any Hong Kong bank (they’d checked). Before Scotty and Kelly can get roughed up any further, one of Charlie’s daughters – Catherine – suddenly comes into the room and slaps Turkey. Scotty tells her to do it again. She does. She then tosses the three men out of the room.
Kelly and Scott are more than grateful. Kelly even tries to charm Catherine but doesn’t get far. When he tells her that he hurts pretty much all over, she has just the remedy for him: Chicken soup. (Not what he had in mind!)
When Catherine takes them to see Charlie, they find out why they have to walk single file through the grass. The whole area has been mined with anti-personnel mines.
They tell Charlie that the government accepts the deal. He then reveals to them his $1 million…a solid gold stove. They load the stove into an old truck and off they go to deliver it to the IRS.
I love the conversation Kelly and Scott have as they drive, talking about a few pounds of the stove for themselves (gold going for about $60 an ounce, black market. Gold prices at the time of this post is around $1600 per ounce. “A couple of one way tickets to Tahiti would hardly put a dent in it!”). Of course, they don’t do this knowing that if they did, they would lose their jobs and probably any sense of self-respect. (And medical benefits – who doesn’t love plaster of paris?)
It’s not long before Turkey, Harold and Mort catch up to Kelly and Scott and run them off the road. Both are thrown from the truck and a little worse for wear. While out cold, Turkey, Harold and Morton load up the stove into their car. (Okay, Turkey drags the stove, Harold gives commands and Mort stands over unconcious Kelly and Scotty with a gun.) The boys come to just before the three take off and try to fight them to no avail. Kelly ends up with his already cut face planted in the dirt.
I loved Kellys line to Scotty as Scotty’s picking him up off the ground. “You look terrible.” To which Scotty replies with a bit of chuckle, “Sorry about that.”
Turkey, Harold and Mort take the stove into town to have it looked at and determine a value for the gold. Only to find out that the stove isn’t gold at all. It’s cast iron with gold leaf paint… (and if you think they weren’t happy…)
Papa Charlie, meantime, with his visa to Formosa, packs up his meager belongings for his trip. Catherine, however, has discovered that the stove was a farce too. He tells her that there is no gold, that he did not have the money all along.
Back at the hotel, Scotty helps tape up Kelly’s ribs. (Yes, folks we’re on the 3rd episode of the series and 30 minutes into it and Culp has his shirt off!). He notices a scar on Kelly’s shoulder and Kelly tells about how he got it (the short version, he was bit by a dog). They then get a message that a stove can be bought at a shop in town.
They figure it’s a trap but they go to check it out anyway. At the shop, they speak to the proprietor about the stove and they find out about it not being gold at all. They realize they’ve been had by Papa Charlie. They figure the note came from Turkey, Harold and Mort and they go to the back alley of the store to find “The Rover Boys” waiting for them. Kelly and Scott get their just deserts and clean the alley with all three men.
Back at their hotel room, they try to track down Papa Charlie, only to find out he has already passed through immigration and into Formosa.
“Into each life, some goofs must fall,” Scotty philosophies.
“Yeah, but so many in ours?” Kelly replies.
They ponder how they can find Charlie on Formosa and then realize they could probably get their answer from Catherine.
They tell her that they realize they were used in order for Charlie to get his sons-in-law off his back. But they warn her that once the three men figure out where Charlie went, they would go looking for him and they would kill him for his money. She tells Kelly and Scott that there is no money, no gold, nothing. They would believe her, if she’ll tell them where in Formosa Charlie is.
They promise that if she tells them, they can have the three men sent back to the US and denied any passports or visas, which would prevent them from leaving the US and finding Charlie. Catherine, however, wants a different kind of assurance and gurantee. She suddenly runs out of her father’s quarters, yelling for Turkey, Harold and Mort, who come running and set off one of the land mines. The explosion kills Turkey. Kelly yells for Harold and Mort to stay put, otherwise, they’d be killed too. And he knows that once she was through with them, she’d find something for Kelly and Scott too.
So Kelly counters with a threat of his own. He’d turn Catherine over to Harold and Mort. Catherine chooses her sides more carefully.
Kelly, Scott and Catherine fly to Formosa and ask around for where to find Charlie. What they learn is very surprising. Papa Charlie is conducting business as usual. The meager housewares Catherine had helped him pack up, were actually made out of platinum and he is trading these pieces for diamonds and jewels and other mediums of exchange. Kelly quietly interrupts Charlie’s business day, tells him to send everyone home and then asks him to count out $1 million in the platinum pieces.
Charlie does so but says he will be left penniless now. Kelly doesn’t buy it. Kelly also doesn’t have very good luck charming any of the Asian women in this episode. Catherine pretty much ignored him as does one of Charlie’s assistants, who simply walks away from Kelly when he says hello.
Later an IRS agent shows up at the boys hotel room because the payment was short. Four ounces short as a matter of fact. (Interesting to note that platinum in 1965 was $140 an ounce. At the time of this post, it’s around $1400 an ounce.). Kelly and Scott knew the man would be coming and as he’s telling them about the shortage, Kelly is polishing off a platinum fork. They then show him the fork, along with a matching fork, and the box that they were going to ship the forks back to the IRS with. The agent doesn’t understand until Kelly explains that they have a friend who boasted once about eating fettuccine with a golden spoon. Now they can say they ate Chinese with platinum forks.
The IRS agent thinks about this for a moment and then asks to pass the moo goo gai pan.
When I first saw this episode, I thought “Huh…this looks familiar…”
I know the rib wrap would show up in another TGAH ep later (“Lilacs, Mr. Maxwell”) and subsequent I Spy eps, but the bandaid on the face, on the same side no less, was a hoot.
And even this felt familiar!
That’s what I get for watching these shows back and forth.
Anyway, “Carry Me Back…” was a fun episode. Where “Patrick Henry” was fairly serious, “Kindness” mixed serious with humor, “Carry Me Back…” also had a good mix of serious and humor but was pretty much an adventure in mishaps. I thought the plot stretched things just a tad (how would Charlie have ever, ever, known that Kelly was a undercover agent??) and was constructed purposely so that Kelly and Scotty’s mishaps would take place (seriously, wouldn ‘t the US government have waited for the back tax money to be delivered in hand to the IRS before issuing the visa? We’re talking a million bucks here!). Nonetheless, the episode offered some great banter and some classic lines.
Kelly and Scotty’s adversaries included…
– Bernard Fox, who was seen several times on the sitcom Bewitched as Dr. Bombay, played it straight here but would show up later on Hogan’s Heroes as the memorable, hapless and bombastic Colonel Crittenden.
– Michael Conrad, a frequent face seen on television through the 60s and 70s and best known as Sgt Phil Esterhaus on Hill Street Blues in the early 80s.
– David Sheiner, another frequent face on television during the 60s and through the 80s, doing multiple guest spots on shows such as The Man from UNCLE, Mission Impossible, and The Fugitive. He also was one of Oscar’s poker buddies in the 1968 movie The Odd Couple. He may have been hard to recognize here as he either shaved his head or wore a skull cap for the role.
– Philip Ahn, sly old fox “Papa Charlie,” was born in the US of Korean descent. A veteran character actor playing various Asian characters in film and television he had a long career spanning from the 1930s until his death in 1978. He is probably most known for his role as Master Kan in the David Carradine tv series Kung Fu.
Conrad, Sheiner and Ahn would each return for a second time on other I Spy episodes.
Also of note is George Murdock, the drunken sailor at the beginning of the episode who gives Kelly the assignment. Another veteran character actor who made a career out of playing judges, cops and bad guys, he appeared on numerous television shows and in films, incuding frequent guest appearances on shows such as Banacek, Ironside, Barney Miller, and Battlestar Gallatica.
Kelly and Scotty’s discussion about the gold stove and taking a piece or two for themselves is listed in the Memorable Quotes section for I Spy on the IMDB.
And one final programming note…it’s a good thing this episode of I Spy didn’t air on Monday, October 4th, 1965 because it never would have been seen. NBC dropped all of it’s regular daytime and nighttime programming to allow wall-to-wall coverage of Pope Paul VI’s visit to the US (the first such visit to the US by a Pope). ABC and CBS also provided wall-to-wall coverage but with a few exceptions here and there. ABC was in the particularly sticky situation of having to choose between coverage of the papal visit and airing the National League baseball pennant game between the Los Angeles Dodgers and San Francisco Giants (if it was so needed…and good Lord man, life does have it’s priorities!). Fortunately, the Dodgers saved them from such a decision by clinching the pennant over the weekend.
The first season of I Spy, of course, is available at Amazon.com.
The Match Game (as it was called during the sixties) was resurrected in 1973 as “Match Game ’73” with subsequent seasons being denoted by year (Match Game ’74, Match Game ’75, ect…). Near as I can tell this was Robert Culp’s only appearance on Match Game in the ’70s, He would have appeared in the entire week’s run of episodes, however, I’ve only ever seen this first day.
Since Culp is in the first chair at the top row, he’s the first introduced. Um, pay attention, Bob…
Although this episode is early in the Match Game run, the familiar feel of the show is well established already. What would become the familiar cast of misfits are here, with Brett Sommers and Richard Dawson. Charles Nelson Riley was not yet a regular, but in what would be his chair is Mr. Brett Sommers, Jack Klugman. Frequent visitor Jo Ann Pflug is here and the “new blood” are Robert and actress Pat Carroll. Gene Rayburn promises the newbies they’re gonna have fun. Culp asks when. Heh. Carroll complains something about missing a PTA meeting for this. Honestly though, I’m not sure Culp really wanted to be there at first, it’s hard to tell.
The two contestants are Allen and Diane. Allan picks the first question, which is…
Gene: “Molly fed Jake nothing at all but chicken soup until he finally BLANKED.”
The usual shot of the stars writing their answers down. Nice close up of Culp. May I add that he looks very sharp in that blue suit?
Allan answers that Jake “cackled.” The audience likes this one.
Robert: “Well, it was close…he croaked.”
Most of the rest of the answers are similar, that Jake died. Klugman figures the soup might be like Brett makes it…thus, Jake vomitted. Anyway, Allan gets no matches from any of the stars. Culp says something about “no chicken soup jokes here…”
Next question for Diane… “When little Maybel dances with Big Wilt, her nose touches his BLANK.”
Now, by this point if you’re not familiar with Match Game you may have noticed the questions could sometimes be suggestive in some way. The answers, however, could not violate FCC rules. But you know everybody, including the audience, are thinking the same damn FCC violating answer. They just can’t say it. Gene tells everyone not to be influenced by this “evil audience” who are hooting and snickering. Since they’re all thinking the same answer, Culp is heard saying something like “nobody is that short.”
Diane keeps it clean and says that Maybel’s nose touches Big Wilt’s chest. Obviously the audience isn’t fond of the answer as they’re pretty much stone silent.
Robert: “Well the only Wilt I know is a lot taller than that. Belt buckle.”
Although Culp doesn’t match with Diane, he and Jack Klugman are on the same wavelength. Klugman’s answer was also belt buckle. “I think Robert and I dance with the same Wilt, I said belt buckle… ”
Jo Ann and Pat also say belt buckle. Brett and Richard say navel. Diane does not get a match but by this point Culp seems to be loosening up. On to the next question.
Gene: “Robinson Crusoe said to Friday, ‘We’ve been on this island together for 20 years. Let’s BLANK.’”
Yeah. You’re thinking all kindsa naughty answers aren’t you? So’s everybody else. Allan, who just can’t help himself, answers: “Get married.”
Gene: “He’s such a shy guy too.”
Robert: “I told you he was a vision in blue!” (Allan is wearing a bright powder blue sport coat.)
Your answer, Bob?
“I really wanted to play it very straight, because they’re cold up there and they wanted to build a fire.”
Build a fire? No, I’m sure that’s not what he first thought. (And if I was stuck on an island with Robert Culp for 20 years, I would hope we built a fire long before then!) Brett says “dance.” Klugman’s answer he figures will get him thrown out of the business…he matches Allen with “get married.” Jo Ann’s answer was that they should leave. Richard also matches with Allen for “get married.” And Pat figured as Jo Ann did, that they should just get out.
After a commerical break we return with the next question, which is, “Herman flew all the way to Brooklyn to look up Janet’s BLANK.”
The audience gets a good snicker along with some of the celebs on the panel. Culp asks Gene to repeat the question, saying, “I dare you to say it again.” Gene repeats it, unruffled, everybody chuckles and the close up of Culp shows…
Yeah. He’s thinking, “Geeze…” I’m also willing to bet Culp is thinking a particular answer but he plays it straight.
Brett is giggling like a mad woman as she writes her answer down. Everybody puts their cards in, Culp being the last one.
Diane’s answer is a disappointing “phone number.”
Robert: “You guys are too tough for me, I had to start out easy with this. I said ‘address.’”
No match. On to Brett who just stares at Gene for a long moment, looking innocent. Finally she snaps out of it and pulls her card out. The viewer and the audience can’t see it, but Culp does and you hear him burst out laughing.
That answer Culp might’ve been thinking of? Brett had no shame and proudly displays her card. “HER SKIRT!” After a good laugh, Brett then apologizes for her complete lack of taste. Culp can be heard saying “it’s allright…” Heh!
Once again Jack Klugman matches Culp with “address.” None of the other celebrities match with Diane so Allan wins the round. He goes on to win $500 in the super match with Richard but doesn’t win the $5000.
Round two with a new player, Barbara. Barbara picks question B, which is, “The morning after the party, Harry said, ‘Boy my mouth tastes like somebody left their BLANK in it.’”
Barbara’s answer: Socks
Good answer. Culp almost has it. “Very, very close!” he says, “But! It was shoes…”
Barbara would match with Brett and Richard to get two points. Unfortunately, that would be all the time they would have for this day’s game.
Now I dunno about you, but I would have loved to have been a contestant on Match Game just for the heck of it, but particularly if Culp was on the panel. If I had won a round and made it to the supermatch I would’ve picked him. I wouldn’t have cared if I won or lost at that point, I would’ve been happy just to have stood on that stage, with Culp not 15 feet away and try to see if I could match him.
And see about building that fire.
You can watch the Match Game ’73 episode on YouTube in five parts (Part One, Part Two, Part Three, Part Four, Part Five) which is where I grabbed my screen caps from. As always, with the fickle existence that is YouTube, check it out sooner rather than later as there’s no guarantee on how long the video will remain posted.
Now if I can just find the rest of his appearances from that week. I believe this screen cap I found on the internet is from the same week.
NBC Movie of the Week, Originally aired May 21, 1977
**Contains spoilers**
One of the last gems I found on YouTube in the ‘08/’09 period was this tv pilot which I thoroughly enjoyed. As a more casual Star Trek fan I was also intrigued by the fact that this was created and written by Gene Roddenberry and it’s unfortunate it didn’t make into a series.
Robert Culp plays William Sebastian, a brilliant and well known criminologist who has been dabbling in and researching the occult. His theory is that the more heinous murders committed by humans that had no definable logic in motive must have been committed due to other more powerful and unseen forces. As a result of his flirtations with the dark side and backing out of a deal with the devil, he has just one minor problem: He has a hole in his heart, like a dagger or some object has been shoved through it.
A little healing black magic from his housekeeper, Lillith (Mrs. Gene Roddenberry – Majel Barrett), Sebastian is able to continue to live and walk around. But the spell does not offer a permanent fix. Sebastian has to find the doll that the object is impaled in.
He has been asked to look into a case in England at the request of Anitra Cyon (Ann Bell), who believes her brother, Geoffrey (James Villiers), is under the influence of evil supernatural forces which has contributed to his sudden and extensive wealth. In order to proceed with the case, Sebastian will need help from his former partner, Dr. “Hamm” Hamilton (Gig Young.) The movie opens with Hamm’s arrival at Sebastian’s home – having been requested there by telegram – and this great voice over to set the tone for the movie.
“I come here to meet a man I vowed never to see again. He was vain, arrogant, selfish, but his brilliance was still irresistible. He was also dangerous – never to me – but this evening began for both of us, a slide into horrors unimaginable, a descent into a corner of hell….”
Sebastian explains about the hole in his heart and asks for Hamm’s help with the case in England. Initially Hamm says no, after all, he has some issues of his own going on including a more than casual drinking habit and is facing an inquiry by the hospital he works for. He reconsiders after learning about Sebastian’s condition but suggests that Sebastian didn’t need a compulsive drinker as an assistant. The good doctor’s drinking habits, however, were corrected by Lilith.
As they talk, another visitor arrives: Anitra Cyon. The woman, however, is not who she appears to be. Sebastian becomes suspicious when she tells him that she’s changed her mind about having him investigate anything. He takes her into his study where she refuses to sit in a chair with a cross on it and after some talk she attempts to seduce Sebastian.
He kills the mood, if you will, with the Apocryphal Book of Tobit, pressing the open book against her and exposing her for what she is, a succubus. She literally goes up in smoke.
Hamm hears the screaming and the noise from the study and bursts in, only to be shoved back out by Sebastian. Hamm is incredulous, once Sebastian finally lets him into the study, as to what happened and who the woman was. Even further, he’s appalled by all the ancient art, religious artifacts and other “junk” as he puts it, that’s in the study. He shows genuine concern for Sebastian but also warns him, that if he’s harmed anyone with all this occult hullabaloo he would have him put away. Sebastian, to Hamm’s surprise, agrees.
They fly to England on the Cyon jet with Mitri Cyon (John Hurt). During the flight over Sebastian and Hamm talk about the supernatural. Hamm pretty much is a non-believer. Sebastian suggests the possibility that some of the most heinous murders (Charlie Manson, Richard Speck) may have been done at the force of the supernatural. As they talk, the jet begins to malfunction with loss of power, loss of engines and loss of radio transmission. Hamm attributes it to a malfunction, afterall it’s a man-made machine. Sebastian knows differently and the jet lurches and tosses about in the air even more when Sebastian starts rattling off the different names by culture for the devil. After a moment, the jet settles and resumes under normal power.
In London, Mitri stays behind at the airport to check on the plane and sends Sebastian and Hamm along with the Cyon car. Sebastian asks the driver, Sydna, to make a stop first, only to realize she was already headed in that direction.
The stop is at Merlin’s Mews and the library of Dr. Qualis, an expert in the occult. Sebastian had been in contact with Qualis regarding what was going on with the Cyons. When he and Hamm get there, they find the place on fire and they find Qualis dead inside. On the floor is a pentacle, which Qualis was trying to get to the center of at the time he died but didn’t make it. (The center of a pentacle is the safest place to be when facing demons). They find Qualis is clutching his journal just as a demon attempts to get into the room. Sebastian gets the doors shut and he and Hamm stand in the middle of the pentacle. The demon busts through the doors just before fire and police arrive. The demon disappears and a fireman is yelling at them to get the hell out of the building.
Outside, they’re greeted by Scotland Yard Inspector Cabell (Gordon Jackson) whom they’ve dealt with before. After a brief explanation of how they found Qualis, the Inspector drives Sebastian and Hamm to Cyon House.
During the drive over Cabell questions them, asks if they saw anything. They say they did not. Sebastian asks if the other murders (this is the first indication that there’s any pattern of murders that have occurred – unless I missed something earlier in the movie) have any connection to Geoffrey Cyon, business rivals or the like. The inspector admits that there is a connection, off the record. Cabell says that the Qualis killing, however, doesn’t fit the previous murders. Cabell then asks Sebastian if he has reason to believe that Geoffrey Cyon is behind any of the killings. Sebastian says he does not have any reason to believe so. Cabell looks relieved to which Sebastian adds that Cyon is quite close to several members of the Cabinet. Cabell answers that, “This is England. No one is above the law.”
They arrive at Cyon House which is the former Kentworth Abbey. Cyon spent millions redoing the place and it is no longer very “abbeyish” inside. Sebastian dismisses the inspector and he and Hamm approach the entrance. The moment Hamm uses the door knocker, Sebastian is hit with terrible chest pain. Sebastian describes the pain like “something being twisted. A physical movement…” It lasts for only a moment before it passes….and the door to Cyon House opens.
Inside, Hamm and Sebastian are welcomed to Cyon House which looks less like a stately English estate and more like a tacky gilded bordello. Much of the artwork and sculptures are sexually suggestive. The maids are all beautiful women who wear slinky dresses. As Hamm and Sebastian wait for Geoffrey Cyon they admire a more artistic rendition of Venus Reclining and then Sebastian notices a small ivory coffin box in a display case. He goes a little nuts, trying to find a way to open the case and then finally smashes the glass with his elbow. The coffin, which he thought contained the doll, or rather contained him, is empty.
They meet Geoffrey Cyon, a severe looking gent who looks like he might be a distant cousin to an American family known by the name of Adams. He’s aware of his sister’s request and there’s a discussion about payment. Geoffrey offers up the Venus Reclining painting, for which he paid some 200,000 pounds for. If they can confirm Anitra’s fears and suspicions they will receive the painting. If not, they get nothing. Geoffrey then has Sebastian and Hamm join him and his siblings for dinner.
At dinner they meet Anitra Cyon, for what seems like the second time. Hamm even asks her if she has any relatives living in the United States, which she replies she does not. (Hamm’s still not quite convinced of that whole succubus thing). During dinner Geoffrey speculates that the true reason for Anitra’s investigation is simply because she does not approve of his extravagant and open lifestyle. Nonetheless, he proposes a toast to Sebastian’s success. Before Sebastian takes a drink of his wine, the edge of the glass leaves a cut on his finger. He pours the contents of his glass out using his napkin as a sift and finds shards of glass. The “old crystal” is to blame for the shards and Sebastian, not missing a beat, takes Hamm’s drink and proposes a toast. He recites the verse (which is not in English) and then takes a drink of his wine. Everyone else’s glasses shatter.
Anitra demands an explanation. Before one can be given, the head mistress of Cyon house comes in to inform Geoffrey that they were having trouble with the main gate, that the sonic control seemed jammed. Sebastian explains that the high frequency waves simply caused the old glass to shatter. Still…it doesn’t explain why his glass didn’t shatter.
After dinner, Anitra speaks with Sebastian and Hamm privately. She asks if he believes what was in her letters. Anitra is a somewhat plain, stern looking woman who obviously does not approve of her brother’s lifestyle or of the buxom beauties who are the maids. She’s somewhat envious, she admits. Nonetheless, she truly believes there is something evil going on and she fears for both her brothers. She asks Sebastian that if he can’t stop whatever power it is that is doing these things, if he has to resort to killing everyone in Cyon house to do it, including her, that he should do so.
The request literally knocks him back in his chair but he nods meekly. Hamm figures this is a good time to excuse himself and Sebastian for the evening. Mitri comes in in time to escort them up to their rooms. At the top of the stairs, they pause for Sebastian to catch his breath. One of the maids walks by with an arm full of sheets and brushes against Hamm, pushing him against the railing…which gives away and nearly sends Hamm tumbling down into the fountain.
Their rooms are adjoining, and Hamm’s looks like a bordello (complete with pink satin sheets on the water bed, a heart shaped pillow and more sexually suggestive art. There’s even a leopard skin rug on the floor. But wait, it gets better…)
Hamm leaves the room to check on Sebastian next door, who has a more appropriate and stately decorated suite. Hamm checks on Sebastian’s vitals while he reads through Qualis’s journal. Sebastian also explains that his toast at dinner was to ward off evil spirit. Since the demon would only be present or possessing one of the Cyon siblings, all of the glasses shattered in order for “it” to not reveal itself.
Sebastian reads entries from Qualis’s journal. The excavation done at Cyon house three years earlier for a new wine cellar disturbed an ancient underground cavern known as Druid’s Firepit. Qualis’s greatest fear is realized when he learns that “A” has been freed, after being bound for more than 2000 years. Qualis can’t even write the demon’s name in the journal instead writing only the symbol he is known by. When Sebastian shows Hamm the page with the symbol on it and speaks the demon’s name, Asmodeus, Prince of Lechery Lord of Corruption, the wind suddenly picks up and the fire in the fire place grows larger. It lasts for only a moment and then dies down.
Hamm doesn’t buy that this is anything beyond coincidence. Even he speaks the demon’s name and nothing happens. Sebastian explains that it was a direct response to him.
We have a break in our evil supernatural spirits for some comic relief with Hamm, who’s room remember looks like a bordello. More or less because, it is a bordello. He awakens to find a girl in his bed who, with a push of a few buttons on a console brings up the colored lights and turns on the funky music. She then has Hamm make a selection which in turn brings in a dominatrix and a “school girl.” The dominatrix selects a whip from a hidden cabinet on the wall and gives it a crack. By this point Hamm is out of bed and grabs the whip from the dominatrix….and the door adjoining to Sebastian’s room suddenly opens.
“I’m sorry,” Sebastian says, “am I interrupting something?” Hamms sputters that the ladies were just leaving then he turns it around and says they had just gotten there. Either way, Sebastian shoos the ladies from the room. Hamm explains he’s been awake all of two minutes. Sebastian marvels at how much Hamm accomplished in two minutes. Heh!
Sebastian then shows Hamm the druid ring from the window explaining that it was that that had awoken him. After they dress, they go out to check it out. Hamm is sure he can hear either women screaming or animals howling, or both – just as two pit bulls come barreling over the stones and straight toward them.
The two remain still while the dogs are snarling at them before being called back by Geoffrey Cyon. When they say they thought they heard noises from the ring, he invites them to take a closer look. He then says how the wind makes odd noises with the stones sometimes and advises the two that they shouldn’t come out here again. The hounds could be dangerous.
Back inside Cyon house Sebastian and Hamm leave to meet with Inspector Cabell just as several high profile financial leaders are arriving for a meeting. When they get to New Scotland Yard, they find the Inspector is not there and is at Merlin’s Mews. Sebastian figures that Cabell has learned that Qualis kept a journal and is there looking for it. They drive on to Merlin’s Mews and turn the journal over to Cabell. Cabell isn’t much interested in any of the evil spirits bunk and is only interested in making sure that Geoffrey Cyon is not being implicated in any of the murders. Technically, he’s not being implicated, as Sebastian notes that Geoffrey was in other parts of the world at the time various murders occurred. But still there’s something amiss at Cyon House. Inspector Cabell isn’t much interested.
Back at Cyon House, Sebastian strolls through the main foyer and notices a piano and sheet music and starts to play the melody. He gets stuck on one particular note. Mitri shows up and shows how it’s played properly. They talk a bit, Sebastian wondering what the hell Mitri is doing flying a plane when he can compose and play music that is beautiful. He asks Mitri about Cyon business interests and how each of the siblings own a third of the share. Mitri points out though that Geoffrey is the financial wizard and he (Mitri) merely backs him up in terms of votes, which always out votes Anitra. Mitri speculates that this may be part of her wanting this investigation too. Mitri also marvels at how much his brother has accomplished and praises his abilities, just as Geoffrey walks into the room.
Geoffrey admonishes Mitri, however. He even goes so far as to slap him when Mitri admits that he wonders if Anitra is going mad. Mitri excuses himself and leaves the room. Geoffrey then extends an invitation of sorts to Sebastian, just as Anitra comes into the room. Just as she’s about to warn Sebastian about Geoffrey’s “obscene Hell Fire club” they hear noises coming from Mitri’s room.
By the time the police arrive, one of the hounds is howling its head off at something in the tree. The only witness to the attack on Mitri was the other dog, who was gored and thrown into the tree. Geoffrey has the ambulance that was called for cancelled as Dr. Hamilton was taking care of things. This is the only scene in the whole film where Culp’s character is seen wearing glasses. Not sure if this was a continuity error or if any other scenes where he wore the glasses might have been cut.
Inspector Cabell speaks briefly with Mitri, who saw nothing of his attacker and could not recall even if it might have been a man or an animal. Sebastian then talks to Cabell about how the disciples of Asmodeus are capable of great physical change. Cabell is still not buying much of it but does agree to Sebastian’s request that a constable be left on the grounds, in case the attacker (if it was such an outside force) returns.
Hamm returns as Cabell leaves. With a constable on the grounds, Sebastian figures Cyon will have to keep his dogs penned up so he and Hamm can take a closer look at the ruins. They prepare to go with a flash light and appropriate religious symbols. Hamm’s is nothing more than a simple Star of David on a key chain. Sebastian has a cross. A very old cross, blessed for more than 900 years. (“Why must you always have the best of everything, William?” Hamm asks, somewhat sardonically). Sebastian does note that it’s “good to be together again.”
They head out to the ruins and find their way in (but not before one of the boulders of the ruins nearly falls on Sebastian). They follow the tunnel where they find one of the maids dresses on the ground along the way. They find markings on rocks dating back to druid times and are nearly crushed under falling stones.
Finally, they find the “prison” Asmodeus was locked away in for 2000 years. They find half of the broken solid gold seal that had been on the doors. Inside the “black temple” they find a sacrificial alter that bears Asmodeus symbol. Sebastian unveils the 900 year old cross that he carries and places it on the alter, the power of which is felt through the temple and brings Sebastian to his knees.
After he tucks the cross into a crevice in the altar, he gets back to his feet with help from Hamm. Suddenly they hear the crazy laughter of a girl and turn to see one of the maids is hanging upside down on the wall. Hamm checks on her but she’s completely unaware that he and Sebastian are even there. A disciple shows up a moment later but doesn’t enter the temple due to the half seal that Sebastian had hung on a candle stand. The disciple leaves and then Sebastian is hit again with the twisting feeling in his chest. Hamm grabs hold of him and walks him out of the temple, Sebastian taking the gold seal with them.
Back in Sebastian’s room, he tells Hamm what will happen if they don’t stop Asmodeus. His physical condition, however, has weakened and Hamm will not allow him to travel to London for the items that he needs. So Sebastian tells Hamm that he has to go. The items include materials so they can melt down some of the gold from the seal to make a bullet, holy water from a baptism and communion wine, blessed by a bishop. Hamm figures getting some of these things will be impossible, as he puts it he’s not a witch from MacBeth. But he agrees to go, so long as Sebastian rests. Sebastian agrees. He also figures if Geoffrey Cyon is Asmodeus, they needed to figure out which human was his priest. The legend goes that the priest takes the form of a great cat. This would be the most dangerous of the disciples.
Hamm returns later to Cyon House to learn that Anitra has gone missing. This news apparently doesn’t faze either of her siblings as Geoffrey is carrying on with a planned party. When Hamm asks of any news from Geoffrey about Anitra, Geoffrey simply walks away. Mitri is even less upset, saying that whoever has her is probably in more trouble than they realize anyway, as Anitra “is always saying she’s the real tiger of the house.”
As the party goes on downstairs, Hamm and Sebastian are in Sebastian’s room preparing the golden bullet. Sebastian theorizes that Anitra’s disappearance might be permanent. Hamm mentions Mitri’s comment about Anitra being the “real tiger of the house.” Sebastian adds that it was Anitra, after all, who brought them there.
As the party rages on (and dissolves into an orgy) Sebastian and Hamm sneak back down through the wine cellar to the temple. When Sebastian attempts to load his golden bullet into his gun, he drops it and it rolls behind one of the massive doors. He and Hamm pry the door away from the wall where they find the other half of the golden seal in the mummified hands of Mitri. Asmodeus was never Geoffrey Cyon. It was Mitri all along. Sebastian finds his golden bullet and takes the other half of the seal.
Sebastian loads his gun when the sounds of chanting can be heard. He and Hamm go into the temple and hide in the shadows.
They watch as disciples arrive carrying Anitra and placing her on the altar. Asmodeus then arrives and Sebastian and Hamm watch in awe as Mitri commands Geoffrey to be his priest by taking Anitra, sexually. Geoffrey cannot bring himself to do it and offers instead her death and her death only. But even this he is unable to do.
Asmodeus figures he knows someone else who would be his priest and he calls out Sebastian. The disciples chant Sebastian’s name and one of them turns to face him – Inspector Cabell.
Asmodeus offers Sebastian his life, the removal of the object impaled in the doll if he will become the priest. The ivory coffin box is brought in and the object is removed from the doll. Sebastian’s hole in his chest and heart are healed.
He approaches Mitri, vowing to “obey my Lord.” He’s draped in a black and gold robe and he turns to Anitra who cries to him about his promise, to kill them all. He says nothing, opening his arms wide where one hand contains the bottle of holy water. He pours near the crevice where the cross had been tucked into earlier.
The power of the holy water and the cross flares up from the alter and chaos erupts in the temple as disciples scramble away from the altar. Hamm hands the other half of the gold seal to Sebastian who puts the two pieces together and holds it out to Asmodeus. Asmodeus screams for hellfire and he gets it, only not for Sebastian. Sebastian throws both halves of the seal into the fire and then follows up with the communion wine, putting Asmodeus into a hellfire of his own. As the final touch, Sebastian fires his golden bullet at Asmodeus.
Hamm frees Anitra from the altar as total madness takes over the disciples and the temple. Sebastian fights off disciples as he makes his way to the doorway of the temple. Once he, Hamm and Anitra are out the temple crumbles and collapses in fire and destruction, taking everyone in it with it.
Back in the US, Hamm and Sebastian see the newspaper reports of the fire that destroyed Cyon house and the partygoers, along with many of the paintings and artifacts that it contained. Asmodeus unfortunately was not destroyed and Sebastian warns that they would see him again. They then receive a surprise visitor, Anitra Cyon, looking much lovelier than she ever had. She brings a gift to Sebastian, a painting. Not the Venus Recliningthat he had admired at Cyon house but a suitable replacement. While Sebastian looks over the painting, Hamm offers to talk to Anitra alone in Sebastian’s study.
Lilith assures Sebastian that it is indeed Anitra Cyon. Sebastian had no doubt and although he knows it’s really Ms. Cyon and Lilith knows it, Hamm doesn’t. When he comments that it should be an interesting session in the study, the fire suddenly burns higher and the wind blows through the room. It’s then that Sebastian realizes there’s a symbol on the painting. The “A” of Asmodeus…
I really enjoyed Culp’s performance in this. He’s exactly as Gig Young’s voice over at the beginning of the movie describes: Vain, arrogant, selfish…but his brilliance is irresistible. Although the arrogance of the character doesn’t come off like some annoying know-it-all; he never talks down to anyone. He shares his knowledge not to make himself look important, but because the knowledge is important and needs to be shared so that others can understand what’s going on. This demon stuff is serious business! (Serious enough that his arrogance is in having to have a priceless jewel encrusted cross, blessed by priests for 900 years.)
He also looks really good dressed in black.
Gene Roddenbury was actually about 30 years ahead of his time with this pilot. Although supernatural movies like “The Exorcist” and “The Omen” freaked out audiences back in the ’70s at the movie theatres, and Steven King books were all the rage, the thought of bringing the supernatural to television was met with some skepticism. Spectre was not the only supernatural themed movie to air at the time (indeed, there were two others the same weekend; Good vs. Evil on ABC and The Possessed, also on NBC.) The networks, Roddenbury said in an interview in 1977, “always chickened out (with supernatural stuff) because they want the unexplained to be explained. If you had a ghost it always turned out to be someone trying to frighten the aunt out of the estate.”
Although audiences were looking for such programs, critics weren’t. Reviews were mixed for Spectre, one critic calling it “campy.” Perry Fulkerson of the The (St Petersburg, FL) Evening Independent downright condemned the pilot calling it, literally, “a piece of trash.” Everything about the movie offended him, from the sexual overtones (the bedroom scene of Hamm’s with the dominatrix and young girl – “This is on television?” Fulkerson wrote, “It ought to be in the garbage.”) to Culp’s character using “evil devices” to fight off the forces of evil (Holy water? Communion wine? Oh, silly me, I guess Mr. Fulkerson didn’t like the old fashioned single action pistol Sebastian used). Fulkerson goes on further to say that using evil to fight evil is “quite contrary to the nature of reality.”
Makes me wonder what Mr. Fulkerson would think of the plethora of demon and vampire shows on television nowadays. Particularly, Supernatural, where the Winchester boys have a trunk full of “evil devices” in their old Chevy Impala to fight off evil spirits.
Nonetheless, I thought this pilot was well made and the storyline is good. I acknowledge there’s a little camp with Hamm’s bedroom scene and Culp borders briefly on being a smidge hammy with his “Ah ha! A welcome!” when he and Hamm arrive at Cyon house. The production values, settings and special effects in this movie are very well done (and clearly very expensive!) except for one part. When Mitri/Asmodeus loses his human form during the final confrontation with Sebastian and is turned back into the demon, he looks like something out of a 1950s sci-fi movie. Very amateurish, totally fake and extremely disappointing. Especially so after various demons/disciples in previous scenes are much better costume and makeup work. Why a similar look was not utilized for Asmodeus in this scene is completely beyond me.
Unfortunately, because it cost so much to produce this movie NBC passed on picking it up as a series. The film was also overshadowed by Roddenberry’s decision to go forward with the first Star Trek motion picture although that film didn’t go into production until late 1978. Also, tragically, Gig Young would be dead just over a year after this pilot aired, after taking his own life.
As I was digging through the Google archive for info on Spectre I found a nice full page layout about the movie from The Day newspaper of New London, Connecticut.
I also happened to notice another amusing tidbit, but not directly related to the movie. If in England, “no one is above the law” then it’s ironic that two days before Spectre aired, David Frost’s infamous interview with former President Richard Nixon was televised. Nixon was quoted in the interview essentially saying that “when the President does it (orders something that might be illegal otherwise, like, say, burglaries) then it’s not illegal.”
Along with Academy Award winner Gig Young (supporting actor, They Shoot Horses Don’t They?) guest stars included…
John Hurt – the British actor known for his role in Alien and his Oscar nominated roles in Midnight Express and The Elephant Man, essentially made his American TV debut with Spectre.
Gordon Jackson – another British actor familiar to American audiences from movies such as The Great Escape and the television series Upstairs, Downstairs. Ironically, he would guest star on an episode of a short lived British television series the same year called…Supernatural.
Ann Bell – A long time actress on British television, Ann had an uncredited role in Fahrenheit 451 and also appeared in To Sir, With Love.
James Villiers – Long time British character actor who made a career of playing upper class type characters. He infact had an aristocratic background, being a descendant of the Earls of Clarendon. He appeared in such movies as the 1981 James Bond film For Your Eyes Only, Roman Polanski’s Repulsion and the 1965 Bette Davis horror/noir film The Nanny.
And certainly I can’t forget to note Majel Barrett (who was a part of just about every Star Trek tv series and film – either as a character or as the voice of the Enterprise/Federation computer) who was the single most driving force behind Gene Roddenberry writing this pilot in the first place. Ms. Barrett actually studied witchcraft and had an interest in the supernatural. A piece appeared in newspapers around the country in March of 1977 that can be seen here.
Fans of the British tv series Are You Being Served? should recognize Penny Irving as the First Maid. Fans of the British tv series ‘Allo! ‘Allo! should recognize Vicki Michelle as the Second Maid. Both ladies can be seen in the full page spread from The Day newspaper above.
Spectre is available on DVD from modcinema.com. As of the time of this posting it is one of the Top 20 bestsellers.
Ralph Hinkley (William Katt) is a young high school teacher who has been assigned to a remedial class made up of a group of misfits, Los Angeles’s answer to the Sweat Hogs. Ralph’s positive he can make a difference with the kids, but his first day proves that won’t be easy. In addition to that, Ralph has a personal issue to deal with – his ex-wife has filed for custody of their young son, Kevin.
When Ralph decides to take his students on a field trip, his life becomes even more complicated. In a diner somewhere near Palmdale, one of his students – Tony – mouths off to a patron who apparently looked at him cross-eyed. This particular patron, despite being “dressed like Archie Bunker going to church,” packs a .38 pistol and has no qualms about pulling the gun on Tony when Tony pulls a knife.
“If you’re looking for trouble, you’ve just come upon the West Coast distributor…”
Thus, we’re introduced for the first time to Bill Maxwell. He doesn’t think much of Ralph’s apology, rebuffs any further attempt by Ralph to smooth things over and they part ways, not knowing that their fates were soon to become intertwined.
Later, the bus Ralph and his students are using appears to breakdown. Ralph tells the kids to stay put while he goes back to a gas station about a mile away. On the road, Ralph is nearly run over by Maxwell, who’s trying to keep control of his car. After the car stops, Ralph yanks open the door, pulls Bill off the steering wheel and then takes the .38 and chucks it. He berates Bill and asks “what institution” let him out. Bill calmly holds up his Federal badge and replies, “this one.”
Ralph’s attitude changes pretty quick, although he’s still somewhat indignant. Bill, pretty much as he did at the diner, ignores him and sets out to figure out what’s wrong with his car. He crawls underneath his car to check on the steering components when suddenly his flashlight and his car lights drain down to nothing. When he gets back up and into the car to see what’s going on, he and Ralph both notice the approaching lights in the sky.
As the lights get closer and they realize something really weird is going on, they both duck into the car. Bill tries to start it but no go and then the door locks lock on their own – and won’t unlock.
Now they’re trying to bust out of the car, unlock the doors, smash a window, something! The ship descends down and Ralph and Bill can only watch in fear and awe. The radio flips on and President FDR’s long ago assurance that “we have nothing to fear but fear itself” is the alien’s way of saying not to be afraid. They then communicate their message, using broken up pieces of broadcasts: Ralph and Bill have been chosen to work together and to use a suit with “unearthly powers.”
Another voice that comes over the radio is that of Bill’s partner, John Mackie, who we saw at the very beginning of the story being chased and caught by some bad guys. His fate is confirmed when he’s beamed down with the suit and puts it in the trunk of Bill’s car.
Remember that gruff patron back at the diner? When Mackie comes back to the window and Bill sees the blood stains on Mackie’s suit, he quietly goes to pieces.
Mackie returns to the ship and the spacecraft lifts away from earth, leaving Bill and Ralph to process what they’ve just experienced.
Bill opens his trunk, lets Ralph remove the box with the suit in it and then takes off like a scalded cat, leaving Ralph behind on the dark desert highway. As Ralph makes his way back to the bus, he’s completely unaware that the instruction book that comes with the suit has fallen out of the box.
The next morning Ralph is late getting to school, having indulged some curiosity and trying the suit on. When he gets to school, he’s told that a “friend” of his is in the boy’s bathroom, throwing up and is ordered to get the drunk out of there before assembly is over.
The “drunk,” turns out, is Maxwell. “The Lawrence of Palmdale,” Ralph calls him. “The desert chicken.” Bill at least admits that the experience the previous night scared the bejeezus out of him but he found his way to Whitney High School to find Ralph to more or less confirm that what happened, really happened.
Yeah, it did. And yes, they’re supposed to work together. Bill’s not exactly thrilled, and he tells Ralph so, nothing personal. He also says that it should be him running the operation. Ralph though doesn’t really want to deal with any of this at the moment and tells Bill he has to leave. Bill’s not ready to leave just yet, he’s got questions about the suit and asks about the instruction book. When he finds out the book is gone, he’s really not impressed with Ralph.
Ralph isn’t too impressed with the idea of Bill calling all the shots either and goes toe to toe to tell him that. They would talk about it more later and Ralph leaves. Bill can only hope that Ralph doesn’t lose the suit too.
At this point if anybody had doubts that these two can work together, well, you’d be rightly concerned.
For Ralph, things take an outrageous turn when he’s trying to get to the courthouse for a hearing on his custody case. He gets stuck in a traffic jam and the payphone he tries to use to call his attorney, Pam Davidson (Connie Selleca) to say he’d be late, is out of order. The suit is in the back of his station wagon…
He debates it, then gives in to try it. He figures he can fly to the courthouse and make the hearing. Problem is, he realizes he can’t fly very well, he ends up losing his clothes and is spotted by the cops as he tries to take flight. He’s also spotted by a private investigator who snaps a few pictures of Ralph after Ralph crashes into a billboard.
The whole fracas lands Ralph in the psych ward of the hospital and when Pam shows up, she’s not sure what to make of the situation. She figures Ralph has really cracked and this isn’t going to go well for the custody case. It gets worse when he starts seeing images of Bill on the wall…
Pam’s convinced he’s gone sideways. Ralph, seeing that Bill is in trouble, busts out of the hospital with Pam running after him. They jump in her car and take off. During the drive, Ralph explains what happened with getting the suit and all. Pam doesn’t know what to believe at this point but isn’t beyond being convinced that Ralph’s lost his mind.
They arrive at the home of Nelson Corey, millionaire industrialist, where Bill is being held captive. Ralph has Pam wait with the car and he makes his way onto the grounds of the estate.
Bill, meanwhile, is being held by members of “Gabriel’s Army” basically a group of thugs thinly disguised as a religious group. One of them talks to Bill about salvation and all, while wielding a cattle prod. Bill shows no outward fear during this but when Ralph comes busting through the wall, Bill’s more than relieved. “I’ve never been so scared in my life!” he tells Ralph.
After Ralph gets himself and Bill out of the compound (by flying over the wall, with Bill over Ralph’s shoulders, and suffering a messy landing), Bill is introduced to Pam who, by this point, is more indignant than anything about this “suit” thing.
Still not fully convinced about the suit and becoming fed up with the boys, Pam orders Ralph to pull over. They get out of the car, except Bill, and Pam basically tells Ralph that she’s not buying any of it. The suit, the spaceship, none of it. So, to demonstrate the power of the suit, Ralph walks back to Pam’s car and lifts it up, Bill and all.
Pam faints. Convinced now, once she’s brought back around she asks the all-important question. “What do we do?”
Each of them have a different idea of what to do. Bill’s ready to take on the Russians. Pam and Ralph are more concerned with their own immediate lives. Bill does forget about the Russians long enough to focus on the immediate task at hand, which is finding out what was going on with this Gabriel’s Army, how Nelson Corey ties into all of it and who killed Bill’s partner, John Mackie.
Back at Ralph’s house they brainstorm for a bit realizing they’ve seen a lot more of the Vice President in the media lately and Bill chimes in with tidbit about Nelson Corey and his political backing. They then hear a news alert on the radio and when they turn on the television they find Los Angeles has erupted in riots. The Vice President is already in LA and the President is on his way.
Ralph asks Rhonda to watch Kevin for him while he, Bill and Pam head out to find out what’s going on. They check with the local commander of the area National Guard, only to discover that he’s in the thick of the plot. He brings Ralph, Pam and Bill to Nelson Corey’s estate where they’re locked in a room.
They don’t stay for long however, since Ralph’s wearing the suit. They dupe their guards and escape. With the President’s helicopter on the way, Bill gives Ralph the simple order: You gotta stop that chopper from landing.
Ralph succeeds and gets the President’s helicopter to turn back. Bill, with some back up by Pam, nabs Nelson Corey. Mr. Corey’s plans to eliminate the President and put the Vice President in power is stopped.
After all this, Maxwell asks for Ralph and Pam to meet him out in the dessert. There, he insists on being “in charge” of their operation from this point on but he praises Ralph for a job well done. He also decides that they’ll continue to work on local stuff and not go after the Russians. Ralph’s wearing the suit underneath his clothes and when he shakes Bill’s hand in appreciation for the genuine respect that Bill pays him, Ralph unintentionally breaks Bill’s hand.
Before Bill can walk back to his car, the green guys return. Over Pam’s car radio they deliver their message: They were satisfied with the results and they suggest that Ralph use the invisibility power of the suit.
Which Ralph would…if he hadn’t lost the instruction book.
And so it begins! A special ed teacher and a gruff, by the book FBI agent brought together by aliens and given a suit to save the world. When I water it down like that, it almost sounds like the show never should have worked. But it did. The pilot was well written and the cast work.
What The Greatest American Hero had against it though was everything else. Two days before the pilot aired, Warner Brothers and DC Comics filed suit against the show claiming it was too similar to Superman. (Seriously?) A federal judge ruled to allow the show to air while the litigation went forward and a year later the lawsuit was thrown out completely. (The damage, unfortunately, was pretty well done by that point but that’s another topic.)
Reviews of the pilot were mixed. Judy Flander of the Washington Star called the show “depressing” and “pathetic.” “An insult to adults,” she added. The Daily Times of Portsmouth, Ohio said the show “tires quickly.” At the other end of the spectrum, one review called the show “promising” and Peter J. Boyer (at the time a television critic for the Associated Press, now a writer for the likes of The New Yorker and Newsweek) was more gracious about the show, calling it “good, inspired fun.” Mr. Boyer specifically noted Culp’s portrayal of Maxwell, saying, “This is great Culp here, played straight without tongue bulging conspicuously in cheek, the best Culp since ‘I Spy.'”
Indeed, it is great Culp. It’s without a doubt, my favorite Culp. As I mentioned in my overview of The Hit Car episode, I was sold on Bill Maxwell in fairly short order and although I’ve enjoyed many other Culp performances, I always come back to Maxwell.
Despite some of the reviews of the show and the on going legal issues, The Greatest American Hero became a hit for ABC in it’s short first season. Things would not be easy from that point forward, however.
Guest stars in the pilot included…
G.D. Spradlin as Nelson Corey, who also appeared in the I Spy episode “Tonia” with Robert Culp. Mr. Spradlin began acting in his 40s and made a career out of playing politicians, military officers, Presidents and law enforcement officers in films and television. He passed away recently on July 24, 2011 at the age of 90.
Richard Herd, a familiar face on television since the early 1970s, as Vice President Adam Taft. Herd also played Watergate burgler James McCord in the 1976 movie All the President’s Men, and was Captain Sheridan in the William Shatner series TJ Hooker.
Bob Minor as John Mackie. Minor, a one time body builder champion, has been a successful actor and stuntman/stunt coordinator in films and television since the early 70’s. He was the stunt coordinator for six years on Magnum, P.I. and has doubled for the likes of Bernie Mac, Jim Brown and Sidney Poitier. In addition to the acting credit for this episode, he also is credited for stunts.
The Greatest American Hero first season DVD and is available at Amazon.com.
Back in 2008, when I found the I Spy episodes, Greatest American Hero video, the Get Smartclip and a couple other gems on YouTube, I found a “trailer” of sorts for this 1973 made-for-tv movie. The video has since been removed from YouTube, but it was a collection of scenes from the movie, including parts of the ending where Culp goes “calmly ballistic” and smashes the hell out of whatever he can with his pickup truck and baseball bat. After seeing the clip and reading a little bit more about the movie, I knew I had to find it just so I could watch him go berserk and cheer him on. I love old/classic cars but the kids in this film looked like a bunch of real pieces of —-.
Turns out, I was right.
I eventually did find the film at a wonderful website called modcinema.com, which specializes in rare and hard to find 60s and 70s feature films and made-for-tv movies. The copy is good, but the viewer should be aware that it is not a remastered film. Capping this thing proved challenging and there were some shots I could not get that were very clear.
The events in this movie were based on an actual incident that occurred. Culp plays Dr. Jim Kiler, a veterinarian, who lives with his wife and children in an affluent gated community called “Oak Meadows” in California. Unfortunately, some of the residents of the community include some spoiled and bored rich kids who have nothing better to do with their time than tear around in their hotrods harassing the neighborhood. The movie opens with the boys dumping a truck full of junk and garbage into the swimming pool of an older woman who lives in the neighborhood.
When the kids’s drag racing spooks the horses Jim and his family are riding, Jim and his wife, Muriel (Marlyn Mason) decide to start a petition to install speed bumps and stop signs in the neighborhood. And things begin to escalate from there.
Vance Chandler (the leader of the pack, if you will – played by Tom Leopold) and another kid are racing up and down the street and nearly run Kiler down in his own driveway. The other kid’s car suffers a broken headlight, and Jim ends up with a broken hand as he ends up karate chopping the thing. Jim gets nowhere with the Sheriff’s department or the highway patrol as he has only a vague description of the car and obviously couldn’t get a license plate while diving out of the way. He confronts Vance afterwards, wanting to know who the other boy was. He gets a name, and then gets some additional information from the police who track down the car. Jim then talks to the young man, Carl Dibble.
Carl (played by Don Stark – whom I have an interesting tidbit about when I get to the end of this) seems to show some genuine remorse for what happened and doesn’t want for things to be escalated by any lawsuits or anything. Jim doesn’t say one way or the other if he’ll press charges.
In the end, he does. In court, however, when Vance Chandler and Ron Werner’s parents don’t show up, the judge postpones the hearing to a later date, which only opens up a whole lot of time for Chandler and his friends to harass Jim and his family.
And harass, they do. They start by throwing cans of paint at the house. Then the boys fire incendiary devices over the house and over the lawn, setting a hay bale on fire. The Kilers get no help from the law and already by this point Murielwants to move. Jim, however, refuses to cave in to a bunch of “spoiled brats.” In fact, he’s so adamant it’s the first real flash of red hot anger we see from him. For the rest of the movie, however, Kiler is a man who is constantly simmering and trying very hard to do things by the law.
He calms himself immediately though and instead he suggests that Muriel not be at the house by herself and they ask their housekeeper, Thelma, to stay during the day. She does, and as expected, the torment from the boys continues. They dig up and tear apart the plants Muriel was planting, only to get a free bath from Thelma when she turns on the lawn sprinkler.
Undeterred, the boys then plant a cherry bomb in the Kiler’s mailbox. Again, the law can’t do much. But the deputy offers to put in some off duty time to try to catch the boys. Although Jim appreciates the offer and agrees, it’s still unofficial.
The antics continue with Vance making an obscene phone call and then taunting Jim after Kiler picks up the extension. Jim’s simmer starts to boil and he’s about to march out of the house to confront Vance again. Muriel tells Jim to stay put while she goes across the street to try to talk to Mr. Chandler, which gets her nowhere. Chandler tells her to tell Jim to leave his family alone. Thing is, Jim had followed Muriel over and hears this just in time. When Jim confronts Chandler, Chandler tries to take a swing at him only to end up on the ground by Jim. Muriel pulls Jim away and walks him back to the house.
By this point, Muriel is at her wits end. She’s begun taking tranquilizers to get through the day. Jim tells her he wants her and the kids to go to her mother’s for a while, until the trial is over. She doesn’t want to go – she’d rather just pack up and move out of the neighborhood. But Jim refuses to give in to the threats and antics of these kids and reminds her of that.
While they’re talking, the boys have been busy stringing up an effigy outside the Kiler’s home. With the call of their car horns and revving engines, the Kiler’s come out side in time to see effigy’s of them, burning from the tree.
The next day Jim sees his wife and kids off. Vance and his buddies are watching from across the street and they follow Muriel as she drives out of the neighborhood, tailgating, hollering and blaring horns. Jim follows in his truck. Chandler and his friends then let her go and double back to the Kiler home, proceeding to take the split rail fence down.
Jim returns home to find his fence destroyed. The deputy sheriff makes a stop by, unfortunately not soon enough to have caught the boys in the act. He then finds out that Jim has sent Muriel away and is disappointed, as he had asked that an adult be at the house at all times in order to try to catch these kids in the act. Of course, he then tells Jim that he would be away for a while as his son and daughter in law had just bought a new house up in Oregon.
In court, Carl Dibble has changed his plea to no contest for the hit and run. As a result he is given one year probation, a $200 fine and his license is suspended for six months. Unfortunately, as a result of Carl’s change of plea it lets Vance Chandler and Ronald Werner off the hook and the charges against them are dismissed, much to Jim Kiler’s surprise. The judge makes his displeasure clear and speaks strongly to the parents, telling them to straighten these boys up or else they could end up in prison someday.
With the trial over, and the boys let off scot free, Jim’s not sure if they’ve sobered up a bit or if they’ll be encouraged to try more antics. He phones Muriel and tells her to wait a couple of days before coming back home.
Jim attempts to get things back to some kind of normal and has some workers working on cleaning up the red paint from the face of the house. But the antics of the boys continue. After returning from a horse ride, Jim heads out behind the house to put the horse in the stall. The family dog, Oliver, remains out front, where he’s spotted by the boys as they drive by. They entice the dog with some food and essentially dognap him.
It doesn’t seem like the boys intended for any harm to come to the dog, but as they’re playing with Oliver, Vance comes barreling through in his car – and hits the dog. They leave Oliver on Kiler’s front step to be found later that night.
Jim makes an appearance at the next town meeting to talk about the teenage violence. He had distributed a letter and got responses back from other teens in the community who had no qualms about naming names as to who were responsible for the acts of violence that were taking place. Jim names the families, getting as far as the Chandlers and the Werners. Mr. Werner objects, threatening to sue for slander. But then another citizen comes to the defense of Jim and when Jim delivers a speechify about controlling the kids to prevent someone from getting hurt, or killed, the townsfolk applaud. Jim proceeds, at the behest of the Mayor, to name the names. The families accused walk out, but the rest of the townsfolk still back up Jim.
Despite the support, the town folk vote against any new spending on additional protection from the Sheriff’s department.
For three weeks though, things seem quiet. Muriel returns home with the kids and, other than having to explain about the loss of Oliver, it seems like things can finally get back to normal. The young girl’s birthday is coming up and since Thelma will miss the actual day, they decide to have a little get up that night with some cake and ice cream.
Chandler and his friends decide to put some “icing on the cake” and they lob bricks through the kitchen window, injuring Thelma. This becomes the incident that finally sends Jim over the edge. He heads out with his pickup truck and baseball bat and proceeds to smash the hell out of each of the cars involved, along with some fences and a greenhouse. At each stop, he announces himself. He pours paint over one of the cars. Tosses patio furniture through a front window. Breaks a window at another house and shoves the garden hose through, spraying water at full blast. And he smashes out the windows on all the cars.
At the Chandler house, he pushes Vance’s Chevy with his truck. He then breaks the windows on the car, all the while calling for Chandler, who looks out from within the house. For Chandler, however, Jim has reserved a very special revenge. He pushes Vance’s car down to the bottom of the drive way, stuffs paper into the gas tank and lights it on fire. He jumps back in his truck, zips across the street and gets back out in time to turn around and watch Vance’s Chevy blow up into a huge fireball.
The movie ends with a on screen note saying that no charges were brought against Jim and there was no further violence in “Oak Meadows.”
No matter how many times I’ve watched the ending of this movie, I still get a bit of a rush from it. Culp plays Kiler as a man simmering through the entire film. He pops a gasket a couple of times, but otherwise struggles to keep his cool in the face of the crap these kids are dishing out. You know he wants to just beat the snot out of all of them. But as he himself says after he slugs Vance’s father, “other than being stupid, (violence) doesn’t solve anything.”
He tries so hard to do things legal and civil like. Throughout the movie the antics of the boys involves mostly just property damage. With the death of Oliver one might have thought that would have sent Jim over the edge. He’s clearly heartbroken and at that point pleads to the entire town for some kind of help. But even then, he doesn’t get any.
The final straw comes during a special moment for one of his kids. A simple little birthday celebration, being held special so that Thelma can be there, is shattered, literally, by Vance and his friends and Thelma is injured. It could have just as easily been Muriel or one of the kids who got struck by the brick. And you know Culp, as Kiler, knows this. The look on his face, after the ambulance pulls away from the house, goes from exhaustion and defeat to the dangerous look of complete and total…outrage. He’s crossed the line and there’s no turning back. Not even Muriel’s plea, her reminder of his promise of no violence, does any good. He’s too far gone.
What’s scary is watching him do this all so damn calmly! There’s no crazed outburst. No excessive screaming and carrying on. He turns his truck into a tool of destruction. He carries nothing more than a couple of paint cans and a baseball bat. He announces himself at each location. (The best one being after he smashes through the greenhouse with his truck. “This is Jim Kiler! If you wanna play come on out!”)
Only he’s not playing. Maybe the final destruction sequence is tame compared to anything nowadays, but don’t look at just what he does physically. Watch his expression. For crying out loud, if it weren’t for the fact that he doesn’t want anyone physically hurt during his rampage (thus his announcing himself and warning people away from windows before he throws patio furniture through it), he would have been bashing more than just car windows, grills and blowers!
This movie had several notable guest stars. Of note…
Thomas Leopold (Vance Chandler) is better known for his comedic writing, having worked with the likes of Steve Allen and Chevy Chase and penned scripts for shows such as Seinfeld and Cheers. He also has worked as an executive producer.
Nicholas Hammond (Ron Werner) would go on to play Spider Man in the 1977-1979 series The Amazing Spider Man. Nick also was one of the youngsters (Friedrich) in The Sound of Music.
Don Stark (Carl Dibble) is best recognized now as Bob Pinciotti of That 70’s Show. Also interesting to note he portrayed the character of Bill Maxwell in the 2009 fan film short of The Greatest American Hero. Outrage is listed as his first film credit on the IMDB.
Mark Lenard (Mr. Chandler) is best known for his work in the various Star Trekseries’, having played a Romulan, a Vulcan and Klingon. He also is one of the few (if not the only) actor to reprise a character who was not an original lead character across multiple Star Trek franchises. He voiced, though was not seen, as Sarek in the original Star Trek, then reprised the role in two Star Trek films and also appeared on The Next Generation.
Marlyn Mason (Muriel Kiler) appeared with Robert Culp in the I Spy episode “Weight of the World” and would co-star with him again in another made-for- tv movie The Last of the Good Guys in 1978.
Ramon Bieri (Deputy Tottif) is immediately recognizable as he appeared in well over a hundred television shows in the 70s and 80s often as a law man, politician or villain.
Emmy award winning actress Beah Richards (Thelma) appeared with Robert Culp in the I Spy episode “Cops and Robbers” as Scotty’s mother. She was nominated for an Oscar in 1968 for her role as Mrs. Prentice in the film Guess Who’s Coming to Dinner.
A search through the Google Archive turned up a couple of television programming notes around the time the movie originally aired.
“It is in vain, sir, to extenuate the matter. Gentlemen may cry, Peace, Peace — but there is no peace. The war is actually begun! The next gale that sweeps from the north will bring to our ears the clash of resounding arms! Our brethren are already in the field! Why stand we here idle? What is it that gentlemen wish? What would they have? Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty or give me death!” – Patrick Henry, US statesman 1736-1799
I watched this episode on YouTube back in 2008 just after finding “A Cup of Kindness.” Where I was hooked by “Kindess,” it was this episode that sufficiently reeled me in.
The episode opens with Scotty and Kelly watching film footage of Elroy Browne (Ivan Dixon), an American athlete and Olympian, who defected to China approximately a year earlier. The footage seems to indicate some disenchantment on the part of Browne and the US Government wants to open an invitation for Browne to return to the US. He’s not particularly wanted back but the gesture at least needs to be made.
Scotty spoke to Elroy the previous year, trying to persuade him not to defect but the message went nowhere. The incident left Scotty a little bitter, as Elroy said hardly anything during Scotty’s speechify and then departed saying, “So long, Patrick Henry.”
Although Scotty doesn’t care to have to go through it again, he accepts the assignment with Kelly.
In Hong Kong, Scotty and Kelly are waiting for Elroy, who is arriving to promote the African/Asian Games, a PR stunt dreamed up by the Red Chinese in order to further their influence on the African continent. Scotty hires a bellboy to keep an eye out for Elroy’s arrival. The kid – a big fan of James Bond – really gets into it, calling Kelly and Scotty “007” and offering to place a “small” tape recorder in the guest’s room. (Tape recorders were the size of a brick in 1965.) Kelly declines the offer and the spy-ese from the kid really irritates him. “I told him we’re spies,” Scotty explains casually. Before Kelly can really get upset Scotty adds, “…for the American Tennis Company.”
Down in the lobby of the hotel, Kelly and Scotty are waiting for Elroy to come in. When he does, Elroy recognizes Scotty. He even remembers their conversation, much to Scotty’s surprise. The fact he remembers the conversation is significant though, and the way he acts with his Chinese entourage seems to speak even further of his discontent. The only bright spot in Elroy’s life at the moment is the African Princess Amara (Cecile Tyson), whom he met in China where she’s attending the university in Peking, and has been traveling with him. They’re engaged to be married. Before parting, Elroy asks to meet with boys later, for drinks. He has a cocktail party to attend prior.
Later, they wait at the bar…but Elroy doesn’t show. The busboy reports that Elroy left the cocktail party an hour earlier and went to his room. A minute later, Elroy’s Chinese entourage arrives, en masse. The leader of the group offers apologies to Scotty and Kelly, explaining that Mr. Browne would not be able to join them. Scotty and Kelly realize, however, that the entourage doesn’t know where Elroy is either.
As Scotty and Kelly are about to leave the bar area, the busboy comes through again and hands a piece of paper to Scotty directing them to go out front and take a cab. When they get out there and hail a cab, they find Elroy and Amara in it and are invited to come along and paint the town.
From there, it’s a series of bar stops and various conversations. Elroy enjoys giving his “handlers” the slip. Eventually, they get to the crux of the whole thing and there’s a heated exchange between Elroy and Scotty. In the end though, it doesn’t seem like Elroy is disenchanted enough to want to return to the US. Afterall, he’s making a ton of money…
Despite his reluctance to return to the US, Elroy’s entourage figures that Kelly and Scotty are a bad influence and need to be neutralized. Although Kelly spots that they’re being bird dogged and he and Scotty try to make it appear as though the four have done nothing but traipse around Hong Kong and drink too much, it doesn’t help. Kelly and Scotty are nearly shot in a cab and they end up taking off on foot, being chased into the wee hours of the morning.
The chase ends up going across roof tops, with Kelly taking a spill at one point and being bodily picked up by Scotty. (In his commentaries on the DVD, Culp talks about being sick as a dog during the filming of some of the chase scenes and mentions how Cosby literally had to pick him up off the ground a couple of a times.)
From there, they end up in the shanty towns of the Hong Kong hillsides where the inhabitants watch the chase, having no idea what’s really going on. A group of them stand and stare openly at Scotty and Kelly as the two stop to take a breather. After Kelly grumbles about them being so obvious, Scotty turns it around and tells the folks that they’re filming a movie and that if they look around, they should see the bad guys coming. It works and gives Scotty and Kelly the advantage in knowing where the bad guys were coming in from and lets them get the drop on them.
Back at the hotel, Elroy is being held captive by his “handlers” and, unknown to Scotty and Kelly, he’s been injected with typhus. Amara, also sickened with typhus is being flown back to Peking. The announcement of the Afro-Asian Games will still be made, despite Elroy not delivering it. Elroy than finds out that the whole point of the games is for China to have greater influence in and over Africa. He’s been used for nothing more than a ploy.
Scotty and Kelly get a report from the busboy about Amara being taken away and about Elroy still being in his hotel room. With a little help from the busboy, Kelly and Scotty manage to overtake Elroy’s captors (with Kelly taking the window route – and nearly slipping off the ledge!)
Elroy offers Kelly the deal: Get Amara back and he would come back to the US. One better, he would go down to the conference and announce that whole thing was a total sham. Kelly takes off to stop the plane from leaving Hong Kong.
Kelly hurries to the airport and alerts the World Health Organization that a plane carrying typhus is attempting to take off. The radio tower attempts to order the plane to not take off but is ignored. Kelly runs out on to the runway, fights off a bad guy and then commandeers a baggage truck, which he drives directly into the path of the plane.
Kelly ends up with a broken arm for his efforts, but he gets Amara back and returns to the hotel as the Chinese agents are nabbed. At the conference, Kelly walks in to see Elroy at the podium telling everyone what was really going on. Scotty is in the broadcast booth, making sure the message is translated.
Their mission a success, the final scene shows Elroy and Amara speaking with the press as Scotty and Kelly look on. The busboy then comes up behind them and is ready to go. Kelly learns that Scotty promised to take the kid to a movie as reward. The movie? “The Adventures of 007” (ie, Goldfinger. Cue up Shirley Bassey). Scotty adds that the film will be a great refresher course for Kelly.
Between this episode and the second, A Cup of Kindness, the tone of what would be I Spy is clearly set. The mix of drama and humor is well balanced and Culp’s script takes any ideas of campiness and tosses it immediately (the scene with the bellboy on the phone to Kelly offering to place his brick sized tape recorder in Browne’s room). The running joke through the episode, of course, is the bellboy’s infatuation with James Bond, but the episode itself makes it clear: This show is not James Bond.
The story itself borders on controversial (for the time). The basic concept of a man who sells out to the highest bidder and realizes that money doesn’t buy happiness isn’t new, but Culp’s twist puts a black man in that position. I Spy already had a strike against it when several NBC affiliates in the south refused to air the show because it featured a black man and a white man on equal footing. Culp’s script had to be even more insulting to those same affiliates.
Ivan Dixon plays Browne well and for having seen him only in Hogan’s Heroes, I found it refreshing to see him in a much more dramatic role.
Above all, the camaraderie between Scotty and Kelly is the greatest selling point of this show. If they had not been put on equal footing, 50/50, it never would have worked.
“So Long, Patrick Henry” is available on the first season DVD, available at Amazon.com.
In the early exploration of All Things Culp, I mined my way through YouTube. Back in 2008 there wasn’t a whole lot of stuff posted, a couple episodes of I Spy , one or two made for tv movies and various miscellaneous vids that I’ll cover in other posts. Amongst the miscellaneous stuff, however, was a vid that single handedly sold me on Bill Maxwell and The Greatest American Hero series. This vid is brilliant.
I was sold. I bought all three seasons in fairly short order.
I was especially sold on Culp’s Bill Maxwell, the calcified, old school Fed who freaked out and took off in the pilot after the visit with the “green guys” and the bequeathing of the suit to Ralph. He returned, however, out of a sense of duty and curious to see what the fuss was all about. By the end of the pilot, he was becoming quite comfortable with the idea of this supersuit and with this first regular season episode, he was ready to run the whole show, much to Ralph’s chagrin. Honestly, if the pilot for The Greatest American Hero didn’t sell you on watching this show, The Hit Car should have. This is by far my favorite episode.
So what’s the fuss all about? Read on…
Starlet Wilde has agreed to testify against Johnny “The Dancer” Diamante, the biggest “dope dealing slug” that FBI agent Bill Maxwell has been trying to nail for 15 years. After another Fed attempts to drive Starlet to LA from San Francisco and is shot in the process, Bill decides to go to San Francisco and bring her down himself – with help from Ralph and the suit.
Ralph, meanwhile, is trying to organize his class to do a Shakespeare play which will get them some credits for English Lit (which nobody seems to particularly care about). During the first meeting for the play, unfortunately, Bill shows up, tells Ralph they have a flight to San Francisco at 7 o’clock and it was go time.
Ralph, indignant, protests, saying he can’t just up and leave not without having to tend to some stuff first, like finding a babysitter for his son, Kevin. Bill solves that problem quick and asks for the next one. Pam tries to slip out but Bill doesn’t let her, telling her plainly, “You’re in this.” He then explains to both Ralph and Pam about his 15 years trying to nail Johnny Diamante and makes it clear. “We’re gonna get this guy, Ralph. Finally.”
Pam doesn’t care to be a “third string utility man” and Ralph’s not happy about Bill just barging in and taking things over. “Bill, you cannot going around changing people’s lives to suit yourself!” he says. “Sure I can,” Bill replies.
Despite neither of them liking the situation, there’s a grudging agreement to go along with Bill. Ralph asks Pam to take over the rehearsals for the play and Ralph and Bill head out…where Bill finds his hubcaps in the front seat of his car courtesy of Ralph’s students.
In San Francisco they arrive at the dumpy hotel room where Starlet is hiding. Starlet is pleasantly surprised to see Ralph – which annoys Bill.
Once inside her room, she tells Bill that she refuses to fly, citing some astro chart mumbo jumbo. There’s some lively discussion about driving versus flying, killers being on their tail and the stars predicting the future. Starlet also turns the charm on Ralph, which did I mention really annoys Bill? “Okay, boys and girls, over here please. Let’s put a dimmer on the goo goo eyes and try n’ hold a thought. We have killers after us in the immediate vicinity.”
Well Startlet doesn’t think there’s anybody outside the hotel room and she goes over and pulls back the curtain which suddenly shatters in gunfire. Bill pushes Starlet down to the floor and out of the line of fire and then hollers for Ralph to get out there and stop the gunmen.
Ralph sputters and mutters but does his thing, jumping through the bathroom window and flying across the way, only to crash into the penthouse across the street from the hotel. He manages to make his way out the suite, down the stairs and through the lobby all the while people are staring and snickering at him. He commandeers a trench coat on his way out.
Back at Starlet’s hotel room, Ralph knocks at the door. He gives Bill the bad news about not getting the hit guys and proceeds to confuse poor Ms. Starlet, who can’t figure out how Ralph ended up outside, when the last she knew, he was in the bathroom. Neither Ralph, nor Bill make any attempt to explain and Bill quickly changes the subject, they need to rethink their scenario as it’s obvious the hit guys are on to them.
Starlet still refuses to fly. In fact, so does Ralph.
Bill, sick of them both, gives in to having to drive back to LA.
During the drive, Starlet is impressed by Ralph’s intellect as he’s sitting there reading Shakespeare. Bill, in turn, is simply amazed by her lack thereof…
Having driven for a while, and hearing enough of Starlet prattle on confusing The Taming of the Shrew with Who’s Afraid of Virginia Wolfe? Bill decides they’re going to stop at an FBI safe house in Salinas for the night. Only Starlet refuses, telling him they can’t stop until Santa Barbara – her astro chart and all. She can’t sleep except by the water.
Bill’s livid. Not wanting to hear the arguing, Ralph makes a suggestion to Bill that Pam’s boss has a beach house in Santa Barbara. If Pam can borrow it, they can stop there. Starlet thinks it sounds wonderful. Bill’s irritated as all hell by this point but they stop and phone Pam.
Somehow, Pam manages to get use of the beach house (would have been interesting to have scene showing her trying to explain this to her boss) and is there waiting for the trio when they arrive. Bill praises her on getting the beach house but laments that there’s no food. There’s then some added animosity from Pam toward Starlet. A great cap off to an already wonderful evening.
The next morning they prepare to head out. Bill, starving by this point, is making due with stale dog biscuits that would “float in a tub of spit forever.” There’s a nice scene here between Bill and Pam where he at least acknowledges that Starlet’s been putting the moves on Ralph and tells Pam that she’s more than welcome to set the show girl straight, with what we today call a good bitch slapping. It’s hard to tell tho’ if Pam appreciates the gesture since it was presented in such a Neanderthal way.
While this is going on, Ralph’s in the bathroom, putting on his red jammies. He sees a holograph in the mirror of the two hit men outside the beach house. At the same time, Starlet’s pounding on the door to use the facilities. She eventually busts in, makes a little pass at Ralph who deflects it and heads out to tell Bill what he’s seen.
Bill gathers the troops and lays out the plan rapid fire. He takes no grief from either Pam or Ralph and tells them to do what he says. Pam sees that Starlet is down and away from the windows while Ralph does his thing with the suit. Bill, meanwhile, goes right out the front door – John Wayne style. He catches the attention of the hit guys and exchanges fire with them, taking a wound to his hand. Ralph gets the drop on the two hit men and tosses one head over heels in Bill’s direction. While Bill places that one under arrest, Ralph chases after the second hit man who tries to make his escape in another vehicle. Ralph catches him and Bill follows up to pick up the guy. By this point there’s sirens in the air and the heat is on. Bill tells Ralph to disappear, won’t let him take the car and can’t let him take the van. Ralph indignant once again, issues a warning to Bill that his patience is running pretty thin with this “partnership.” He then takes to the air and tries to fly, only to go dive bombing right into the ocean. The two hit men are completely stupefied by what they’ve witnessed. Bill advises them to forget what they saw but after their arrest they babble on and end up in a mental ward somewhere.
They make it to the courthouse in LA, but not without a new hit squad trying to nail Starlet. Bill takes a shot to the leg this time but Starlet is spared and is ushered inside where the grand jury is waiting. Bill calls the entire mission a success….until he finds out later from the District Attorney that Starlet took the 5th and refused to testify.
At this point, Ralph figures out there was a different scenario going on the whole time and he explains it to Bill. They weren’t trying to kill Starlet, they were trying to kill Bill. Bill doesn’t buy it at first until he thinks about for a minute and it makes sense.
As they drive away from the courthouse, Bill and Ralph both lament about their day of which neither one has much sympathy for the other. Bill then makes an excuse about stopping for some cigars and he pulls up to a little Italian restaurant where, inside, Johnny Diamante is complaining about his day too. “The only thing that’s worked out in the last 24 hours is this tuxedo,” Johnny says to his henchman, Mike, “and if I didn’t look so good in this thing I’d smack you right in the mouth!” If Johnny thought his day was going bad it got worse, when Bill comes walking in with a cheerful rendition of “The Gang’s All Here” and walks (limps) up to Johnny’s booth, pulling a gun.
A tense moment passes before Bill takes hold of Johnny’s plate of spaghetti and dumps in right on Johnny’s lap. He not only just dumps it, he pushes the plate right into Johnny’s gut and then lets it slide down to the floor.
Bill doesn’t stop there. He then takes Johnny’s glass of wine and carefully pours that into his lap too all the while seeing out of the corner of his eye as Mike tries to move for a gun and Bill simply tells him to freeze.
In parting, Bill asks for Johnny to say hello to all the pretty people at the Grammy’s…
Knowing full well he’s angered Johnny, Bill returns to the car and asks Ralph to drive. Johnny and Mike follow in a truck that has the Hit Car in it. Once again, the conversation between Ralph and Bill is a bit one sided with Ralph prattling on about how they need to communicate better if this partnership is going to work. All Bill is concerned with is that Johnny is following them.
They arrive at the school, which Bill figures will work good for his scenario – the place is supposed to be empty. Only it’s not. Ralph has a dress rehearsal scheduled which sends Bill into code red mode and he tells everyone to get down just as Johnny opens fire through the doorway from the Hit Car.
The shootout underway, Bill faces down the Hit Car (and runs from it) while Ralph struggles with the change of outfits. Finally, Ralph gets his act together and flies in under the Hit Car. He tips the Hit Car on its side effectively trapping Johnny and Mike.
Upon seeing Ralph, Johnny realizes his hit guys weren’t kidding when they said a “supah guy” broke up the hit. Bill gives Johnny the same advice he gave the hit men: You didn’t see any of this. It didn’t happen. Johnny has no problem with that.
For all his bluster about Ralph’s students and sometimes Ralph, Bill shows up at the opening night of the kids play. He tells Ralph that he wasn’t there as any show of support, however. He just likes Shakespeare….
…and to listen to the baseball game on his transistor radio.
Great interactions between the characters (and conflict), great plot twist and nice use of a 1966 Dodge Charger (I’m a car nut). The scene where Bill dumps the pasta on Johnny’s lap is classic. In fact, I loved this episode so much I played around with the footage and created a couple of “trailers” for the ep (kinda like a movie trailer). Here’s one of them…
The Greatest American Hero – Season One is available at Amazon.com, either as a download or you can purchase the DVD set. You can also download the Hit Car episode itself through Amazon for about the price of a cup of coffee!
No sooner had I been introduced to Robert Culp through the Columbo: Death Lends a Hand episode, I set out to find anything and everything I could of his work and material. Roaming through YouTube one day I discovered there were a couple of episodes of I Spy that had been posted (this was before the more official posting of the episodes that now run in their entirety and are uncut on both YouTube and formerly on Hulu). The first episode I found was this one, “A Cup of Kindness.”
We all know the expression, “You had me at hello?” Yeah, that’s pretty much what happened here. I loved this episode at first viewing and thoroughly enjoyed viewing it again when I went back to do my caps for this post. I won’t say how many total screen caps I ended up doing because…um…well, it was a lot.
But suffice it to say, not long after viewing this episode (along with the very first episode of I Spy, “So Long Patrick Henry” also posted at YouTube at the time) I bought all three seasons of I Spy. In one shot. Wham, bam, thank ya sir.
So here we go, the episode that introduced me to Kelly Robinson, Alexander Scott, tennis, Hong Kong and ascot ties!
Kelly and Scotty return to their hotel room only to realize from the shadow showing in the door vent that somebody is sneaking around within. They dismiss their busboy and, always being prepared, remove weapons from their sports bags. They then enter the room, which appears to be empty. They both notice two feet showing from behind the floor length curtain by the window. They get the drop, only to find it’s just a pair of shoes. They immediately turn to the closet next to them but their visitor is actually across the room, watching them from behind a book shelf. He announces himself, with gun drawn.
The intruder turns out, is not really an intruder at all. His name is Russ Conley and he’s Kelly’s former instructor from spy school. The intrusion turns to a nice reunion and Kelly introduces Scotty to Russ. Russ, turns out, did have a reason for seeing the boys, as he had a message to deliver to them from “the department.”
He gives the envelope to Kelly who goes to check it out. The message is in code, so Kelly retrieves their codex (hidden with the number six of their room number on the door) and deciphers the message. The decoded message is short and grim. The man delivering the message, Russ, was a double agent and had to be killed. Kelly is clearly shocked by the news of his old teacher and the assignment that’s now been placed within his and Scotty’s hands.
Kelly shoves aside his feelings about the assignment and maintains a cool detachment as he rejoins Russ and Scotty for a drink. Kelly hands the decoded message to Scotty, folded and says nothing to Russ, other than confirming that it’s a new assignment. While Scotty reads the message, Kelly pours a beer for Russ and toasts him. Kelly then proceeds to tip Russ’s glass too far, spilling some beer on him. The tactic serves one obvious purpose – to get Russ out of the room for a few moments while Kelly and Scotty absorb their new assignment. Then I got to thinking about it, the gesture also serves another purpose, a way for Kelly to say “Damn you!” without having to speak it.
Considering the warm and friendly introduction Scotty had witnessed just a few minutes earlier, he asks Kelly the blunt and obvious question. What are you going to do? Kelly’s reply is equally as blunt. Kill him.
Without letting on that their assignment had to do with him, Kelly and Scotty go about showing Russ the sights of Hong Kong. They go up to Victoria Peak (the bluff that overlooks Hong Kong and the harbor) and have a somewhat coded conversation about becoming corrupt. By the end of it, it becomes clear. Russ knows of what was in the coded message and that he’s been branded a traitor by the government. As he and Kelly stand near the edge of the bluff, Russ asks if Kelly’s going to push him off. Kelly is unable to do the task.
They ride on the ferry and talk. Russ tells his story of what happened, how he’d been captured and tortured. He couldn’t bring himself to swallow the cyanide tablet. Whether or not Kelly and Scotty are sympathetic it’s hard to tell. Maybe Russ wasn’t a double agent, but he had still sold out to the other side and there’s a slight issue with trust at this point. Russ pleads, however, for their help to prove that he wasn’t a double agent. He had a non-functioning duplicate of the component he had traded his life for. He knew where the real one was located. All they had to do was switch the real component for the fake one.
Russ knows where the component is located and offers to show them. Walking through a crowded market area, Russ gives Kelly and Scotty the slip. They find him in short order and he explains that he was only showing that he could’ve walked away and disappeared if he wanted to, if he were truly guilty. Kelly and Scotty don’t seem to be any more assured by this demonstration. Russ then shows them where the component is located, an import/export business. There’s still some skepticism from Kelly and Scotty, about how Russ could even know where this small device is located. He insists, however, that it’s there.
They decide to try to prove it and Kelly sets up a beautiful little shuck and jive. He goes in with a box of firecrackers and a couple of his tennis rackets. He immediately turns on the charm to the girl working behind the counter, even interrupting her with another customer. When she basically tells him to heel, he bides his time, lighting a cigarette. (Note that more than one cigarette is already coming out of the pack when Culp goes to tap it on his finger. Whether that was intentional or a slight goof, Culp grins a little but carries on flawlessly.)
When the clerk finishes with her customer and turns her attention to Kelly, he’s all charm. His request is very simple. He wants to ship out a package of firecrackers and his tennis rackets. The girl attempts to explain to him that theirs is not that type of business and that he would need to go elsewhere. Kelly refuses to accept that and asks to see the manager. The manager/owner basically tells Kelly the same thing. As they’re talking though, Kelly has strategically placed his lit cigarette near the exposed fuse of the box of firecrackers. When it goes off, chaos ensues and gives Kelly enough time to watch the manager dash to the back office and check the safe.
Before the firecrackers die down and the manager returns to the front office, Kelly dashes back and jumps behind a display. He feigns surprise for what happened and attempts to apologize. The manager wants to hear nothing of it and he removes Kelly, bodily, from the office.
Outside, Kelly reports to Russ and Scotty. It’s there. All they have to do now is make the switch. Back at the hotel, they make their plan but afterward, Kelly still seems bothered by something.
The next day, they set up. Scotty and Russ will break in from the alley while Kelly pulls another diversion again using the same firecracker trick. The clerk behind the counter is less than enthusiastic to see Kelly again.
In fact, she’s essentially non-responsive to any of his charming antics. Kelly, naturally, picks up on her offense and apologizes for his foolishness from the day before. As he’s talking to her, however, the lit cigarette is once again strategically placed near the exposed fuse of the firecrackers.
When the firecrackers suddenly start popping, it starts the clock ticking. Scotty and Russ blow the metal covering off the back window of the office and proceed to cut the gate while Kelly carries on with his ruse out in the front office, which turns into a free-for-all once the firecrackers die down. The manager gets a little rough with Kelly, Kelly gets rough back (although his karate chop attempt against the manager hurts himself more than it does the big manager) and Kelly ends up in a battle royal with all the exporter dudes henchmen (before which he’s plunked on the counter like a rag doll and sent flying down the length of it!)
And I mean battle royal! Every possible fight technique you can think of is utilized in this sequence and it’s one of my favorite fight scenes with Culp. He’s not only throwing punches, he’s jumping on the counters, scaling walls, swinging from the overhead pipes, giving a boot to the head here n’ there, coming down to the floor long enough to stuff one guy into a desk and then swinging on a hanging overhead lamp. Oh, and the hammer toss! I can’t forget the hammer toss!
Despite Kelly’s gallant efforts, he still gets beat by the bad guys and Scotty and Russ are caught too. The exporter manager tosses everyone in a supply room. No problem, Kelly figures. After all, Russ was the expert on this stuff, being in locked rooms and all. So Kelly asks, “what do we do, Teach?”
Russ, unfortunately, doesn’t have much of an answer, which doesn’t sit well with Scotty. He starts to go around the supply room, trying to find something that might give them an advantage to bust out of the place. Meantime, the exporter manager returns and gives them 15 minutes to decide if they’re going to tell him who they are and what they’re up to. And with 15 minutes until their fate, Scotty wasn’t interested in having to wait for a spark of genius to come from Russ. He starts to gather some stuff together with Kelly helping, although Kelly has no idea what his partner is up to. One thing Scotty needs is for one of the crates of codfish to be opened. Kelly tries to pry it open bare handed, but can’t do it. Scotty asks Russ for the component to use to pry open the crate. Russ hesitates, out of fear of damaging the component, but is overruled by Kelly and Scotty. He hands it over and they pry the box open.
Kelly watches as Scotty puts the ingredients together in an old shoe box; chemical fertilizer, dry ice and a flammable liquid. Scotty explains that the concoction won’t blow the door off the place but would create enough smoke and chaos to give them the upper hand. The only thing left needed was a fuse, and the only thing they had was cigarettes. After determining how far a cigarette burns in five minutes, Scotty clipped another cigarette to the same length and lit it. He set it in the box and everyone took cover within the room. They had just about five minutes until their hosts returned.
No sooner do the bad guys open the door when Scotty’s homemade bomb goes off. Chaos erupts and the boys have a momentary advantage over the bad guys. There’s a fight and gunfire and a close call for Kelly who’s nearly shot by one of the bad guys. Russ saves Kelly and they make their escape. The three jump into a cab and it’s here that Kelly and Scotty find their suspicions confirmed. Russ points a gun at them while instructing the driver to go to Victoria Peak.
At Victoria Peak, the truth about Russ comes to light. He has, in fact, gone corrupt. With the component back with him, he can now sell it to an even higher bidder. The only thing left was to dispose of Kelly and Scotty. Kelly belittles Russ for setting it up to shoot them in the back.
Scotty, however, isn’t going to stand and take a bullet in the back and he turns suddenly and charges at Russ. Russ shoots, hitting Scotty in the leg as Kelly also charges at Russ and there’s a struggle and scuffle. Kelly knocks the gun from Russ’s hand and during the course of the struggle, Kelly drops down to the ground on his back, pulling Russ with him. He flips him over and sends him tumbling off the edge of the cliff.
Although this had been the mission all along, Kelly is horrified. After all, Russ had been his teacher and somebody he had respected at one time. The deed done all the same, Kelly picks up the component (Russ had made Scotty put it down on the ground earlier) and turns his attention to his wounded partner. Kelly apologizes for what’s happened but Scotty shakes it off. Kelly didn’t have to apologize for anything.
With their assignment complete and Scotty on the mend, Kelly’s kinda bummed by what happened with Russ. But not for too long. The girl who worked as a clerk at the import/export place comes knocking on the boys’ hotel room door. Kelly’s surprised to see her. She carries with her a box of firecrackers, like what Kelly used with his ruses. She tells the boys that she was cleared of any wrongdoing, since she had been working at the place for only a few days and had no idea what was going on. She then lights the fuse on the box of firecrackers, sending Kelly and Scotty both diving under their beds.
But the box doesn’t go off….at first. She was told it wouldn’t but had wanted to see how they would react. Then all of a sudden, it does go off and she winds up under the bed with Kelly.
Yeah… Yeah, I would have too.
The first season DVD for “I Spy” is available at Amazon.com.
1. The moustache. It was real and it threw me for a loop. He looked so different with it! Outside of a game show appearance from the same year and a photo of Culp from a documentary on race relations from around the same time period (’71?), I was used to seeing Culp pretty much sans facial hair. (The Grizzly Adams beard in Hannie Caulder is a different story).
2. The Los Angeles Coliseum. If I’ve got the timeline right in my mind, about the time Culp filmed his first appearance on Columbo in 1971, he either just completed or was just about to start on filming for Hickey & Boggs. By the time this episode aired in November of 1972, Hickey & Boggs had been out in the theatres for about a month. So you could watch Culp on the big screen running around the Coliseum and then come home and watch him in the same place on the small screen!
Culp plays Paul Hanlon, general manager for a pro football team owned by Eric Wagner. Eric inherited the sports empire from his father but would rather spend his days partying and playing. Paul, however, sees a better and brighter future for himself – if he can get Eric out of the way.
Paul arrives at the Coliseum and makes his way up to the owners box. He dismisses the busboy for the afternoon, explaining that it would only be him in the box and no guests. After the busboy leaves, Paul gets on the phone to Eric, rustling him out of bed (it’s already afternoon) and telling him to do some laps in the pool and be ready to be picked up as soon as the game was over. They had a flight to catch to Montreal for a business meeting regarding the purchase of another sports team.
Eric grudgingly says he’ll be ready but honestly couldn’t care less about buying another sports team. As soon as Paul is off the phone with Eric he phones down to the team locker room and talks to the head coach giving him a hard time about the team’s performance and what plays to do (and the game hasn’t even started yet). While doing this, Paul puts the phone on speaker phone and carries on the conversation while beginning to change his clothes.
Yeah, we’re not five minutes into this thing and Culp’s taking his shirt off.
What he changes into is the uniform of a concession man. Complete with paper hat and popcorn box. (I couldn’t help but laugh when he grins at his reflection after he puts the hat on.) The get up allows him to leave the stadium unnoticed.
With a commandeered “Ding-a-Ling” ice cream truck, Paul drives out to Eric’s house. He carries a transistor radio with him to keep tabs on the game. Just before getting to Eric’s house, he stops at a payphone and calls Eric to make sure he was out of bed and in the pool, as requested earlier.
At first, Paul can’t get through because Eric is on the phone ordering food or booze or something. Paul waits a minute or so and then dials again. Eric answers and is right where Paul wants him to be.
Paul gets back in the ice cream truck and drives away from the payphone…just as a little girl is calling after him for ice cream down the road. He arrives at Eric’s house and selects his weapon of choice from the back of the ice cream truck, a big chunk of ice. (No, no Death By Drumstrick). Chunk of ice in hand, Paul sneaks onto the property and does his dastardly deed, killing Eric at the pool.
Before he leaves, however, Paul has to cover his tracks. Literally. His wet shoes leave footprints behind on the deck, so he removes his shoes and hoses down the deck.
Then he’s back in the ice cream truck, racing down the highway back to the football game. Ah but he takes a moment to have fudgesicle on the way. And if I’m sounding smarmy by this point it’s because I couldn’t take any of the rest of this episode seriously. The changing of shirts, his grinning after putting the hat on and then the fudgesicle. The fudgesicle did me in.
Back at the stadium, Paul returns by the halftime – in time to meet with the head coach (and thus further substantiate his alibi). Paul smoothes over whatever issues he had at the start of the game and tells the coach that he’s doing a fine job. As he says, he has bigger fish to fry now…
When Lieutenant Columbo arrives at Eric’s house he suspects a little too quickly that Mr. Wagner’s death was no accident. When Columbo goes to the stadium to report of Eric’s death to Paul, Paul reacts appropriately enough.
And the most crucial game begins as Columbo investigates and spends the rest of the episode dogging Paul Hanlon. The scenes between Falk and Culp are worth watching the episode for because Columbo really just annoys the hell out of Paul. He shows up at Eric’s house to ask questions and poke around.
He follows Paul to the airport, which irritates Paul to no end. And Paul can’t shake the Lieutenant loose for the life of him until Mrs. Wagner’s plane arrives.
Yes, Mrs. Wagner. Eric had a wife. And Mr. Hanlon had his sights set on more than just Eric’s fortune. Columbo casually remarks how she’ll inherit everything now and continues his pestering of Paul until she arrives.
Columbo, respectfully, leaves Mrs. Wagner alone. He remains zeroed in on Paul Hanlon, showing up at a media event for the basketball team and informing him that his office phone and the phone at the Wagner house had been bugged, turns out, by the family lawyer. Columbo has everyone (including Mrs. Wagner) gather at the house to listen to some choice cuts of phone conversations, particularly Paul’s phone calls to Eric just before Eric was killed.
The recorded phone conversations seem to further reinforce Paul’s alibi, but Columbo’s bothered by something with the calls. Eventually, he does figure it out. There’s one minor innocent sound that’s missing from Paul’s phone calls to Eric and when Columbo shows up at the stadium on another day he casually blows Paul’s alibi all to pieces.
My favorite exchange of dialogue in this scene is Paul – thoroughly annoyed with Lt. Columbo – says, “Columbo, I’m going toss you out of here on your ear!” to which Columbo calmly replies, “I wouldn’t do that sir. Because then you’re gonna miss the best part…”
Compared to the first Columbo episode, this one wasn’t as good. The performances were all great and the episode has its moments, but the storyline itself was lacking somewhat. I didn’t really full grasp Hanlon’s motive for murder and didn’t pick up on much malice forethought on the first viewing of the episode. The second viewing, when I capped it, I at least picked up on the motive but still found it vague.
Would I watch it again? It’s Culp, of course I would!
“The Most Crucial Game” is available on the second season Columbo DVD set available at Amazon.com.
Here we go! The episode that started it all for me in being a Fan of All Things Culp.
Culp plays Brimmer, a former police officer turned private investigator who runs a very sophisticated investigative operation (indeed, he was not Jim Rockford. This firm had several operatives, a fleet of vehicles, electronic gizmos, high rise office space and support staff ). Brimmer’s latest case involved investigating the allegations of infidelity on the part of the young wife of Arthur Kennicut, a prominent LA newspaper publisher. Brimmer reports to Mr. Kennicut that his wife had a “clean bill of health” and was not having any affairs. Mr. Kennicut accepts this finding with relief but we find out after he leaves Brimmer’s office that the report from Brimmer was a total lie. Brimmer then attempts to blackmail Mrs. Kennicut, saying he would keep the proof of her affair quiet if she would provide him with inside information of the powerful people in LA that Mr. Kennicut had connections to.
Right. Mrs. Kennicut throws Brimmer’s blackmail attempt right back in his face, saying she would come clean to her husband first and admit her infidelity – and then expose Brimmer’s blackmail attempt, turning those same powerful connections Brimmer wanted information on into a serious source of trouble, not to mention totally ruining his reputation and his business.
Brimmer, a short tempered kinda guy to begin with, becomes furious with Mrs. Kennicut and accidentally kills her.
Of course, he didn’t intend to kill. And once he realizes what he’s done, he knows the murder of this woman is worse than being exposed for the blackmail attempt. Thus he does his damnedest to cover it up, cleaning up all evidence of anything she touched from his beach house and then transporting her body across LA to leave her in an industrial area.
It should’ve worked. Once her body is discovered the next morning, it looks like a mugging. Tragic and unfortunate, but she was killed for her money. Brimmer, in a further attempt to keep any suspicion possible away from himself shows up at Mr. Kennicut’s home to offer condolences and offer the services of his firm to find Mrs. Kennicut’s killer.
Yup, the whole cover up should’ve worked. Accept for this pesky, cigar chomping police lieutenant named Columbo…
Despite all the charm Brimmer can put forth, he knows right off the bat that Columbo is going to be a challenge.
Scratch that. Not a challenge. A full fledged pain in the posterior.
The rest of the episode is Brimmer trying to outwit Columbo and throw the Lieutenant off the trail. But it doesn’t work. After one particular conversation where the seemingly scatterbrained Lieutenant reveals a couple of innocent facts and makes a couple of innocent statements, Brimmer realizes the heat is on…
Brimmer only digs himself even deeper when he tries to woo Columbo into leaving the police force and joining the detective agency with the promise of more money and complimenting him on his detective skills.
Columbo says he’ll think it over, talk to the wife. Brimmer thinks he might have a chance. Then two strange things happen. Brimmer’s car won’t work and he sends it off to the garage to be fixed. Then he gets a call from Mr. Kennicut; Columbo has requested that Mrs. Kennicut’s body be exhumed for some reason.
Now this is where I have to apologize for not remembering exactly how Columbo set this up (were they looking for the contact lens in the casket? Were they looking to see if she had both lens still, or didn’t? Or…gah. Sorry!). What I do know, is the “missing” contact lens sets Brimmer on a search through his beach house, where Columbo shows up, “innocently” enough, says something to further unsettle Brimmer and Brimmer searches a little more once Columbo leaves. Then Brimmer decides he has to search his car – which is still in the shop.
Brimmer breaks into the repair shop and finds his car. He searches the trunk and does indeed find a contact lens…
…and the Lieutenant is waiting for him. Brimmer, indignant, storms away from Columbo and reaches for his cigarettes in his pocket. He then attempts to throw the empty cigarette package away when Columbo stops him, grabbing his hand before the contents are ejected into the wastebasket.
The contact lens in Brimmer’s hand is evidence enough. Caught “red handed” Brimmer accepts being busted, admits his guilt and apologizes quietly to Mr. Kennicut, who was also present during this.
I enjoyed watching this episode and for it being over 2 years since I saw it, the fact I can still remember the plot well enough speaks to how good it is. I capped it pretty much right after I watched it. Definitely a worthwhile introduction to Robert Culp!
“Death Lends a Hand” is available on the Season One DVD of Columbo available at Amazon.com.
By now, most of you have heard of the “Trump Trackdown” video. For those of you who haven’t, a quick recap:
You can also find two of Culp’s Celebrity Bowling appearances at the PROClassic site, 
Stop me if you’ve heard this before…
It’s also unclear if the concept has changed. Originally, it sounded like Ralph, Pam and Bill were NOT going to be rebooted, that it would be all new original characters; an inner city teacher named Issac would be the recipient of the suit. Now, based on the recent Deadline Hollywood article, the script written by Rick Famuyiwa (DOPE), “is the story of what happens when great power is not met with great responsibility. An ordinary man, completely content with being average, wakes up with a superpower suit he never asked for and has to deal with the complications it brings his life.”
Ralph freaks out, of course, and can’t figure out how to reverse what he’s done. He and Bill head back to town, with Ralph whining the whole way about having to face the rest of his life being invisible. Bill, meanwhile, is trying very hard to find positives in the situation and not let Ralph get too discouraged. Despite his cheer leading efforts, he catches the attention of a motorcycle cop, who thinks the Fed is talking to himself.
While Bill and Ralph have been investigating all this international intrigue, Pam’s parents are visiting from Minnesota (Deer Lick Falls, Minnesota to be exact where Pam’s father is the mayor but having nothing to do with “The Mayor’s Committee from Deer Lick Falls” which was a Rockford Files episode. Let’s not confuse the issue). Ralph made reservations at a nice restaurant to take Pam and her folks for dinner. Which would be all well and good except he’s still invisible with the suit.
Ralph gets the gunsight and, naturally, pandemonium breaks out as all the bidders freak out when the gunsight magically floats through the air and out of the room. Ralph meets back with Bill again – just in time for his invisible cloak to click off. He and Bill make a run for it and Ralph flies himself and Bill out of the consulate, crashing landing on the ground outside the wall. The flight footage of the two is from the pilot, as Bill magically goes from a three piece suit to khaki’s and green aviator jacket then back to suit again upon landing.
is available at Amazon.com, either as a download or you can purchase the DVD set. You can also download the episode itself through Amazon for about the price of a cup of coffee!
Good thing he got the gun first because he uses it to cut the snake in half. He then dumps it outside his hotel room, just as a bride and groom are going by. (Hopefully that didn’t bode badly for their future together.)
The hired guns keep looking to see where the plane went down. Harry and Kate catch their breath near a tree not far from the road they landed on. Unfortunately, a huge truck comes along and smashes their plane to pieces. The driver is horrified thinking he had killed someone. He finds Harry and Kate are fine just as the hired guns show up in their plane. Everybody jumps into the cab of the truck and they take off, with the plane chasing after them and shooting.
They continue on to Opal Ridge without incident and the truck driver drops them off. He wishes them luck in their going up against McInally, who is hated with a passion apparently all over Australia (and the British government couldn’t find him?). Opal Ridge, one should note, is a town out in the middle of nowhere in the Australian Outback. Think of the old west towns, add a little more color, some cars along with horses and a video arcade. Yer there.
Although he only had one scene, Max Phipps’s Brutus Cathcart was memorable enough. Phipps career spanned theatre, film and television in Australia. He played Dr. Frank-n-Furter in the Australian production of The Rocky Horror Picture Show and played “The Toadie” in the second Mad Max film (The Road Warrior) where he loses a few digits trying to catch a particularly sharp boomerang.
was over before it began. The reason? A lack of financial backing. Reportedly, Cannell’s vision of the movie was high-tech, with special effects and stunts that were a far cry from the cheesy, low-budget sequences in the TV series.
was built around an ordinary guy who got in over his head; a premise that is true to the original TV program.
Actor 
The Greatest American Hero: the Fans and the Future
With Shaft working on investigating who killed Dawson, Cunningham has instructed police officer Lou Turner (Richard Jaeckel) to make sure Shaft doesn’t get far in his investigation. Specifically, Cunningham told Turner that if Shaft gets too close “to see that he has a short life.”
Dean Jagger (Judge McCormick) – Academy Award winning actor who first started in films in 1929. Played Brigham Young in the 1940 biopic “Brigham Young” (with Tyrone Power and Vincent Price), appeared in films such as “Twelve O’Clock High” (supporting actor Oscar win) 1949, “White Christmas” 1954, “Bad Day at Black Rock” 1955, “Cash McCall” (with James Garner) 1960, and “First to Fight” 1967 . Was nominated twice for an Emmy for his role as Principle Albert Vance on the 60s tv series “Mr. Novak” (1963-1965)
Noah Keen (Charles Dawson) – Veteran character actor who often played doctors, lawyers and police officers. Guested on many television shows from the 60s through the 80s.
Kaz Garas (Gerald Fell) – If he looks familiar, and he should, the Lithuanian born Garas guest starred on numerous television series’ back in the ’70s and ’80s, including “Cannon,” “The Streets of San Francisco,” “Hawaii Five-O” and “The Dukes of Hazzard.”
John Hurt – the British actor known for his role in Alien and his Oscar nominated roles in Midnight Express and The Elephant Man, essentially made his American TV debut with Spectre.
Gordon Jackson – another British actor familiar to American audiences from movies such as The Great Escape and the television series Upstairs, Downstairs. Ironically, he would guest star on an episode of a short lived British television series the same year called…Supernatural.
Ann Bell – A long time actress on British television, Ann had an uncredited role in Fahrenheit 451 and also appeared in To Sir, With Love.
James Villiers – Long time British character actor who made a career of playing upper class type characters. He infact had an aristocratic background, being a descendant of the Earls of Clarendon. He appeared in such movies as the 1981 James Bond film For Your Eyes Only, Roman Polanski’s Repulsion and the 1965 Bette Davis horror/noir film The Nanny.
is available at Amazon.com, either as a download or you can purchase the DVD set. You can also download the Hit Car episode itself through Amazon for about the price of a cup of coffee!
Culp plays Paul Hanlon, general manager for a pro football team owned by Eric Wagner. Eric inherited the sports empire from his father but would rather spend his days partying and playing. Paul, however, sees a better and brighter future for himself – if he can get Eric out of the way.
