Fox Reportedly “Bullish” on Rebooting The Greatest American Hero – For the Second Time

Greatest American HeroStop me if you’ve heard this before…

Oh. Yeah, you have heard this before. About a year ago, when Fox gave the green light to Phil Lord and Chris Miller, who wrote and directed THE LEGO MOVIE and also directed a big screen version of Stephen Cannell’s 21 JUMP STREET, to film a pilot for a new take on THE GREATEST AMERICAN HERO. We’ve heard nothing more since then about a script, or actors or anything.

Frankly, one might have figured the project died, but according Deadline Hollywood, it’s still very much alive and Fox is reported to be “bullish” on getting this one to American TV screens.

It’s been a year and apparently a change in writers, but a casting director has now been hired to scout out some talent. Nathan Fillion expressed some interest in playing the lead during a Q&A session at Chicago’s Wizard World Comic Con back in August, 2015.

GREATEST_AMERICAN_HERO_S2_D5-68It’s also unclear if the concept has changed. Originally, it sounded like Ralph, Pam and Bill were NOT going to be rebooted, that it would be all new original characters; an inner city teacher named Issac would be the recipient of the suit. Now, based on the recent Deadline Hollywood article, the script written by Rick Famuyiwa (DOPE), “is the story of what happens when great power is not met with great responsibility. An ordinary man, completely content with being average, wakes up with a superpower suit he never asked for and has to deal with the complications it brings his life.”

Given Hollywood’s penchant for lampooning and doing parody’s of original shows, it really doesn’t sound encouraging.

 

 

~Lisa Philbrick

TGAH: Here’s Looking at You, Kid

Here's Looking at You, Kid

Originally aired: April 1, 1981

Oh no, this was no April Fool’s joke. A military plane with a top secret gun sight is stolen in broad day light and the government is scrambling to find it and get it back before it ends up in enemy hands. But FBI Agent Bill Maxwell knows how to find it. All he needs is Ralph and the suit.

Except Ralph isn’t so willing to drop everything to go after some military hardware that, big deal, “can hit a beer can from five miles out.” After all, he’s got other plans. Pam’s parents are coming in for a visit, he’s supposed to meet Pam to pick them up at the airport, they’re going to dinner… We’re on the third episode of the show and this suit is damn inconvenient, Bill…

Convinced of the severity of the situation, Ralph goes with Bill. He calls Pam from Bill’s car phone (which after more than 35 years, it’s interesting that mobile reception hasn’t much improved since then) and then spends a couple of hours bouncing around the dessert looking for the plane. Bill’s hunch is the plane was brought down in the sand, as opposed to being dumped in the ocean. He turns out to be right, he and Ralph find the plane but the gun sight has long since been removed.

What was left behind, however, was the pilot’s helmet. Ralph gets a halograph image from it of the man that stole the plane and gun sight (although he doesn’t know necessarily it’s him) and the “soldiers of fortune” type operation this guy is part of.

Before they leave the dessert, Bill has an idea that Ralph –with the suit- can do telekinesis “moving things around with the old grey cells.” It would be a useful skill if Ralph can harness it and he wants Ralph to try it. Ralph’s a little hesitant. “Every time you have me do something new with the suit, I get into more trouble.”

That hardly phases Bill. He has Ralph try to stop him from physically approaching and push him back. Only Ralph pushes the wrong something and ends up disappearing.

 Ralph freaks out, of course, and can’t figure out how to reverse what he’s done. He and Bill head back to town, with Ralph whining the whole way about having to face the rest of his life being invisible. Bill, meanwhile, is trying very hard to find positives in the situation and not let Ralph get too discouraged. Despite his cheer leading efforts, he catches the attention of a motorcycle cop, who thinks the Fed is talking to himself.

Bill saves himself pretty smoothly this time, telling the cop that he has to give a speech a Whitney High for Government Day and that he was practicing.

Bill and Ralph continue on to the private vet’s club where McCready and his soldiers of fortune hang out. Bill’s scenario is simple. Since Ralph is invisible, he can just go in, take a poke around and find out what’s going on and where the gun sight is. Easy! Accept….now Ralph becomes visible again.

It doesn’t last long, however, and Ralph fades back out again. Not knowing how to control the visibility power of the suit, Ralph doesn’t chance going inside the house but manages to get a halograph of what’s going on. Bill fakes tinkering around under the hood of his car while Ralph tunes in on what’s going down. He learns that the gun sight is going to be auctioned off, at the consulate, later that night.

 While Bill and Ralph have been investigating all this international intrigue, Pam’s parents are visiting from Minnesota (Deer Lick Falls, Minnesota to be exact where Pam’s father is the mayor but having nothing to do with “The Mayor’s Committee from Deer Lick Falls” which was a Rockford Files episode. Let’s not confuse the issue). Ralph made reservations at a nice restaurant to take Pam and her folks for dinner. Which would be all well and good except he’s still invisible with the suit.

With this pending date, Ralph leaves Bill at the vet’s club and takes off to try to figure out how to get out of his predicament, but promises he’ll meet Bill at the consulate later that night. Ralph doesn’t have any better luck at the restaurant trying to explain things to Pam. He becomes visible again in the suit and, as luck would have it there’s no back door to sneak out of. Ralph has to run the gauntlet through a dining room full of people – including Pam’s parents.

At the very least, they don’t recognize him but poor Pam certainly suffers through enough in this episode.

Back at the consulate, Bill is setting up with his “Willy the Wrench” bit, popping the hood of his car. While tinkering with the radiator cap (which should have been REALLY HOT if the car had been running for anything length of time) Bill talks on his communicator with Ralph to see where he’s at.

And where’s Ralph? He’s on a bus! And at a time when he would love to be invisible, he’s not. The other riders on the bus think he’s a freak and all cower at the front of the bus.

Bill, meantime, gets caught by the bad guys and taken inside.

When Ralph arrives at the consulate, he figures out how to work the invisibility feature of the suit. He finds Bill’s abandoned car and gets a halograph, seeing Bill is being held captive. Remaining invisible, Ralph walks through the front gate of the consulate and heads inside.

He finds Bill, knocks out the man guarding Bill and Bill commandeers the man’s rifle. “Bill, you’re not going to use that gun are you?” Ralph asks. “Of course not,” Bill says, “I’m gonna pick my teeth with it…”

With Ralph invisible and in control of it, Bill figures for him to just go right in where they having the auction and take the gunsight. (I like where Culp looks directly at the camera, where us as the audience are the POV of Ralph for a moment).

 Ralph gets the gunsight and, naturally, pandemonium breaks out as all the bidders freak out when the gunsight magically floats through the air and out of the room. Ralph meets back with Bill again – just in time for his invisible cloak to click off. He and Bill make a run for it and Ralph flies himself and Bill out of the consulate, crashing landing on the ground outside the wall. The flight footage of the two is from the pilot, as Bill magically goes from a three piece suit to khaki’s and green aviator jacket then back to suit again upon landing.

When all is said and done, Bill shows up at the school a day or so later to let Ralph know that McCready and all had been caught and to thank him for his help. Ralph, of course, immediately thinks Bill is there for another scenario and carries on about how he’s taking Pam and her parents to lunch and that’s final. Kid, you are wound way too tight.

In fact, I think Ralph was wound so tight he made himself disappear again. And I’m not even sure if he had the suit on…

The fact that The Greatest American Hero lasted three seasons (never mind beyond three episodes) is truly a testament to the show itself. The show had great performers and good writing but had everything else against it. The lawsuit from WB for the supposed Superman similarities notwithstanding, ABC wasn’t exactly any help for a show that they originally asked for. The finest example of knee-jerk reaction from the network is evident in this episode, where Ralph’s last name is changed from Hinkley to…well, to nothing. All mentions of the last name are not so cleverly edited out (ie, Pam’s mom saying “Ralph (insert loud jet engine noise)” when Pam picks up her folks at the airport). Good thing the students referred to him as Mr. H often anyway, which saved at least some work for the sound editor.

Why was Ralph’s name “bleeped” out? Because two days before this episode aired, on March 30, 1981, President Ronald Reagan was nearly assassinated in front of the Hilton Hotel in Washington DC by John W. Hinckley Jr.

Can you imagine if his name had been John W. Maxwell Jr.?

The assassination attempt was upsetting enough, since Reagan had only been in office less than 70 days. When John Hinckley’s motive for shooting the President was revealed (in short, he was a deranged fan of Jody Foster and was trying to get her attention, having been inspired by the movie Taxi Driver) television and film entertainment thought twice about anything they had going on around that time that would be deemed inappropriate in the light of the events. NBC pushed back an episode of Walking Tall called “Hit Man.” Yet, ABC was left shaking simply over a name, that wasn’t even spelled the same way.

Commentator Paul Harvey thought it was absurd, writing in his syndicated column, “Because probably the sick boy accused of trying to kill the president was named John Hinckley Jr., these professional sin, sex and murder merchants self-righteously reverted to the scapegoat concept of blaming, crucifying and burying somebody else.”

Harvey hoped programmers at the network would reconsider. It was largely reported in the press that in the remaining episodes of the Greatest American Hero‘s first season Ralph would have no last name at all, he would just be “Mr. H” and would have a new name the following season. However, by the last episode of season one (“The Best Desk Scenario”) Ralph would be christened “Hanley.”

When season two opened in the fall of 1981 with “Two-Hundred Mile Per Hour Fastball” Ralph would be reborn as Hinkley making the whole name change, really, a moot point.

Noted guest stars included…

Bob Hastings (McHale’s Navy, Green Acres) as Pam’s father and June Lockhart (Lassie, Lost in Space, Petticoat Junction) as Pam’s mom. Hastings would return in future episodes playing a sportscaster both times (“It’s All Downhill from Here,” “The Price is Right.”)

 

 

 

James Whitmore Jr. as the cool and steely McCready. He would return to be the not so cool Biron “the BB” Bigsby, IRS auditor in “There’s Just No Accounting” in season two, and as the nerdy creator of a Dungeons and Dragons knockoff in “Wizards and Warlocks” in season 3.

Red West as one of McCready’s security guards. Besides acting, West also is a songwriter and was part of Elvis Presley’s inner circle known as the “Memphis Mafia” as a body guard for the King.   West would also return in two more episodes of TGAH.

Despite the name haggling, The Greatest American Hero was enjoying a pretty strong run at this point, ranking around 13th in the ratings.

The Greatest American Hero – Season One is available at Amazon.com, either as a download or you can purchase the DVD set.  You can also download the episode itself through Amazon for about the price of a cup of coffee!

      

The Blue Lightning

The Blue Lightning

The Blue Lightning

CBS Movie of the Week

Originally broadcast May 7, 1986

**Contains spoilers**

Prior to watching the dreadful National Lampoon’s Movie Madness I had discovered that the TV movie The Blue Lightning from 1986 was given a proper DVD release earlier this year (2013). I had seen a few clips of Culp from this one on YouTube and, of course, loved the aviators, the Irish accent and the riding boots. I hoped to find the movie to see the whole thing some day.

I was very glad to find it on DVD and had watched it just before seeing the National Lampoon movie. To set things right in my world I figured to go back and wipe the memory of National Lampoon from my mind and take a look at The Blue Lightning again.

Besides, I needed to do some screen caps y’know…

The movie opens in Opal Ridge, Australia where Quinton McQueen is tied to a tree and is about to be left for dead by Lester McInally (Culp). (Lester’s last name, to note, is pronounced two different ways in this movie; the Australian pronunciation sounds like “McKinley” while the American way is like it’s spelled, Mac-In-Ally.)  Quinton pleads to not be left tied to the tree where the wild dogs would get to him and eat him alive. One of McInally’s thugs, Mr. Words, asks for McInally to show some mercy. After some thought, McInally agrees and as Mr. Words starts for the tree to untie McQueen, McInally pulls his gun and shoots McQueen, killing him. “There,” he says to Words, “we’ve saved him from the dingos…”

(Clip courtesy of FedKidCounselor)

Hell of an intro for Culp’s character! And he’s just as merciless through the rest of the movie.

Back in San Francisco, Harry Wingate (Sam Elliot), an adventurer, sailboat enthusaist umm…private investigator? I’m not sure exactly what Wingate’s profession is but he’s hired by Brutus Cathcart (Max Phipps) to do one of two things; retrieve a priceless opal or get back the $400,000 Brutus paid in attempt to buy the opal from McInally. McInally, a former IRA bomber who has been hiding from the British in Australia, runs a town called Opal Ridge and discovered the Blue Lightning opal himself. He initially put a price tag on it of $250,000 but kept upping the price on Cathcart, who, one might consider foolishly, kept paying.

Harry initially refuses the job unless he gets $100,000 plus expenses or 25% of the true value of the opal, whichever is greater but Cathcart only offers $80,000. Harry leaves Cathcart’s office but they must have worked something out because Wingate heads off to Australia, where he purchases a black market  .44 magnum upon arrival and then finds a rattlesnake in his hotel room.

Good thing he got the gun first because he uses it to cut the snake in half. He then dumps it outside his hotel room, just as a bride and groom are going by. (Hopefully that didn’t bode badly for their future together.)

Harry then meets with Kate McQueen (Rebecca Gilling), whose husband Quinton works for Brutus Cathcart and also had McInally as a client (tho’ I’m not sure at this point in the movie what exactly it is that Quinton did). Anyway, Harry talks Kate into going with him to Opal Ridge, more or less as insurance since he doesn’t know her or Quinton and thinks it’s possible she and her husband have the opal for themselves.

On the drive to Kate’s house, they pick up a tail. A couple of McInally’s boys try to run Harry off the road. Harry ends up running them off the road, but later at Kate’s house his car is rigged with a bomb. He discovers it in time before it blows up and he and Kate take off into the brush as the two hired guns come swooping in. Harry and Kate make their escape in a sky tram, exchanging gunfire with the baddies along the way.

On the other side of the valley they make their way to an airport to get a plane. The hired guns catch up and get themselves a plane too – and leave no witnesses.

The guns catch up in the air and manage to shoot a hole in Harry’s plane. Harry manages to get the plane down into some clouds to lose the guns and then down to the ground for a tough landing that busts the landing gear.

The hired guns keep looking to see where the plane went down. Harry and Kate catch their breath near a tree not far from the road they landed on. Unfortunately, a huge truck comes along and smashes their plane to pieces. The driver is horrified thinking he had killed someone. He finds Harry and Kate are fine just as the hired guns show up in their plane. Everybody jumps into the cab of the truck and they take off, with the plane chasing after them and shooting.

The movie is only about 30 minutes old at this point and it’s been all action. There’s little character development or even much background. We still know little to nothing about Harry Wingate and Kate McQueen apparently spent some time with the Los Angeles County Sheriff’s Department, but in what capacity we do not know. This is one of the things about the movie that irritates me.

Also, one can only guess how McInally knew that Wingate was coming and sent his two “best men” after him. Not that it did any good. Harry manages to nail not only the pilot of the plane but the fuselage with his .44 from the speeding truck. Pretty good marksman. The plane goes down in a fireball.

They continue on to Opal Ridge without incident and the truck driver drops them off. He wishes them luck in their going up against McInally, who is hated with a passion apparently all over Australia (and the British government couldn’t find him?). Opal Ridge, one should note, is a town out in the middle of nowhere in the Australian Outback. Think of the old west towns, add a little more color, some cars along with horses and a video arcade. Yer there.

In town, Harry’s plan is simple. He’s just gonna walk right into McInally’s home base of operations and say howdy. (I like how the roof of McInally’s Casino – and that’s exactly what it’s called McInally’s Casino, very original  – has a huge FOSTER’S LAGER written across it. Don’t tell me I’m the only one who remembers the Foster’s tv ads back in the 80s… “Fawstahs, Awwstraylian for Beeah!”)

Inside the casino/bar, the bartender, Mr. Words, is throwing somebody out (a fellow hood perhaps? He apparently brought the wrong supplies to the bar. Idiot.). Harry goes up to the bar and orders a beer. Whatever’s on tap. (Ya reckon it’s Fosters? Can’t miss the Fosters signs on the wall. Oh, and CASH ONLY – no credit. You stiffs.)

Mr. Words draws up the beer and then slops it on the bar at Harry. There’s a brief exchange over the price of the beer considering most of it ends up on the bar which leads to a fisticuff.

Down in his underground lair, McInally is watching everything on his close circuit TVs. He applauds as Harry gets the upper hand.

Harry grabs Mr. Words and uses him to go down in the hole. McInally, knowing he has a visitor coming, prepares with a push of a button to summon his boys and have a gun at the ready.

Down in the lair, there’s the exchange of words between Harry and McInally. Listening to Culp do the Irish accent is worth the price of admission here. And it’s not so much the accent. It’s that he’s so damn deadly sounding with it. (“If you’re going to go on, with your rudeness, then I guess I’m going to have to do something about you…”)

Eventually McInally tries to take an upper hand and kill Harry but doesn’t quite succeed (but does plant a bullet in Harry’s lung). Chaos erupts outside the casino where McInally’s boys are waiting as Kate takes their Chevy El Camino-like car and runs them all over. Harry escapes the casino, jumps in the car and they take off. McInally comes out as they disappear in a cloud of dust, giving them a few parting shots as they go. He vows another day and then turns around to his trashed town and starts laughing like a maniac.

(Clip courtesy of FedKidCounselor)

McInally is very disappointed in his boys for letting Wingate get away. One poor sap gets his hand/fingers twisted behind his back. This same sap says something about Mrs. McQueen that gets cut off by McInally and suggests something about the kind of relationship they may have had. I’m not sure. Another piece of the puzzle that’s missing in this thing.

A hundred miles away, Kate drives Harry to a ranch, a mission, that was started by her husband when he was a priest (we find out around this time that he left the priesthood and became a private detective. That’s quite a career change!) At the ranch, Harry is treated by a doctor and spends some time re-cooperating. At the mission he comes to know some of the aboriginal people. Quinton McQueen is revered by the aborigines and Harry asks their help in going after McInally. At this point nobody knows if Quinton is dead or alive and initially, Harry is told no…until the aborigines find Quinton’s body still tied to the tree where McInally left him.

As they prepare for their raid, two of McInally’s men are watching. But they never get to report back to McInally because they end up caught – and killed by Harry and some of the aborigines.

A couple of days later, they launch their attack at dawn. Kate drives the truck she and Harry are in straight through the front window of McInally’s casino. Harry jumps out, Kate backs the truck out and Harry shoots the hell out of the bar. Seriously. The jukebox, the slot machines, the liquor, the pool table, the piano… and a couple of McInally’s men along the way.

The aborigines, meanwhile, smoke out the rest of McInally’s men, who are in various areas of the underground hideout (which is an old mine). Harry starts to make his way to McInally’s “main office.”

Down below, McInally gives an order to a few of his men that they’re going to go out via the back shaft. One man decides he’s just getting the hell out. McInally does not tolerate disobedience or disloyalty and promptly shoots the man in the back as he flees.

McInally grabs his gun, his aviators and his opal and makes his exit.

The climatic cat and mouse shootout between Wingate and McInally is pretty good. The use of the old abandoned mine platform is great, although I hope everyone got their tetanus shots updated considering all the rust they were around. My only disappointment was in McInally’s end. Seriously, for being so merciless and conniving and cold and what not, Culp’s McInally deserved a blaze of glory finish. His dangling of the opal over the catwalk as he died (and grabbed by Wingate) I think could have been better sequenced.

Overall, not a bad film but as I noted earlier it was fairly heavy on action and had little on character background or development. Actually, this could have made an interesting pilot for a series, which would have allowed for more character development but Culp’s McInally would have had to stick around to be the “Wofat” to Sam Elliot’s “Steve McGarrett.” Very good use of locations, of course, Australia is a beautiful place on Earth.

Reviews at the time were about the same, though one reviewer made it clear that they could not stand Sam Elliott. I’ll admit he did little for me in this film but Newsday felt Elliott was “the most boring, unappealing actor since the days of Mr. Ed, the talking horse. He speaks in a low, monotonous growl, always looking immensely pleased with himself. His mustache is thick and scruffy, his manners atrocious. In the final shootout, you may prefer to root for Robert Culp.”

The Chicago-Sun Times couldn’t get enough of poking fun at the fact that Wingate carries this big-ass gun and can’t hit much with it. “…poor Elliott’s aim with a gun is almost comical. No, it is comical. Time after time, he fires countless rounds of bullets from “the most powerful handgun blah, blah, blah . . .” and rarely manages to inflict much damage beyond building up a callus on his trigger finger.” (I think I hear Frank Bogg’s in the background…  “What’s the matter, Harry? Need a bigger gun? Can’t hit nothin’?“)

As for Culp, the Sun-Times described his role as “played to the hilt” and that “in a relatively modest role, Culp seems to have the time of his life playing the thug McInally.”

The New York Times also noted Culp’s performance: “…although he appears in only a few scenes, Robert Culp is positively menacing as the clearly psychotic McInally.”

I don’t know if he had “the time of his life” playing the part, but I think he certainly had some fun with it.

One user submitted review on IMDB notes: “Sadly, despite all the heat and dust, Sam Elliott doesn’t get to do a shower scene even though, at about age 42, he’d still look good walking around with just a towel knotted around his waist.”

Big deal. Robert Culp, meanwhile, at about age 55 sports the well-fitted khaki’s very nicely, thank you…

 

Cast highlights…

Despite being called “the most boring, unappealing actor since the days of Mr. Ed, the talking horse” Sam Elliott has had a long and varied career and has appeared in such films as Road House, Gettysburg, Tombstone and The Big Lebowski. His beefcake status was achieved with the 1976 film Lifeguard.

 

Jack Davis, the only other American cast member, plays the leader of the aborigines (Jahrgadu) and forges a bond with Wingate. Jack began his acting career as a child, appearing in several of the Our Gang short films in the early 1920s before being sent off to military school by his brother-in-law, Harold Loyd. He would eventually become a well respected physician in the Los Angeles area but still continued to appear in various films and tv shows from the 1940s until his death in 1990.

The cast featured several well known and recognized Australian actors, including…

Rebecca Gilling. In an interview with “TV EYE” from February of 1995 she was asked about the film and although she said she had fun doing it she didn’t consider it a critical highlight of her career. She went on to say, “It was the first time I had been offered a role sight unseen or without interview. Lee Philips, the director, had been an actor in Hollywood in the fifties and sixties, and knew exactly how to communicate with the cast. The conditions were challenging as we were mostly in Broken Hill in the middle of summer. Sam Elliot was a very nice man but very serious as an actor. Robert Culp seemed to be extremely bland and disconnected from everything. He could never remember my name and I became ‘the girl’. I think he thought he was only doing this movie as a diversion, a visit to the antipodes. The only unusual episode during filming was a dispute between Sam and Robert over whose character should have the biggest gun in the shoot-out!”

John Meilon is the doctor that patches up Harry at the ranch. The same year as this movie, Meilon would be seen as Crocodile Dundee’s friend and mentor in the original Crocodile Dundee.

 

 

 

McInally’s “best men” were played by Michael Carmen (blonde) and Ray Meagher. Both Carmen and Meagher are veteran Australian actors who have appeared in many films and tv shows in Australia.

 

 

 

Although he only had one scene, Max Phipps’s Brutus Cathcart was memorable enough. Phipps career spanned theatre, film and television in Australia. He played Dr. Frank-n-Furter in the Australian production of The Rocky Horror Picture Show and played “The Toadie” in the second Mad Max film (The Road Warrior) where he loses a few digits trying to catch a particularly sharp boomerang.

 

The abandoned mine where the final shootout takes place is known as “Browne’s Shaft,” part of Junction Mine, located just outside of the city of Broken Hill in Australia. The buildings still stand today, including the shaft building and storage tanks that are seen in the film. The area is now a historic site and is open to visitors, however, I suspect one can not go into the mine shaft building anymore.  The mine did not produce opals, however, but instead produced silver and other such metals.


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The Blue Lightning is available on DVD through Amazon.com.

National Lampoon’s Movie Madness

NLMM_title

AKA National Lampoon Goes to the Movies

Originally released – straight to video – 1983

**Contains spoilers – You’ll thank me for this**

There’s a reason this movie, originally filmed in 1981, went straight to video in 1983.

It sucks.

Seriously. This thing is bad. And I mean real bad. You know how sometimes a movie can be so bad it’s good? No, no this is not even that. This is clearly what-the-hell-were-they-thinking-and-why-didn’t-they-burn-it BAD.

The premise of the movie is to spoof other typical movie genres. There’s three segments, although apparently the movie was originally supposed to have six. (My God were they kidding?!) The first segment spoofs the personal growth plot line, the second segment (with Culp) spoofs the rags to riches plot line and the third segment spoofs cop movies. I’m only going to tell you about the second segment that Culp was in and not bother with the other two because 1. Culp isn’t in the other segments, 2. I didn’t bother to watch the first segment at all and 3. I have no idea WHY I watched the third but there’s just nothing to say for that one.

The second segment is called “Success Wanters.” Ann Dusenberry plays Dominique Corsair, a recent college graduate who is trying to find a job. She’s not having much luck and must lower herself to taking a job as a burlesque dancer/stripper.

Her first gig is to do a show for a bunch of geezers at a dairy convention. Yes, a dairy convention a concept of which would be ripe for tons of double entendre and innuendo and the best thing the writers could come up with for this curdled milk of a movie? A butter bang.

Please don’t ask me what a butter bang is. The geezers butter bang Dominique leaving her innocence shattered and her completely humiliated. But Dominique isn’t the kind of girl to stay down, oh no. She decides she’s going to get her revenge against the butter bastards by switching to margarine.

She finds her way to the Everest Margarine Company, manages somehow to sneak into this bajillion floor office building and waits in the board room, in her trashed stripper costume, smoking a cigarette. Enter Paul Everest, owner and CEO of Everest Margarine Company played by Robert Culp.

Ok, I’m digging the GQ suit here and attaché. Very nice…

Dominique introduces herself and says she’s been waiting for him. Mr. Everest dismisses Joyce, his secretary (who’s no fool and knows exactly what’s going to happen next). After Joyce leaves, Dominique says she wants to know everything there is to know about margarine. He tells her that margarine is a ruthless industry and is no place for a woman. She tells him that he’s never met a woman like her and proceeds to demonstrate that fact by taking an ice cube from the ice bucket, tracing it seductively around her mouth, placing it in her mouth and then sliding under the table to crawl over to him.

Everest presses the button on his intercom to ask his secretary to hold all his calls. Gee, whatya think’s gonna happen next?! I dunno! Why are they playing “Jaws” like music?!

Everest, meanwhile, is all nonchalant for a guy who knows what he’s about to start his day off with. He continues with his paperwork until we hear *ziiip!* and with a deadpan expression he flicks his fancy pen across the room.

Ok, I chuckled at that. But, ya know, I would have had it that there wasn’t enough clearance and she bangs her head against the table…

You still reading? Really? Ok, well I’ll keep going then…

Next scene is in Hong Kong at an Everest Margarine production facility. Ms. Corsair is still in her trashed stripper costume but she has a nice trench coat. At least, at the outdoor scene here where they first arrive. She’s presented a lovely bouquet of flowers. No, I’m not really sure why.

Inside, she no longer has her trench coat, but still has her flowers. Her voice over (yes, this thing is narrated) says, “The excitement of my introduction to margarine was so thick, you could cut it with a knife…” I think I was supposed to laugh there. I’m sorry I forgot.

Actually, I’m distracted by Culp in that suit. Did I mention Culp looks super smashing in that suit?? Damn…

He extols the amazing story of how what was once a mere byproduct of the lowly ol’ soybean had become “a wholesome and nutritious foodstuff known all over the world. Ideal for all forms of cooking and baking, delicious in sandwiches, perfect for snacks and on toast!”

Damn, I’m sold! I’ll even take the stick he dropped on the floor there as he got all carried away…

He then tells Dominique how someday they’ll find a way to make a margarine that tastes better than butter. She, ever the cheerleader, believes they will. Awww!

On the plane back to Los Angeles, he dictates a memo, which she happily types up for him. He then is distracted by her soft and inviting backside. Woohoo…

He suggests they take a break since it’s been a long day (actually, the entire time span from when she showed up in his board room at about 7 am to this point is only two and half hours.) There’s a kiss and then a presentation of some jewelry. A huge, monstrous, red, blue and white necklace that weighs a ton and nearly causes her to fall out of her chair. (The jewelry is a running joke through the whole segment, as Dominique goes on to collect additional outlandish pieces). After, he calls the pilot with a change in flight plan. Off to St. Tropez…

In St. Tropez they enjoy a private tender loving satin sheeted moment that unfortunately gets spoiled when Everest suffers a massive heart attack. But! All is not lost, because he has papers in his attaché transferring power and presidency of Everest Margarine to Ms. Corsair (that he somehow found time to do up in the previous 3 hours). Before he finally is done in by the “heart attack, massive coronary and a cold” he makes the handover official with his notary seal, which Dominique has to smash his hand on the crimper to make it all legal.

News flash: You can’t notarize your own documents! And when she smacks his hand on the crimper seal – that had to hurt. For real! One of those “ow’s!” from Culp I think was legit.

Yes, that’s Culp under all those satin sheets. Considering how bad this thing is, I’d be hiding my head too.

Dominique goes on to take over the company, romances the son of one of the butter bastards from the start of the segment, encourages said son to kill his father, she turns him in, buys up all of the butter business, ends up marrying a Greek tycoon, gets some more jewelry, sleeps with his son, the Greek tycoon kills his own wife, he then ends up dead (I think he was executed for killing his wife, I can’t really remember) and Dominique inherits a bigger fortune. Then, a German scientist discovers a cure for cancer by having a stick of Dominique’s margarine “radiated” by a color television set. She wins the Nobel Prize. She then schmoozes with the President of the US, sleeps with him, he presents her with some outrageous gold over sized Presidential seal necklace, blah blah and ends up becoming the new First Lady after the current First Lady abdicates her title in favor of the woman she loves.

Ridiculous. But I’m gonna save you from ever having to pay to watch any of this. (I paid $5.24 for the DVD -with FREE shipping! – but it was about $5.24 too much. Seriously, I should have been paid to watch this.) You can watch Culp’s entire bit, beginning to end (all seven or so minutes of it) below.

Please. Don’t thank me.

I can only hope that Culp got a really nice big fat paycheck for what was probably two days’ work for him. Otherwise, I can not fathom why he would have taken this gig. Did he owe somebody a favor? Was he lied to? Blackmailed? I don’t know the answer but I do know that it was a good thing he had The Greatest American Hero to go back to after this!

I don’t know what’s worse. The fact that Culp’s talents were completely wasted here or the fact that Dr. John was equally wasted for the movie’s damn catchy theme song. I mean, seriously, whoever wrote this movie had to be driving that train, high on cocaine. It’s not like National Lampoon didn’t have a precedence. After the surprise success of “Animal House” in 1978, there was quite a bit of anticipation about a follow up film. Media reports noted early in 1981 that the folks at National Lampoon were up to no good again and it seemed the public had some sort of expectation about the end result. The end result, however, was crap. Or, as Shary Flenniken, one of the writers associated with the movie put it, it was “a cocaine fueled fiasco.”

So they were high on cocaine! That explains everything…

Not convinced this movie is as bad as it really is? The movie was tested with an audience in Rhode Island once it was completed. The audience was so appalled and disappointed by what they had seen, they tore up the seats in the theater.

There are a couple of interesting things to note about this movie, however. The director of the “Success Wanters” segment was Bob Giraldi who went on to direct more accolade worthy things like Michael Jackson’s “Beat It” video.

And Everest’s secretary, Joyce? Is none other than Andy Warhol alum and “Cult Queen” Mary Woronov in what has to be the most non-oddball role she’s ever been cast in.

National Lampoon’s Movie Madness is available on DVD through places like Amazon and such. I’m not putting a link to it though because you don’t need to spend your hard earned money on it. Really. You don’t. The tagline on the DVD says it all: “The film that Hollywood doesn’t want you to see!”

Exactly. Heed the warning.

Another Open Letter to NBC

Dear NBC,

You know, I like to think that somehow through the cosmos, somebody there picked up on my “I’m-really-torked-with-NBC-because-this-Culp-clip-won’t-play” vibe while I was banging out my previous letter just last night. I know though that it’s just coincidence and timing. Because after I posted it this morning and then went about my merry way, I checked my email.

And what did my jaded eye see? Another link in Google alerts to NBC.com for a clip of Robert Culp on SNL. This time for the “cold opening” of the show, the sketch with Eddie Murphy.

Hmm… Having been down this road once already I had no high hopes, but I clicked. Yeah, right, I bet this won’t play either….

But it did! It played! WOOHOO!

Thank you NBC!

Now, um, you think you get that monologue bit posted too? Pretty please?

Gratefully,

Lisa

An Open Letter to NBC

Dear NBC,

Oh NBC. Famed NBC, original home of one of the most ground breaking television shows in history, “I Spy” starring Robert Culp and Bill Cosby. Can we talk for a bit here? I gotta small problem.

See, back in 1982, Robert Culp hosted an episode of Saturday Night Live. Without going into any commentary about the state of SNL back in the early 80s and ignoring any suggestions that the episode isn’t worth seeing to begin with, I have nonetheless, searched for any clips or segments from this program. Particularly, any clips or segments involving Robert Culp.

To date, I’ve been teased and deceived in regards to this television appearance of Mr. Culp’s. Hulu.com has it under their HuluPlus subscription but you can see the first 90 seconds of the program. (Part of the opening sketch involving Culp with Eddie Murphy, a spoof of sorts to I Spy and to Cosby’s various product endorsements at the time.) To see the rest though involves signing up for HuluPlus and paying a subscription rate and, well, dammit, Hulu’s supposed to be free viewing! Supplemented by limited commercial interruption. I have no problem with the few commercial breaks, what’s with this monthly subscription crap?

Ahem. Sorry, I’m getting away from my original problem here.

Those 90 seconds? A total tease. I mean, seriously, lookit….

Emboldened by such, I continued to search. I then found an online review of the episode which included screen caps of the “bumpers,” images of Culp in and around New York City.

The review was less than enthusiastic on some of the sketches but it gave me a good idea of what the entire episode entailed. Okay, I’ll admit I wasn’t all that interested in most of it, only the parts involving Robert Culp. (Hey, this a Culp dedicated website. This should not be a surprise to anyone).

More recently my Google alerts started giving me links to what, I thought, was this episode on YouTube. But the subsequent video on YouTube had nothing to do with SNL…other than to try to direct me to another website to “watch the episode free and in it’s entirety.”

Right. I didn’t just fall off the turnip truck ya know. I know internet spam junk when I see it.

Not long after this, another link showed up in my Google alerts. Only this time…*gasp!* it’s from NBC! The famed NBC! A legitimate link! YES!

So I clicked and, of course, ended up at your website. Ooo, lookit, Robert Culp’s monologue from this episode of SNL! Sweet!

So I waited a few moments as the NBC logo came up and it appeared as though the clip was loading.

But what I ended up seeing, was this….

VIDEO NOT FOUND?! What?!

I clicked OK. I hit refresh. I clicked the link below in the Video Clips section again, trying to get it to load.

Video Not Found!

I was able to play other clips. But alas, not the Robert Culp clip. I swore at the computer screen.

NBC, I implore you. This isn’t funny. If you could please either find the video and put it back, or remove the link entirely so that I may no longer be tortured by this, I would greatly appreciate it.

In the meantime, I guess I’ll keep on searching.

Respectfully,

Lisa

The Greatest American Hero (Pilot)

Originally aired:  March 18, 1981

Ralph Hinkley (William Katt) is a young high school teacher who has been assigned to a remedial class made up of a group of misfits, Los Angeles’s answer to the Sweat Hogs. Ralph’s positive he can make a difference with the kids, but his first day proves that won’t be easy. In addition to that, Ralph has a personal issue to deal with – his ex-wife has filed for custody of their young son, Kevin.

When Ralph decides to take his students on a field trip, his life becomes even more complicated. In a diner somewhere near Palmdale, one of his students – Tony – mouths off to a patron who apparently looked at him cross-eyed. This particular patron, despite being “dressed like Archie Bunker going to church,” packs a .38 pistol and has no qualms about pulling the gun on Tony when Tony pulls a knife.

“If you’re looking for trouble, you’ve just come upon the West Coast distributor…”

Thus, we’re introduced for the first time to Bill Maxwell. He doesn’t think much of Ralph’s apology, rebuffs any further attempt by Ralph to smooth things over and they part ways, not knowing that their fates were soon to become intertwined.

Later, the bus Ralph and his students are using appears to breakdown. Ralph tells the kids to stay put while he goes back to a gas station about a mile away. On the road, Ralph is nearly run over by Maxwell, who’s trying to keep control of his car. After the car stops, Ralph yanks open the door, pulls Bill off the steering wheel and then takes the .38 and chucks it. He berates Bill and asks “what institution” let him out. Bill calmly holds up his Federal badge and replies, “this one.”

Ralph’s attitude changes pretty quick, although he’s still somewhat indignant. Bill, pretty much as he did at the diner, ignores him and sets out to figure out what’s wrong with his car. He crawls underneath his car to check on the steering components when suddenly his flashlight and his car lights drain down to nothing. When he gets back up and into the car to see what’s going on, he and Ralph both notice the approaching lights in the sky.

As the lights get closer and they realize something really weird is going on, they both duck into the car. Bill tries to start it but no go and then the door locks lock on their own – and won’t unlock.

Now they’re trying to bust out of the car, unlock the doors, smash a window, something! The ship descends down and Ralph and Bill can only watch in fear and awe. The radio flips on and President FDR’s long ago assurance that “we have nothing to fear but fear itself” is the alien’s way of saying not to be afraid. They then communicate their message, using broken up pieces of broadcasts: Ralph and Bill have been chosen to work together and to use a suit with “unearthly powers.”

Another voice that comes over the radio is that of Bill’s partner, John Mackie, who we saw at the very beginning of the story being chased and caught by some bad guys. His fate is confirmed when he’s beamed down with the suit and puts it in the trunk of Bill’s car.

Remember that gruff patron back at the diner? When Mackie comes back to the window and Bill sees the blood stains on Mackie’s suit, he quietly goes to pieces.

Mackie returns to the ship and the spacecraft lifts away from earth, leaving Bill and Ralph to process what they’ve just experienced.

Bill opens his trunk, lets Ralph remove the box with the suit in it and then takes off like a scalded cat, leaving Ralph behind on the dark desert highway. As Ralph makes his way back to the bus, he’s completely unaware that the instruction book that comes with the suit has fallen out of the box.

The next morning Ralph is late getting to school, having indulged some curiosity and trying the suit on. When he gets to school, he’s told that a “friend” of his is in the boy’s bathroom, throwing up and is ordered to get the drunk out of there before assembly is over.

The “drunk,” turns out, is Maxwell. “The Lawrence of Palmdale,” Ralph calls him. “The desert chicken.” Bill at least admits that the experience the previous night scared the bejeezus out of him but he found his way to Whitney High School to find Ralph to more or less confirm that what happened, really happened.

Yeah, it did. And yes, they’re supposed to work together. Bill’s not exactly thrilled, and he tells Ralph so, nothing personal. He also says that it should be him running the operation. Ralph though doesn’t really want to deal with any of this at the moment and tells Bill he has to leave. Bill’s not ready to leave just yet, he’s got questions about the suit and asks about the instruction book. When he finds out the book is gone, he’s really not impressed with Ralph.

Ralph isn’t too impressed with the idea of Bill calling all the shots either and goes toe to toe to tell him that. They would talk about it more later and Ralph leaves. Bill can only hope that Ralph doesn’t lose the suit too.

At this point if anybody had doubts that these two can work together, well, you’d be rightly concerned.

For Ralph, things take an outrageous turn when he’s trying to get to the courthouse for a hearing on his custody case. He gets stuck in a traffic jam and the payphone he tries to use to call his attorney, Pam Davidson (Connie Selleca) to say he’d be late, is out of order. The suit is in the back of his station wagon…

He debates it, then gives in to try it. He figures he can fly to the courthouse and make the hearing. Problem is, he realizes he can’t fly very well, he ends up losing his clothes and is spotted by the cops as he tries to take flight. He’s also spotted by a private investigator who snaps a few pictures of Ralph after Ralph crashes into a billboard.

The whole fracas lands Ralph in the psych ward of the hospital and when Pam shows up, she’s not sure what to make of the situation. She figures Ralph has really cracked and this isn’t going to go well for the custody case. It gets worse when he starts seeing images of Bill on the wall…

Pam’s convinced he’s gone sideways. Ralph, seeing that Bill is in trouble, busts out of the hospital with Pam running after him. They jump in her car and take off. During the drive, Ralph explains what happened with getting the suit and all. Pam doesn’t know what to believe at this point but isn’t beyond being convinced that Ralph’s lost his mind.

They arrive at the home of Nelson Corey, millionaire industrialist, where Bill is being held captive. Ralph has Pam wait with the car and he makes his way onto the grounds of the estate.

Bill, meanwhile, is being held by members of “Gabriel’s Army” basically a group of thugs thinly disguised as a religious group. One of them talks to Bill about salvation and all, while wielding a cattle prod. Bill shows no outward fear during this but when Ralph comes busting through the wall, Bill’s more than relieved. “I’ve never been so scared in my life!” he tells Ralph.

After Ralph gets himself and Bill out of the compound (by flying over the wall, with Bill over Ralph’s shoulders, and suffering a messy landing), Bill is introduced to Pam who, by this point, is more indignant than anything about this “suit” thing.

Still not fully convinced about the suit and becoming fed up with the boys, Pam orders Ralph to pull over. They get out of the car, except Bill, and Pam basically tells Ralph that she’s not buying any of it. The suit, the spaceship, none of it. So, to demonstrate the power of the suit, Ralph walks back to Pam’s car and lifts it up, Bill and all.

Pam faints. Convinced now, once she’s brought back around she asks the all-important question. “What do we do?”

Each of them have a different idea of what to do. Bill’s ready to take on the Russians. Pam and Ralph are more concerned with their own immediate lives. Bill does forget about the Russians long enough to focus on the immediate task at hand, which is finding out what was going on with this Gabriel’s Army, how Nelson Corey ties into all of it and who killed Bill’s partner, John Mackie.

Back at Ralph’s house they brainstorm for a bit realizing they’ve seen a lot more of the Vice President in the media lately and Bill chimes in with tidbit about Nelson Corey and his political backing. They then hear a news alert on the radio and when they turn on the television they find Los Angeles has erupted in riots. The Vice President is already in LA and the President is on his way.

Ralph asks Rhonda to watch Kevin for him while he, Bill and Pam head out to find out what’s going on. They check with the local commander of the area National Guard, only to discover that he’s in the thick of the plot. He brings Ralph, Pam and Bill to Nelson Corey’s estate where they’re locked in a room.

They don’t stay for long however, since Ralph’s wearing the suit. They dupe their guards and escape. With the President’s helicopter on the way, Bill gives Ralph the simple order: You gotta stop that chopper from landing.

Ralph succeeds and gets the President’s helicopter to turn back. Bill, with some back up by Pam, nabs Nelson Corey. Mr. Corey’s plans to eliminate the President and put the Vice President in power is stopped.

After all this, Maxwell asks for Ralph and Pam to meet him out in the dessert. There, he insists on being “in charge” of their operation from this point on but he praises Ralph for a job well done. He also decides that they’ll continue to work on local stuff and not go after the Russians. Ralph’s wearing the suit underneath his clothes and when he shakes Bill’s hand in appreciation for the genuine respect that Bill pays him, Ralph unintentionally breaks Bill’s hand.

Before Bill can walk back to his car, the green guys return. Over Pam’s car radio they deliver their message: They were satisfied with the results and they suggest that Ralph use the invisibility power of the suit.

Which Ralph would…if he hadn’t lost the instruction book.

And so it begins! A special ed teacher and a gruff, by the book FBI agent brought together by aliens and given a suit to save the world. When I water it down like that, it almost sounds like the show never should have worked. But it did. The pilot was well written and the cast work.

What The Greatest American Hero had against it though was everything else. Two days before the pilot aired, Warner Brothers and DC Comics filed suit against the show claiming it was too similar to Superman. (Seriously?) A federal judge ruled to allow the show to air while the litigation went forward and a year later the lawsuit was thrown out completely. (The damage, unfortunately, was pretty well done by that point but that’s another topic.)

Reviews of the pilot were mixed. Judy Flander of the Washington Star called the show “depressing” and “pathetic.” “An insult to adults,” she added.  The Daily Times of Portsmouth, Ohio said the show “tires quickly.” At the other end of the spectrum, one review called the show “promising” and Peter J. Boyer  (at the time a television critic for the Associated Press, now a writer for the likes of The New Yorker and Newsweek) was more gracious about the show, calling it “good, inspired fun.” Mr. Boyer specifically noted Culp’s portrayal of Maxwell, saying, “This is great Culp here, played straight without tongue bulging conspicuously in cheek, the best Culp since ‘I Spy.'”

Indeed, it is great Culp. It’s without a doubt, my favorite Culp. As I mentioned in my overview of The Hit Car episode, I was sold on Bill Maxwell in fairly short order and although I’ve enjoyed many other Culp performances, I always come back to Maxwell.

Despite some of the reviews of the show and the on going legal issues, The Greatest American Hero became a hit for ABC in it’s short first season. Things would not be easy from that point forward, however.

Guest stars in the pilot included…

G.D. Spradlin as Nelson Corey, who also appeared in the I Spy episode “Tonia” with Robert Culp. Mr. Spradlin began acting in his 40s and made a career out of playing politicians, military officers, Presidents and law enforcement officers in films and television. He passed away recently on July 24, 2011 at the age of 90.

Richard Herd, a familiar face on television since the early 1970s, as Vice President Adam Taft. Herd also played Watergate burgler James McCord in the 1976 movie All the President’s Men, and was Captain Sheridan in the William Shatner series TJ Hooker.

Bob Minor as John Mackie. Minor, a one time body builder champion, has been a successful actor and stuntman/stunt coordinator in films and television since the early 70’s. He was the stunt coordinator for six years on Magnum, P.I. and has doubled for the likes of Bernie Mac, Jim Brown and Sidney Poitier. In addition to the acting credit for this episode, he also is credited for stunts.

The Greatest American Hero first season DVD  and is available at Amazon.com.

TGAH: The Hit Car

Originally aired: March 25, 1981

In the early exploration of All Things Culp, I mined my way through YouTube. Back in 2008 there wasn’t a whole lot of stuff posted, a couple episodes of I Spy , one or two made for tv movies and various miscellaneous vids that I’ll cover in other posts. Amongst the miscellaneous stuff, however, was a vid that single handedly sold me on Bill Maxwell and The Greatest American Hero series. This vid is brilliant.

I was sold. I bought all three seasons in fairly short order.

I was especially sold on Culp’s Bill Maxwell, the calcified, old school Fed who freaked out and took off in the pilot after the visit with the “green guys” and the bequeathing of the suit to Ralph. He returned, however, out of a sense of duty and curious to see what the fuss was all about. By the end of the pilot, he was becoming quite comfortable with the idea of this supersuit and with this first regular season episode, he was ready to run the whole show, much to Ralph’s chagrin. Honestly, if the pilot for The Greatest American Hero didn’t sell you on watching this show, The Hit Car should have. This is by far my favorite episode.

So what’s the fuss all about? Read on…

Starlet Wilde has agreed to testify against Johnny “The Dancer” Diamante, the biggest “dope dealing slug” that FBI agent Bill Maxwell has been trying to nail for 15 years. After another Fed attempts to drive Starlet to LA from San Francisco and is shot in the process, Bill decides to go to San Francisco and bring her down himself – with help from Ralph and the suit.

Ralph, meanwhile, is trying to organize his class to do a Shakespeare play which will get them some credits for English Lit (which nobody seems to particularly care about). During the first meeting for the play, unfortunately, Bill shows up, tells Ralph they have a flight to San Francisco at 7 o’clock and it was go time.

Ralph, indignant, protests, saying he can’t just up and leave not without having to tend to some stuff first, like finding a babysitter for his son, Kevin. Bill solves that problem quick and asks for the next one. Pam tries to slip out but Bill doesn’t let her, telling her plainly, “You’re in this.” He then explains to both Ralph and Pam about his 15 years trying to nail Johnny Diamante and makes it clear. “We’re gonna get this guy, Ralph. Finally.”

Pam doesn’t care to be a “third string utility man” and Ralph’s not happy about Bill just barging in and taking things over. “Bill, you cannot going around changing people’s lives to suit yourself!” he says. “Sure I can,” Bill replies.

Despite neither of them liking the situation, there’s a grudging agreement to go along with Bill. Ralph asks Pam to take over the rehearsals for the play and Ralph and Bill head out…where Bill finds his hubcaps in the front seat of his car courtesy of Ralph’s students.

In San Francisco they arrive at the dumpy hotel room where Starlet is hiding. Starlet is pleasantly surprised to see Ralph – which annoys Bill.

Once inside her room, she tells Bill that she refuses to fly, citing some astro chart mumbo jumbo. There’s some lively discussion about driving versus flying, killers being on their tail and the stars predicting the future. Starlet also turns the charm on Ralph, which did I mention really annoys Bill? “Okay, boys and girls, over here please. Let’s put a dimmer on the goo goo eyes and try n’ hold a thought. We have killers after us in the immediate vicinity.”

Well Startlet doesn’t think there’s anybody outside the hotel room and she goes over and pulls back the curtain which suddenly shatters in gunfire. Bill pushes Starlet down to the floor and out of the line of fire and then hollers for Ralph to get out there and stop the gunmen.

Ralph sputters and mutters but does his thing, jumping through the bathroom window and flying across the way, only to crash into the penthouse across the street from the hotel. He manages to make his way out the suite, down the stairs and through the lobby all the while people are staring and snickering at him. He commandeers a trench coat on his way out.

Back at Starlet’s hotel room, Ralph knocks at the door. He gives Bill the bad news about not getting the hit guys and proceeds to confuse poor Ms. Starlet, who can’t figure out how Ralph ended up outside, when the last she knew, he was in the bathroom. Neither Ralph, nor Bill make any attempt to explain and Bill quickly changes the subject, they need to rethink their scenario as it’s obvious the hit guys are on to them.

Starlet still refuses to fly. In fact, so does Ralph.

Bill, sick of them both, gives in to having to drive back to LA.

During the drive, Starlet is impressed by Ralph’s intellect as he’s sitting there reading Shakespeare. Bill, in turn, is simply amazed by her lack thereof…

Having driven for a while, and hearing enough of Starlet prattle on confusing The Taming of the Shrew with Who’s Afraid of Virginia Wolfe? Bill decides they’re going to stop at an FBI safe house in Salinas for the night. Only Starlet refuses, telling him they can’t stop until Santa Barbara – her astro chart and all. She can’t sleep except by the water.

Bill’s livid. Not wanting to hear the arguing, Ralph makes a suggestion to Bill that Pam’s boss has a beach house in Santa Barbara. If Pam can borrow it, they can stop there. Starlet thinks it sounds wonderful. Bill’s irritated as all hell by this point but they stop and phone Pam.

Somehow, Pam manages to get use of the beach house (would have been interesting to have scene showing her trying to explain this to her boss) and is there waiting for the trio when they arrive. Bill praises her on getting the beach house but laments that there’s no food. There’s then some added animosity from Pam toward Starlet. A great cap off to an already wonderful evening.

The next morning they prepare to head out. Bill, starving by this point, is making due with stale dog biscuits that would “float in a tub of spit forever.” There’s a nice scene here between Bill and Pam where he at least acknowledges that Starlet’s been putting the moves on Ralph and tells Pam that she’s more than welcome to set the show girl straight, with what we today call a good bitch slapping. It’s hard to tell tho’ if Pam appreciates the gesture since it was presented in such a Neanderthal way.

While this is going on, Ralph’s in the bathroom, putting on his red jammies. He sees a holograph in the mirror of the two hit men outside the beach house. At the same time, Starlet’s pounding on the door to use the facilities. She eventually busts in, makes a little pass at Ralph who deflects it and heads out to tell Bill what he’s seen.

Bill gathers the troops and lays out the plan rapid fire. He takes no grief from either Pam or Ralph and tells them to do what he says. Pam sees that Starlet is down and away from the windows while Ralph does his thing with the suit. Bill, meanwhile, goes right out the front door – John Wayne style. He catches the attention of the hit guys and exchanges fire with them, taking a wound to his hand. Ralph gets the drop on the two hit men and tosses one head over heels in Bill’s direction. While Bill places that one under arrest, Ralph chases after the second hit man who tries to make his escape in another vehicle. Ralph catches him and Bill follows up to pick up the guy. By this point there’s sirens in the air and the heat is on. Bill tells Ralph to disappear, won’t let him take the car and can’t let him take the van. Ralph indignant once again, issues a warning to Bill that his patience is running pretty thin with this “partnership.” He then takes to the air and tries to fly, only to go dive bombing right into the ocean. The two hit men are completely stupefied by what they’ve witnessed. Bill advises them to forget what they saw but after their arrest they babble on and end up in a mental ward somewhere.

They make it to the courthouse in LA, but not without a new hit squad trying to nail Starlet. Bill takes a shot to the leg this time but Starlet is spared and is ushered inside where the grand jury is waiting. Bill calls the entire mission a success….until he finds out later from the District Attorney that Starlet took the 5th and refused to testify.

At this point, Ralph figures out there was a different scenario going on the whole time and he explains it to Bill. They weren’t trying to kill Starlet, they were trying to kill Bill. Bill doesn’t buy it at first until he thinks about for a minute and it makes sense.

As they drive away from the courthouse, Bill and Ralph both lament about their day of which neither one has much sympathy for the other. Bill then makes an excuse about stopping for some cigars and he pulls up to a little Italian restaurant where, inside, Johnny Diamante is complaining about his day too. “The only thing that’s worked out in the last 24 hours is this tuxedo,” Johnny says to his henchman, Mike, “and if I didn’t look so good in this thing I’d smack you right in the mouth!” If Johnny thought his day was going bad it got worse, when Bill comes walking in with a cheerful rendition of “The Gang’s All Here” and walks (limps) up to Johnny’s booth, pulling a gun.

A tense moment passes before Bill takes hold of Johnny’s plate of spaghetti and dumps in right on Johnny’s lap. He not only just dumps it, he pushes the plate right into Johnny’s gut and then lets it slide down to the floor.

Bill doesn’t stop there. He then takes Johnny’s glass of wine and carefully pours that into his lap too all the while seeing out of the corner of his eye as Mike tries to move for a gun and Bill simply tells him to freeze.

In parting, Bill asks for Johnny to say hello to all the pretty people at the Grammy’s…

Knowing full well he’s angered Johnny, Bill returns to the car and asks Ralph to drive. Johnny and Mike follow in a truck that has the Hit Car in it. Once again, the conversation between Ralph and Bill is a bit one sided with Ralph prattling on about how they need to communicate better if this partnership is going to work. All Bill is concerned with is that Johnny is following them.

They arrive at the school, which Bill figures will work good for his scenario – the place is supposed to be empty. Only it’s not. Ralph has a dress rehearsal scheduled which sends Bill into code red mode and he tells everyone to get down just as Johnny opens fire through the doorway from the Hit Car.

The shootout underway, Bill faces down the Hit Car (and runs from it) while Ralph struggles with the change of outfits. Finally, Ralph gets his act together and flies in under the Hit Car. He tips the Hit Car on its side effectively trapping Johnny and Mike.

Upon seeing Ralph, Johnny realizes his hit guys weren’t kidding when they said a “supah guy” broke up the hit. Bill gives Johnny the same advice he gave the hit men: You didn’t see any of this. It didn’t happen. Johnny has no problem with that.

For all his bluster about Ralph’s students and sometimes Ralph, Bill shows up at the opening night of the kids play. He tells Ralph that he wasn’t there as any show of support, however. He just likes Shakespeare….

…and to listen to the baseball game on his transistor radio.

Great interactions between the characters (and conflict), great plot twist and nice use of a 1966 Dodge Charger (I’m a car nut). The scene where Bill dumps the pasta on Johnny’s lap is classic. In fact, I loved this episode so much I played around with the footage and created a couple of “trailers” for the ep (kinda like a movie trailer). Here’s one of them…

The Greatest American Hero – Season One is available at Amazon.com, either as a download or you can purchase the DVD set.  You can also download the Hit Car episode itself through Amazon for about the price of a cup of coffee!